A representação da loucura em ermos e gerais
Main Author: | |
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Publication Date: | 2011 |
Format: | Master thesis |
Language: | por |
Source: | Biblioteca Digital de Teses e Dissertações da UFG |
Download full: | http://repositorio.bc.ufg.br/tede/handle/tede/9792 |
Summary: | Insanity as social object, is composed by a discourse networking, that have outlined a broad way in arts in general and specially in literature. Many writers from the national canon performed the esthetics crossing by the insanity route and have been legated to the universe of the exciting letters reflections about the insanity phenomenon. Bernardo Élis makes part of this group, and by the way, the Brazilian writer exposed the signs of the hard reality experienced by the man who lived in the wilds of Brazil and with this consolidated artistically the insanity fate as a key element of interpretation of small goianas communities in mid-century XX. So, esthetically represented, the insanity becomes to be the metaphor of spoiled identity and the madman, by his time, becomes to be the difference subject. Following also in this way, with this study intends to reflect about of numerous speeches socially constructed in relation to the insane person and the insane representation in some tales from Ermos e Gerais (1944), namely: “O louco da sombra”, “A virgem santíssima do quarto de Joana”, “André Louco”. From the analysis of language, observation of the antics narrator, and the composition of character, whose objective is to find if the literary text protects itself as space of emancipation, knowledge of each other from themselves, or, reinforces the negatives stereotypes of the socially marginalized groups. For this agreement, this study will base on philosophic assumptions from Michel Foucault about the insanity. |
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Santos, Rogério Santana dosSantos, Rogério Santana dosSantos, Nádia Maria WeberCruvinel, Maria de FátimaOliveira, Elis Regina da Silva2019-07-05T13:18:46Z2011-06-10OLIVEIRA, Elis Regina da Silva. A representação da loucura em ermos e gerais. 2011. 120 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2011.http://repositorio.bc.ufg.br/tede/handle/tede/9792Insanity as social object, is composed by a discourse networking, that have outlined a broad way in arts in general and specially in literature. Many writers from the national canon performed the esthetics crossing by the insanity route and have been legated to the universe of the exciting letters reflections about the insanity phenomenon. Bernardo Élis makes part of this group, and by the way, the Brazilian writer exposed the signs of the hard reality experienced by the man who lived in the wilds of Brazil and with this consolidated artistically the insanity fate as a key element of interpretation of small goianas communities in mid-century XX. So, esthetically represented, the insanity becomes to be the metaphor of spoiled identity and the madman, by his time, becomes to be the difference subject. Following also in this way, with this study intends to reflect about of numerous speeches socially constructed in relation to the insane person and the insane representation in some tales from Ermos e Gerais (1944), namely: “O louco da sombra”, “A virgem santíssima do quarto de Joana”, “André Louco”. From the analysis of language, observation of the antics narrator, and the composition of character, whose objective is to find if the literary text protects itself as space of emancipation, knowledge of each other from themselves, or, reinforces the negatives stereotypes of the socially marginalized groups. For this agreement, this study will base on philosophic assumptions from Michel Foucault about the insanity.A loucura como manifestação social, constituída por uma rede de discursos, tem trilhado um vasto caminho nas artes em geral e em especial na literatura, de forma que muitos escritores do cânone nacional a tomaram como matéria literária, legando ao universo das letras instigantes reflexões acerca desse fenômeno. Bernardo Élis faz parte desse rol. O escritor goiano expôs as marcas das duras realidades vividas pelo homem que habitava os ermos do Brasil e, com isso, consolidou artisticamente o destino da loucura como um dos elementos-chave de interpretação das pequenas comunidades goianas em meados do século XX. Assim, esteticamente representada, a loucura passa a ser a metáfora da identidade deteriorada e o louco, por sua vez, torna-se o sujeito da diferença. O presente estudo pretende refletir acerca dos inúmeros discursos socialmente construídos em relação ao louco e à representação da loucura em três contos de Ermos e Gerais (1944), a saber: “O louco da sombra”, “A virgem santíssima do quarto de Joana” e “André Louco”. A partir da análise da linguagem, da observação das artimanhas do narrador e da composição da personagem, objetiva-se constatar se o texto literário se projeta como mecanismo de emancipação, de conhecimento do outro a partir de si mesmo, ou se reforça os estereótipos negativos dos grupos marginalizados socialmente. Para tal empreitada, este estudo tomará como base os pressupostos filosóficos de Michel Foucault sobre a loucura, num diálogo com as teorias da identidade, da representação social e da narrativa.Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2019-07-05T13:14:59Z No. of bitstreams: 2 Dissertação - Elis Regina da Silva Oliveira - 2011.pdf: 1246642 bytes, checksum: 90520de2dd939fb92f0ef50dd4a04d74 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2019-07-05T13:18:46Z (GMT) No. of bitstreams: 2 Dissertação - Elis Regina da Silva Oliveira - 2011.pdf: 1246642 bytes, checksum: 90520de2dd939fb92f0ef50dd4a04d74 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2019-07-05T13:18:46Z (GMT). No. of bitstreams: 2 Dissertação - Elis Regina da Silva Oliveira - 2011.pdf: 1246642 bytes, checksum: 90520de2dd939fb92f0ef50dd4a04d74 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2011-06-10application/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Letras e Linguística (FL)UFGBrasilFaculdade de Letras - FL (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessLiteraturaLoucuraAlteridadeRepresentação socialEspaçoPersonagemContosBernardo ÉlisLiteratureInsanity,AlteritySocial representationSpaceStoryCharacterTalesLINGUISTICA, LETRAS E ARTES::LINGUISTICAA representação da loucura em ermos e geraisinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-1403758209736362229600600600-54178507046780729887955259954785510783reponame:Biblioteca Digital de Teses e Dissertações da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.eng.fl_str_mv |
A representação da loucura em ermos e gerais |
title |
A representação da loucura em ermos e gerais |
spellingShingle |
A representação da loucura em ermos e gerais Oliveira, Elis Regina da Silva Literatura Loucura Alteridade Representação social Espaço Personagem Contos Bernardo Élis Literature Insanity, Alterity Social representation Space Story Character Tales LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
title_short |
A representação da loucura em ermos e gerais |
title_full |
A representação da loucura em ermos e gerais |
title_fullStr |
A representação da loucura em ermos e gerais |
title_full_unstemmed |
A representação da loucura em ermos e gerais |
title_sort |
A representação da loucura em ermos e gerais |
author |
Oliveira, Elis Regina da Silva |
author_facet |
Oliveira, Elis Regina da Silva |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Santos, Rogério Santana dos |
dc.contributor.referee1.fl_str_mv |
Santos, Rogério Santana dos |
dc.contributor.referee2.fl_str_mv |
Santos, Nádia Maria Weber |
dc.contributor.referee3.fl_str_mv |
Cruvinel, Maria de Fátima |
dc.contributor.author.fl_str_mv |
Oliveira, Elis Regina da Silva |
contributor_str_mv |
Santos, Rogério Santana dos Santos, Rogério Santana dos Santos, Nádia Maria Weber Cruvinel, Maria de Fátima |
dc.subject.por.fl_str_mv |
Literatura Loucura Alteridade Representação social Espaço Personagem Contos Bernardo Élis |
topic |
Literatura Loucura Alteridade Representação social Espaço Personagem Contos Bernardo Élis Literature Insanity, Alterity Social representation Space Story Character Tales LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
dc.subject.eng.fl_str_mv |
Literature Insanity, Alterity Social representation Space Story Character Tales |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
description |
Insanity as social object, is composed by a discourse networking, that have outlined a broad way in arts in general and specially in literature. Many writers from the national canon performed the esthetics crossing by the insanity route and have been legated to the universe of the exciting letters reflections about the insanity phenomenon. Bernardo Élis makes part of this group, and by the way, the Brazilian writer exposed the signs of the hard reality experienced by the man who lived in the wilds of Brazil and with this consolidated artistically the insanity fate as a key element of interpretation of small goianas communities in mid-century XX. So, esthetically represented, the insanity becomes to be the metaphor of spoiled identity and the madman, by his time, becomes to be the difference subject. Following also in this way, with this study intends to reflect about of numerous speeches socially constructed in relation to the insane person and the insane representation in some tales from Ermos e Gerais (1944), namely: “O louco da sombra”, “A virgem santíssima do quarto de Joana”, “André Louco”. From the analysis of language, observation of the antics narrator, and the composition of character, whose objective is to find if the literary text protects itself as space of emancipation, knowledge of each other from themselves, or, reinforces the negatives stereotypes of the socially marginalized groups. For this agreement, this study will base on philosophic assumptions from Michel Foucault about the insanity. |
publishDate |
2011 |
dc.date.issued.fl_str_mv |
2011-06-10 |
dc.date.accessioned.fl_str_mv |
2019-07-05T13:18:46Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
OLIVEIRA, Elis Regina da Silva. A representação da loucura em ermos e gerais. 2011. 120 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2011. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/9792 |
identifier_str_mv |
OLIVEIRA, Elis Regina da Silva. A representação da loucura em ermos e gerais. 2011. 120 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2011. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/9792 |
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por |
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por |
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600 600 600 |
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7955259954785510783 |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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Universidade Federal de Goiás |
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UFG |
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Universidade Federal de Goiás |
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