A poética dos estranhos no videoclipe “Electric Guitar” a partir dos discursos videográficos de Lady Gaga

Detalhes bibliográficos
Autor(a) principal: Pinto, Rafael Mendonça Lisita
Data de Publicação: 2014
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
dARK ID: ark:/38995/001300000b66s
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/3392
Resumo: This dissertation results of the research developed throughout the Master’s Degree course within the Art and Visual Culture Graduate Program in FAV-UFG. It aims to investigate de representation of uncanny identities in music videos, starting out with some analysis of Lady Gaga’s videos, in order to develop my videographic discourse in my music video “Electric Guitar”. The main goal is to continue creating subversive audiovisuals, which consist in primary and complex products that contemplate several parameters of approach, exploring sensorial matters and establishing bonds with historical, sociological and cultural issues. The first chapter presents Lady Gaga and her artistic body of work which, curiously, defends minorities in spite of the singer being inserted into the star system. The second chapter introduces concept of “the uncanny”, from teoretical dialogues and, also, addresses their presence in music videos. The third chapter focuses on the study of music video as a audiovusal format, its relevance in visual culture and how they develop through media. The forth chapter reapproaches Lady Gaga’s music videos, selected according to this investigation theme, focusing on their analysis. The last chapter discusses the creative experience of “Electric Guitar” through my goal of reassuring the relevance of studying the uncanny and, also, my attempt to expand music video’s frontiers by employing new perspectives to them, without escaping the plastic aesthetics predominant in pop.
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spelling Berardo, Rosa Mariahttp://lattes.cnpq.br/5933853765756576Berardo, Rosa MariaMartins, RaimundoMendonça, Maria LuizaSilva, Thiago Fernando Sant'Anna eMontoro, Tania Siqueirahttp://lattes.cnpq.br/9838663897276859Pinto, Rafael Mendonça Lisita2014-10-20T17:34:24Z2014-04-23PINTO, Rafael Mendonça Lisita. A poética dos estranhos no videoclipe “Electric Guitar” a partir dos discursos videográficos de Lady Gaga. 2014. 169 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2014.http://repositorio.bc.ufg.br/tede/handle/tede/3392ark:/38995/001300000b66sThis dissertation results of the research developed throughout the Master’s Degree course within the Art and Visual Culture Graduate Program in FAV-UFG. It aims to investigate de representation of uncanny identities in music videos, starting out with some analysis of Lady Gaga’s videos, in order to develop my videographic discourse in my music video “Electric Guitar”. The main goal is to continue creating subversive audiovisuals, which consist in primary and complex products that contemplate several parameters of approach, exploring sensorial matters and establishing bonds with historical, sociological and cultural issues. The first chapter presents Lady Gaga and her artistic body of work which, curiously, defends minorities in spite of the singer being inserted into the star system. The second chapter introduces concept of “the uncanny”, from teoretical dialogues and, also, addresses their presence in music videos. The third chapter focuses on the study of music video as a audiovusal format, its relevance in visual culture and how they develop through media. The forth chapter reapproaches Lady Gaga’s music videos, selected according to this investigation theme, focusing on their analysis. The last chapter discusses the creative experience of “Electric Guitar” through my goal of reassuring the relevance of studying the uncanny and, also, my attempt to expand music video’s frontiers by employing new perspectives to them, without escaping the plastic aesthetics predominant in pop.Esta dissertação é resultante do projeto de pesquisa realizado através do Programa de Pós-graduação em Arte e Cultura Visual, nível mestrado, da FAV-UFG, e visa apresentar o tema da representação de identidades estranhas em videoclipes, partindo de uma investigação no campo, acompanhada de análises dos clipes da artista Lady Gaga, para a construção do meu discurso videográfico no videoclipe “Electric Guitar”. O principal objetivo é dar continuidade aos discursos audiovisuais de formato subversivo, que consistam em produtos primários complexos os quais contemplem diversos parâmetros de abordagem audiovisual, explorando o sensorial e estabelecendo vínculos com questões de teor histórico, sociológico, cultural etc. O primeiro capítulo apresenta Lady Gaga e seu trabalho artístico que, curiosamente, defende minorias com uma postura favorável da cantora, ainda que ela esteja inserida no star system. O segundo capítulo introduz a temática dos estranhos, explica este conceito a partir de diálogos teóricos e, também, aborda a presença dos estranhos em videoclipes. Já o terceiro capítulo foca no estudo do videoclipe como formato audiovisual, trata da sua relevância na cultura visual e dos seus desdobramentos na mídia. O quarto capítulo volta a tratar dos discursos videográficos de Lady Gaga, porém, com foco na análise de alguns dos seus videoclipes, selecionados de acordo com o tema desta pesquisa. O quinto e último capítulo trata da experiência criativa do videoclipe “Electric Guitar” e do meu objetivo de reforçar as discussões sobre o “estranho” buscando expandir as fronteiras do senso comum a respeito do videoclipe por meio do emprego de novas linguagens, sem promover uma fuga da estética plástica predominante no pop.Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2014-10-20T12:27:08Z No. of bitstreams: 2 Dissertacao Rafael Mendonca Lisita Pinto - 2014.pdf: 3410801 bytes, checksum: 568a59b5ffe00961f389baa657ee1671 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Approved for entry into archive by Jaqueline Silva (jtas29@gmail.com) on 2014-10-20T17:34:24Z (GMT) No. of bitstreams: 2 Dissertacao Rafael Mendonca Lisita Pinto - 2014.pdf: 3410801 bytes, checksum: 568a59b5ffe00961f389baa657ee1671 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Made available in DSpace on 2014-10-20T17:34:24Z (GMT). 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dc.title.por.fl_str_mv A poética dos estranhos no videoclipe “Electric Guitar” a partir dos discursos videográficos de Lady Gaga
dc.title.alternative.eng.fl_str_mv The poetics of the uncanny in the music video "Electric Guitar" thourgh Lady Gaga's videographic discourses
title A poética dos estranhos no videoclipe “Electric Guitar” a partir dos discursos videográficos de Lady Gaga
spellingShingle A poética dos estranhos no videoclipe “Electric Guitar” a partir dos discursos videográficos de Lady Gaga
Pinto, Rafael Mendonça Lisita
Estranhos
Videoclipe
Lady Gaga
Discursos videográficos
Poética visual
Uncanny
Music video
Lady Gaga
Videographic discourses
Visual poetics
ARTES::ARTES DO VIDEO
title_short A poética dos estranhos no videoclipe “Electric Guitar” a partir dos discursos videográficos de Lady Gaga
title_full A poética dos estranhos no videoclipe “Electric Guitar” a partir dos discursos videográficos de Lady Gaga
title_fullStr A poética dos estranhos no videoclipe “Electric Guitar” a partir dos discursos videográficos de Lady Gaga
title_full_unstemmed A poética dos estranhos no videoclipe “Electric Guitar” a partir dos discursos videográficos de Lady Gaga
title_sort A poética dos estranhos no videoclipe “Electric Guitar” a partir dos discursos videográficos de Lady Gaga
author Pinto, Rafael Mendonça Lisita
author_facet Pinto, Rafael Mendonça Lisita
author_role author
dc.contributor.advisor1.fl_str_mv Berardo, Rosa Maria
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/5933853765756576
dc.contributor.referee1.fl_str_mv Berardo, Rosa Maria
dc.contributor.referee2.fl_str_mv Martins, Raimundo
dc.contributor.referee3.fl_str_mv Mendonça, Maria Luiza
dc.contributor.referee4.fl_str_mv Silva, Thiago Fernando Sant'Anna e
dc.contributor.referee5.fl_str_mv Montoro, Tania Siqueira
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/9838663897276859
dc.contributor.author.fl_str_mv Pinto, Rafael Mendonça Lisita
contributor_str_mv Berardo, Rosa Maria
Berardo, Rosa Maria
Martins, Raimundo
Mendonça, Maria Luiza
Silva, Thiago Fernando Sant'Anna e
Montoro, Tania Siqueira
dc.subject.por.fl_str_mv Estranhos
Videoclipe
Lady Gaga
Discursos videográficos
Poética visual
topic Estranhos
Videoclipe
Lady Gaga
Discursos videográficos
Poética visual
Uncanny
Music video
Lady Gaga
Videographic discourses
Visual poetics
ARTES::ARTES DO VIDEO
dc.subject.eng.fl_str_mv Uncanny
Music video
Lady Gaga
Videographic discourses
Visual poetics
dc.subject.cnpq.fl_str_mv ARTES::ARTES DO VIDEO
description This dissertation results of the research developed throughout the Master’s Degree course within the Art and Visual Culture Graduate Program in FAV-UFG. It aims to investigate de representation of uncanny identities in music videos, starting out with some analysis of Lady Gaga’s videos, in order to develop my videographic discourse in my music video “Electric Guitar”. The main goal is to continue creating subversive audiovisuals, which consist in primary and complex products that contemplate several parameters of approach, exploring sensorial matters and establishing bonds with historical, sociological and cultural issues. The first chapter presents Lady Gaga and her artistic body of work which, curiously, defends minorities in spite of the singer being inserted into the star system. The second chapter introduces concept of “the uncanny”, from teoretical dialogues and, also, addresses their presence in music videos. The third chapter focuses on the study of music video as a audiovusal format, its relevance in visual culture and how they develop through media. The forth chapter reapproaches Lady Gaga’s music videos, selected according to this investigation theme, focusing on their analysis. The last chapter discusses the creative experience of “Electric Guitar” through my goal of reassuring the relevance of studying the uncanny and, also, my attempt to expand music video’s frontiers by employing new perspectives to them, without escaping the plastic aesthetics predominant in pop.
publishDate 2014
dc.date.accessioned.fl_str_mv 2014-10-20T17:34:24Z
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dc.identifier.citation.fl_str_mv PINTO, Rafael Mendonça Lisita. A poética dos estranhos no videoclipe “Electric Guitar” a partir dos discursos videográficos de Lady Gaga. 2014. 169 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2014.
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identifier_str_mv PINTO, Rafael Mendonça Lisita. A poética dos estranhos no videoclipe “Electric Guitar” a partir dos discursos videográficos de Lady Gaga. 2014. 169 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2014.
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