Painting in Apollinaire’s Prose: La Femme Assise

Detalhes bibliográficos
Autor(a) principal: Fogagnoli, Conrado Augusto Barbosa
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Signótica (Online)
Texto Completo: https://revistas.ufg.br/sig/article/view/68024
Resumo: In this article I deal with the relationship between painting and literature in the posthumous novel La femme assise, by Guillaume Apollinaire. The hypothesis is that the text can be related to visual arts from different perspectives. Since its title, the book evokes the French painting of the time; the characters that populate the novel are composed, much of them, based on artists of the time - and a considerable number of them are the same defended by Apollinaire in his art criticism texts. In addition to these references, and others commented on throughout the text, the book’s composition structure is also analyzed in order to show how much it owes to the painting of the period.
id UFG-8_cd8dcc652dc6f75bd8a1315d511ef511
oai_identifier_str oai:ojs.revistas.ufg.br:article/68024
network_acronym_str UFG-8
network_name_str Signótica (Online)
repository_id_str
spelling Painting in Apollinaire’s Prose: La Femme AssiseLa Pintura en la Prosa de Apollinaire: La Femme AssiseA Pintura na Prosa de Apollinaire: La Femme AssiseLiteratura francesa. Guillaume Apollinaire. Diálogo entre as artes.Literatura francesa. Guillaume Apollinaire. Diálogo entre as artes. Literatura francesa. Guillaume Apollinaire. Diálogo entre las artes.In this article I deal with the relationship between painting and literature in the posthumous novel La femme assise, by Guillaume Apollinaire. The hypothesis is that the text can be related to visual arts from different perspectives. Since its title, the book evokes the French painting of the time; the characters that populate the novel are composed, much of them, based on artists of the time - and a considerable number of them are the same defended by Apollinaire in his art criticism texts. In addition to these references, and others commented on throughout the text, the book’s composition structure is also analyzed in order to show how much it owes to the painting of the period.En este artículo me ocupo de la relación entre la pintura y la literatura en la novela La femme assise, de Guillaume Apollinaire. La hipótesis es que el texto puede relacionarse con las artes plásticas desde diferentes perspectivas. Por su título, el libro evoca la pintura francesa de la época; los personajes que figuran en la novela están compuestos, buena parte de ellos, a partir de artistas de la época, y un número considerable de ellos son los mismos que defiende Apollinaire en sus textos de crítica de arte. Además de estas referencias, y otras comentadas a lo largo del texto, también se analiza la estructura compositiva del libro para mostrar cuánto le debe a la pintura de la época.Neste artigo, trato das relações entre pintura e literatura no romance La femme assise, de Guillaume Apollinaire. A hipótese é a de que o texto pode ser relacionado com as artes plásticas sob diversas perspectivas. Desde seu título, o livro evoca a pintura francesa da época; as personagens que figuram no romance são compostas, boa parte delas, com base em artistas da época – e um número considerável deles são os mesmos defendidos por Apollinaire em seus textos de crítica de arte. Para além destas referências, e outras comentadas ao longo do texto, analisa-se também a estrutura de composição do livro a fim de evidenciar o quanto ela deve à pintura do período.Universidade Federal de Goiás2022-02-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/sig/article/view/6802410.5216/sig.v34.68024Signótica; Vol. 34 (2022); e68024Signótica; v. 34 (2022); e680242316-36900103-7250reponame:Signótica (Online)instname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/sig/article/view/68024/38024Copyright (c) 2022 Signóticahttps://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessFogagnoli, Conrado Augusto Barbosa 2023-10-05T00:35:28Zoai:ojs.revistas.ufg.br:article/68024Revistahttp://www.revistas.ufg.br/index.php/sig/indexPUBhttps://www.revistas.ufg.br/sig/oaisignotica@gmail.com2316-36900103-7250opendoar:2024-05-21T19:57:30.405324Signótica (Online) - Universidade Federal de Goiás (UFG)true
dc.title.none.fl_str_mv Painting in Apollinaire’s Prose: La Femme Assise
La Pintura en la Prosa de Apollinaire: La Femme Assise
A Pintura na Prosa de Apollinaire: La Femme Assise
title Painting in Apollinaire’s Prose: La Femme Assise
spellingShingle Painting in Apollinaire’s Prose: La Femme Assise
Fogagnoli, Conrado Augusto Barbosa
Literatura francesa. Guillaume Apollinaire. Diálogo entre as artes.
Literatura francesa. Guillaume Apollinaire. Diálogo entre as artes.
Literatura francesa. Guillaume Apollinaire. Diálogo entre las artes.
title_short Painting in Apollinaire’s Prose: La Femme Assise
title_full Painting in Apollinaire’s Prose: La Femme Assise
title_fullStr Painting in Apollinaire’s Prose: La Femme Assise
title_full_unstemmed Painting in Apollinaire’s Prose: La Femme Assise
title_sort Painting in Apollinaire’s Prose: La Femme Assise
author Fogagnoli, Conrado Augusto Barbosa
author_facet Fogagnoli, Conrado Augusto Barbosa
author_role author
dc.contributor.author.fl_str_mv Fogagnoli, Conrado Augusto Barbosa
dc.subject.por.fl_str_mv Literatura francesa. Guillaume Apollinaire. Diálogo entre as artes.
Literatura francesa. Guillaume Apollinaire. Diálogo entre as artes.
Literatura francesa. Guillaume Apollinaire. Diálogo entre las artes.
topic Literatura francesa. Guillaume Apollinaire. Diálogo entre as artes.
Literatura francesa. Guillaume Apollinaire. Diálogo entre as artes.
Literatura francesa. Guillaume Apollinaire. Diálogo entre las artes.
description In this article I deal with the relationship between painting and literature in the posthumous novel La femme assise, by Guillaume Apollinaire. The hypothesis is that the text can be related to visual arts from different perspectives. Since its title, the book evokes the French painting of the time; the characters that populate the novel are composed, much of them, based on artists of the time - and a considerable number of them are the same defended by Apollinaire in his art criticism texts. In addition to these references, and others commented on throughout the text, the book’s composition structure is also analyzed in order to show how much it owes to the painting of the period.
publishDate 2022
dc.date.none.fl_str_mv 2022-02-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/sig/article/view/68024
10.5216/sig.v34.68024
url https://revistas.ufg.br/sig/article/view/68024
identifier_str_mv 10.5216/sig.v34.68024
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/sig/article/view/68024/38024
dc.rights.driver.fl_str_mv Copyright (c) 2022 Signótica
https://creativecommons.org/licenses/by-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Signótica
https://creativecommons.org/licenses/by-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Signótica; Vol. 34 (2022); e68024
Signótica; v. 34 (2022); e68024
2316-3690
0103-7250
reponame:Signótica (Online)
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Signótica (Online)
collection Signótica (Online)
repository.name.fl_str_mv Signótica (Online) - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv signotica@gmail.com
_version_ 1799875046590644224

Registros relacionados