“The dog without feathers” and the Sartrian traditionontology

Detalhes bibliográficos
Autor(a) principal: Mitidieri, André Luis
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Signótica (Online)
Texto Completo: https://revistas.ufg.br/sig/article/view/32763
Resumo: Having the essays published by Jean-Paul Sartre in the 1940s as a starting point, we analyze “O cão sem plumas” (“The Dog without Feathers”), by João Cabral de Melo Neto (1950). We seek to observe if its forms and materials mean or do not mean the word, designating it as an undeclared representation of the real universe. The problematization of the limits between poetry and prose broadens the construction of the social universe resignified via literature. Complex semantic constructions and figures of speech which constitute the allusive game played by Cabral, especially the metaphor, indicate that the use of figurative writing does not move in totum the Speaker away from a transparent or even an utilitarian employment of language.
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spelling “The dog without feathers” and the Sartrian traditionontology“El perro sin plumas” y la ontología Sartreana“O cão sem plumas” e a ontologia SartrianaJean-Paul Sartre. João Cabral de Melo Neto. Poetry and prose.Jean Paul Sartre. João Cabral de Melo Neto. Poesía y prosa.Jean-Paul Sartre. João Cabral de Melo Neto. Poesia e prosa.Having the essays published by Jean-Paul Sartre in the 1940s as a starting point, we analyze “O cão sem plumas” (“The Dog without Feathers”), by João Cabral de Melo Neto (1950). We seek to observe if its forms and materials mean or do not mean the word, designating it as an undeclared representation of the real universe. The problematization of the limits between poetry and prose broadens the construction of the social universe resignified via literature. Complex semantic constructions and figures of speech which constitute the allusive game played by Cabral, especially the metaphor, indicate that the use of figurative writing does not move in totum the Speaker away from a transparent or even an utilitarian employment of language.A partir de ensayos publicados por Jean-Paul Sartre en la década de 1940, analizamos “O cão sem plumas” (“El perro sin plumas”), de João Cabral de Melo Neto (1950). Observamos si sus formas y materiales significan o no la palabra, demarcándola como la representación no-declarada del universo real. La problematización de los límites entre poesía y prosa ensancha la construcción del universo social resignificado por la literatura. Construcciones semánticas complejas y figuras de lenguaje constitutivas del juego alusivo cabralino, sobretodo de la metáfora, indican que al servirse de la escrita figurada, el sujeto poético no se aleja in totum del lenguaje usado de forma transparente o utilitaria.A partir de ensaios publicados por Jean-Paul Sartre na década de 1940, analisamos “O cão sem plumas”, de João Cabral de Melo Neto (1950). Buscamos observar se as suas formas e matérias significam ou não a palavra, assinalando-a como representação não-declarada do universo real. A problematização dos limites entre poesia e prosa amplia a construção do universo social ressignificado via literatura. Complexas construções semânticas e figuras de linguagem constitutivas do jogo alusivo cabralino, sobretudo a metáfora, indicam que, ao se valer da escrita figurada, o sujeito poético não se afasta in totum da linguagem empregada de forma transparente ou utilitária.Universidade Federal de Goiás2017-06-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/xmlhttps://revistas.ufg.br/sig/article/view/3276310.5216/sig.v29i1.32763Signótica; Vol. 29 No. 1 (2017); 196-217Signótica; v. 29 n. 1 (2017); 196-2172316-36900103-7250reponame:Signótica (Online)instname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/sig/article/view/32763/23223https://revistas.ufg.br/sig/article/view/32763/25071Copyright (c) 2017 Signóticainfo:eu-repo/semantics/openAccessMitidieri, André Luis2018-01-18T14:05:26Zoai:ojs.revistas.ufg.br:article/32763Revistahttp://www.revistas.ufg.br/index.php/sig/indexPUBhttps://www.revistas.ufg.br/sig/oaisignotica@gmail.com2316-36900103-7250opendoar:2024-05-21T19:57:16.620541Signótica (Online) - Universidade Federal de Goiás (UFG)true
dc.title.none.fl_str_mv “The dog without feathers” and the Sartrian traditionontology
“El perro sin plumas” y la ontología Sartreana
“O cão sem plumas” e a ontologia Sartriana
title “The dog without feathers” and the Sartrian traditionontology
spellingShingle “The dog without feathers” and the Sartrian traditionontology
Mitidieri, André Luis
Jean-Paul Sartre. João Cabral de Melo Neto. Poetry and prose.
Jean Paul Sartre. João Cabral de Melo Neto. Poesía y prosa.
Jean-Paul Sartre. João Cabral de Melo Neto. Poesia e prosa.
title_short “The dog without feathers” and the Sartrian traditionontology
title_full “The dog without feathers” and the Sartrian traditionontology
title_fullStr “The dog without feathers” and the Sartrian traditionontology
title_full_unstemmed “The dog without feathers” and the Sartrian traditionontology
title_sort “The dog without feathers” and the Sartrian traditionontology
author Mitidieri, André Luis
author_facet Mitidieri, André Luis
author_role author
dc.contributor.author.fl_str_mv Mitidieri, André Luis
dc.subject.por.fl_str_mv Jean-Paul Sartre. João Cabral de Melo Neto. Poetry and prose.
Jean Paul Sartre. João Cabral de Melo Neto. Poesía y prosa.
Jean-Paul Sartre. João Cabral de Melo Neto. Poesia e prosa.
topic Jean-Paul Sartre. João Cabral de Melo Neto. Poetry and prose.
Jean Paul Sartre. João Cabral de Melo Neto. Poesía y prosa.
Jean-Paul Sartre. João Cabral de Melo Neto. Poesia e prosa.
description Having the essays published by Jean-Paul Sartre in the 1940s as a starting point, we analyze “O cão sem plumas” (“The Dog without Feathers”), by João Cabral de Melo Neto (1950). We seek to observe if its forms and materials mean or do not mean the word, designating it as an undeclared representation of the real universe. The problematization of the limits between poetry and prose broadens the construction of the social universe resignified via literature. Complex semantic constructions and figures of speech which constitute the allusive game played by Cabral, especially the metaphor, indicate that the use of figurative writing does not move in totum the Speaker away from a transparent or even an utilitarian employment of language.
publishDate 2017
dc.date.none.fl_str_mv 2017-06-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/sig/article/view/32763
10.5216/sig.v29i1.32763
url https://revistas.ufg.br/sig/article/view/32763
identifier_str_mv 10.5216/sig.v29i1.32763
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/sig/article/view/32763/23223
https://revistas.ufg.br/sig/article/view/32763/25071
dc.rights.driver.fl_str_mv Copyright (c) 2017 Signótica
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Signótica
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/xml
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Signótica; Vol. 29 No. 1 (2017); 196-217
Signótica; v. 29 n. 1 (2017); 196-217
2316-3690
0103-7250
reponame:Signótica (Online)
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Signótica (Online)
collection Signótica (Online)
repository.name.fl_str_mv Signótica (Online) - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv signotica@gmail.com
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