O mercado de arte goiano e o artista como ser social
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/7266 |
Resumo: | The present paper “The art market from Goiânia and the artist as a social being” aims at presenting the tecniques and concepts that bring the artist closer and closer to the viewer. Artistic concepts developed mostly in the 60’s and earlier made it possible for the public to become closer to art, the object being observed and the observer sharing an intelectual harmony that enabled art to exist. The paper presents the piece “Prancha 6 com cocar Kraô” by Carlos Sena as a differential element in this process of reestructuring the arts which took place in Goiânia. It enabled us to understand the art market as a determining element of the intimate social ties. The prices attributed to works of art thus become a symbolic element, creating a disruption in the power the artist and his means of production had in qualitatively predicting the value of a piece. Finally, we show that the resource of intimate social ties, foreseen by Olav Velthius and excessively reorganized by electronic mean, gives rise to a new form of art which works as a disturbance of these very social relations. |
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Mari, Marcelohttp://lattes.cnpq.br/8059077343813699Mari, MarceloOliveira, Emerson Dionisio Gomes deNoronha, Marcio PizarroJesus, Samuel José Gilbert deGuimarães, Leda Maria de Barroshttp://lattes.cnpq.br/2518383471223795Coelho , Armando de Aguiar Guedes2017-05-05T12:51:29Z2015-04-14COELHO, Armando de Aguiar Guedes. O mercado de arte goiano e o artista como ser social. 2015. 239 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015.http://repositorio.bc.ufg.br/tede/handle/tede/7266The present paper “The art market from Goiânia and the artist as a social being” aims at presenting the tecniques and concepts that bring the artist closer and closer to the viewer. Artistic concepts developed mostly in the 60’s and earlier made it possible for the public to become closer to art, the object being observed and the observer sharing an intelectual harmony that enabled art to exist. The paper presents the piece “Prancha 6 com cocar Kraô” by Carlos Sena as a differential element in this process of reestructuring the arts which took place in Goiânia. It enabled us to understand the art market as a determining element of the intimate social ties. The prices attributed to works of art thus become a symbolic element, creating a disruption in the power the artist and his means of production had in qualitatively predicting the value of a piece. Finally, we show that the resource of intimate social ties, foreseen by Olav Velthius and excessively reorganized by electronic mean, gives rise to a new form of art which works as a disturbance of these very social relations.O trabalho “O MERCADO DE ARTE GOIANO E O ARTISTA COMO SER SOCIAL” tem como corpus a apresentação de técnicas e conceitos que tornam o artista cada vez mais próximo do observador de suas obras. Conceitos oriundos da década de sessenta e de períodos anteriores fizeram com que a arte se aproximasse de seu público conceitualmente, em que o observável e o observador necessitavam de uma harmonia intelectual para que a obra existisse. O trabalho tem a obra “Prancha 6 com cocar Kraô” de Carlos Sena como elemento diferencial neste processo de reestruturação da arte em Goiânia. Esse fato fez com que pudéssemos enxergar o mercado de arte hoje também como um elemento em que as amarras sociais funcionam de forma determinante e em que os preços das obras acabaram se tornando um elemento simbólico das mesmas, causando um desajuste no poder do artista e do meio em predizer o valor das obras de forma qualitativa. Por fim, mostramos que o recurso da amarra social íntima prevista por Olav Velthuis e excessivamente reorganizada pelos meios eletrônicos faz com que nasça uma outra forma de arte que funciona como um distúrbio dessas relações sociais.Submitted by Erika Demachki (erikademachki@gmail.com) on 2017-05-04T17:30:26Z No. of bitstreams: 2 Tese - Armando de Aguiar Guedes Coelho - 2015.pdf: 5019388 bytes, checksum: c729701d41dbfbb4021256f3523c3bf6 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-05-05T12:51:29Z (GMT) No. of bitstreams: 2 Tese - Armando de Aguiar Guedes Coelho - 2015.pdf: 5019388 bytes, checksum: c729701d41dbfbb4021256f3523c3bf6 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2017-05-05T12:51:29Z (GMT). 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dc.title.por.fl_str_mv |
O mercado de arte goiano e o artista como ser social |
dc.title.alternative.eng.fl_str_mv |
The art market from Goiânia and the artist as a social being |
title |
O mercado de arte goiano e o artista como ser social |
spellingShingle |
O mercado de arte goiano e o artista como ser social Coelho , Armando de Aguiar Guedes Mercado artístico Arte goiana Arte conceitual LINGUISTICA, LETRAS E ARTES::ARTES |
title_short |
O mercado de arte goiano e o artista como ser social |
title_full |
O mercado de arte goiano e o artista como ser social |
title_fullStr |
O mercado de arte goiano e o artista como ser social |
title_full_unstemmed |
O mercado de arte goiano e o artista como ser social |
title_sort |
O mercado de arte goiano e o artista como ser social |
author |
Coelho , Armando de Aguiar Guedes |
author_facet |
Coelho , Armando de Aguiar Guedes |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Mari, Marcelo |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/8059077343813699 |
dc.contributor.referee1.fl_str_mv |
Mari, Marcelo |
dc.contributor.referee2.fl_str_mv |
Oliveira, Emerson Dionisio Gomes de |
dc.contributor.referee3.fl_str_mv |
Noronha, Marcio Pizarro |
dc.contributor.referee4.fl_str_mv |
Jesus, Samuel José Gilbert de |
dc.contributor.referee5.fl_str_mv |
Guimarães, Leda Maria de Barros |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/2518383471223795 |
dc.contributor.author.fl_str_mv |
Coelho , Armando de Aguiar Guedes |
contributor_str_mv |
Mari, Marcelo Mari, Marcelo Oliveira, Emerson Dionisio Gomes de Noronha, Marcio Pizarro Jesus, Samuel José Gilbert de Guimarães, Leda Maria de Barros |
dc.subject.por.fl_str_mv |
Mercado artístico Arte goiana Arte conceitual |
topic |
Mercado artístico Arte goiana Arte conceitual LINGUISTICA, LETRAS E ARTES::ARTES |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES |
description |
The present paper “The art market from Goiânia and the artist as a social being” aims at presenting the tecniques and concepts that bring the artist closer and closer to the viewer. Artistic concepts developed mostly in the 60’s and earlier made it possible for the public to become closer to art, the object being observed and the observer sharing an intelectual harmony that enabled art to exist. The paper presents the piece “Prancha 6 com cocar Kraô” by Carlos Sena as a differential element in this process of reestructuring the arts which took place in Goiânia. It enabled us to understand the art market as a determining element of the intimate social ties. The prices attributed to works of art thus become a symbolic element, creating a disruption in the power the artist and his means of production had in qualitatively predicting the value of a piece. Finally, we show that the resource of intimate social ties, foreseen by Olav Velthius and excessively reorganized by electronic mean, gives rise to a new form of art which works as a disturbance of these very social relations. |
publishDate |
2015 |
dc.date.issued.fl_str_mv |
2015-04-14 |
dc.date.accessioned.fl_str_mv |
2017-05-05T12:51:29Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
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doctoralThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
COELHO, Armando de Aguiar Guedes. O mercado de arte goiano e o artista como ser social. 2015. 239 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/7266 |
identifier_str_mv |
COELHO, Armando de Aguiar Guedes. O mercado de arte goiano e o artista como ser social. 2015. 239 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/7266 |
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por |
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openAccess |
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Universidade Federal de Goiás |
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UFG |
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Brasil |
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Faculdade de Artes Visuais - FAV (RG) |
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Universidade Federal de Goiás |
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