The Clarice’s rat – language’s cartography
Autor(a) principal: | |
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Data de Publicação: | 2017 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Entre-Lugar (Online) |
Texto Completo: | https://ojs.ufgd.edu.br/entre-lugar/article/view/7279 |
Resumo: | Of "Forgiving God" story attached to the compilation " Clandestine Happiness,"left the considerations listed in this article. Proposing a map of emotions set out there, we attempted to reveal, along with fragments of the life story of the writer Clarice Lispector, social time and space in which they land the feelings of peace, anger, fear, sadness, expressed accordingly in the text. Th e centrality of the analysis stood a mouse metaphor dead on the boardwalk of Copacabana, in Rio de Janeiro. Th is tale translates existential demands that go beyond the individuality of the writer, extending to the subjects and the production of urban space in contemporary times. “Forgiving God” is, above all, a call to intense life, against an existence that also embraces the disorganized, the unfi nished, the becoming. |
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The Clarice’s rat – language’s cartographyO rato de Clarice – cartografias de linguagemClarice LispectorReadingWritingEngagement.Geografia e Literatura. Clarice Lispector. Cartografia de Linguagem.Of "Forgiving God" story attached to the compilation " Clandestine Happiness,"left the considerations listed in this article. Proposing a map of emotions set out there, we attempted to reveal, along with fragments of the life story of the writer Clarice Lispector, social time and space in which they land the feelings of peace, anger, fear, sadness, expressed accordingly in the text. Th e centrality of the analysis stood a mouse metaphor dead on the boardwalk of Copacabana, in Rio de Janeiro. Th is tale translates existential demands that go beyond the individuality of the writer, extending to the subjects and the production of urban space in contemporary times. “Forgiving God” is, above all, a call to intense life, against an existence that also embraces the disorganized, the unfi nished, the becoming.De “Perdoando Deus”, conto anexado à coletânea “Felicidade Clandestina”, partiram as considerações elencadas neste artigo. Propondo uma cartografia das emoções ali enunciadas, buscou-se revelar, junto a fragmentos da trajetória de vida da escritora Clarice Lispector, o tempo social e o espaço nos quais aterrissam as sensações de paz, revolta, medo, tristeza, aceitação exprimidas no texto. Na centralidade da análise, situou-se a metáfora do rato morto no calçadão de Copacabana, no Rio de Janeiro. Tal conto traduz demandas existenciais que ultrapassam a individualidade da escritora, estendendo-se aos sujeitos e à produção do espaço urbano na contemporaneidade. “Perdoando Deus” é, acima de tudo, um chamado à vida intensa, frente a uma existência que abarca também o desorganizado, o inacabado, o devir.Editora da Universidade Federal da Grande Dourados2017-08-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.ufgd.edu.br/entre-lugar/article/view/727910.30612/el.v8i15.7279ENTRE-LUGAR; v. 8 n. 15 (2017); 13-242177-78292176-9559reponame:Entre-Lugar (Online)instname:Universidade Federal da Grande Dourados (UFGD)instacron:UFGDporhttps://ojs.ufgd.edu.br/entre-lugar/article/view/7279/4492Copyright (c) 2018 ENTRE-LUGARinfo:eu-repo/semantics/openAccessMarques, Ana Carolina de OliveiraChaveiro, Eguimar Felício2019-07-30T20:39:15Zoai:ojs.pkp.sfu.ca:article/7279Revistahttps://ojs.ufgd.edu.br/index.php/entre-lugarPUBhttps://ojs.ufgd.edu.br/index.php/entre-lugar/oaimarcosmondardo@yahoo.com.br||charleisilva@ufgd.edu.br||editora.suporte@ufgd.edu.br10.306122177-78292176-9559opendoar:2019-07-30T20:39:15Entre-Lugar (Online) - Universidade Federal da Grande Dourados (UFGD)false |
dc.title.none.fl_str_mv |
The Clarice’s rat – language’s cartography O rato de Clarice – cartografias de linguagem |
title |
The Clarice’s rat – language’s cartography |
spellingShingle |
The Clarice’s rat – language’s cartography Marques, Ana Carolina de Oliveira Clarice Lispector Reading Writing Engagement. Geografia e Literatura. Clarice Lispector. Cartografia de Linguagem. |
title_short |
The Clarice’s rat – language’s cartography |
title_full |
The Clarice’s rat – language’s cartography |
title_fullStr |
The Clarice’s rat – language’s cartography |
title_full_unstemmed |
The Clarice’s rat – language’s cartography |
title_sort |
The Clarice’s rat – language’s cartography |
author |
Marques, Ana Carolina de Oliveira |
author_facet |
Marques, Ana Carolina de Oliveira Chaveiro, Eguimar Felício |
author_role |
author |
author2 |
Chaveiro, Eguimar Felício |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Marques, Ana Carolina de Oliveira Chaveiro, Eguimar Felício |
dc.subject.por.fl_str_mv |
Clarice Lispector Reading Writing Engagement. Geografia e Literatura. Clarice Lispector. Cartografia de Linguagem. |
topic |
Clarice Lispector Reading Writing Engagement. Geografia e Literatura. Clarice Lispector. Cartografia de Linguagem. |
description |
Of "Forgiving God" story attached to the compilation " Clandestine Happiness,"left the considerations listed in this article. Proposing a map of emotions set out there, we attempted to reveal, along with fragments of the life story of the writer Clarice Lispector, social time and space in which they land the feelings of peace, anger, fear, sadness, expressed accordingly in the text. Th e centrality of the analysis stood a mouse metaphor dead on the boardwalk of Copacabana, in Rio de Janeiro. Th is tale translates existential demands that go beyond the individuality of the writer, extending to the subjects and the production of urban space in contemporary times. “Forgiving God” is, above all, a call to intense life, against an existence that also embraces the disorganized, the unfi nished, the becoming. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-08-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.ufgd.edu.br/entre-lugar/article/view/7279 10.30612/el.v8i15.7279 |
url |
https://ojs.ufgd.edu.br/entre-lugar/article/view/7279 |
identifier_str_mv |
10.30612/el.v8i15.7279 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.ufgd.edu.br/entre-lugar/article/view/7279/4492 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 ENTRE-LUGAR info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 ENTRE-LUGAR |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da Universidade Federal da Grande Dourados |
publisher.none.fl_str_mv |
Editora da Universidade Federal da Grande Dourados |
dc.source.none.fl_str_mv |
ENTRE-LUGAR; v. 8 n. 15 (2017); 13-24 2177-7829 2176-9559 reponame:Entre-Lugar (Online) instname:Universidade Federal da Grande Dourados (UFGD) instacron:UFGD |
instname_str |
Universidade Federal da Grande Dourados (UFGD) |
instacron_str |
UFGD |
institution |
UFGD |
reponame_str |
Entre-Lugar (Online) |
collection |
Entre-Lugar (Online) |
repository.name.fl_str_mv |
Entre-Lugar (Online) - Universidade Federal da Grande Dourados (UFGD) |
repository.mail.fl_str_mv |
marcosmondardo@yahoo.com.br||charleisilva@ufgd.edu.br||editora.suporte@ufgd.edu.br |
_version_ |
1809280510201954304 |