The The enslaved women in the Odyssey

Detalhes bibliográficos
Autor(a) principal: Frade, Gustavo
Data de Publicação: 2021
Outros Autores: Figueiredo Lima, Anna Clara, de Oliveira Vallejo, Gabriela, Nasser Rodrigues, Raphaella
Tipo de documento: Artigo
Idioma: por
Título da fonte: Rónai
Texto Completo: https://periodicos.ufjf.br/index.php/ronai/article/view/34176
Resumo: The aim of this study is to investigate the representation of enslaved women in the narrative of the Odyssey, and its portrayal of the way in which the archaic Greek aristocracy conceived slavery. To that end, the relations between gender and social class in Antiquity are considered, as well as those between property (oîkos), community, and cosmic order. Through textual evidence, our reading tracks the general situation of enslaved women in Odysseus’ property, approaching the construction of Eurykleia as a character, including her interaction with Odysseus as she recognizes his scar. Other scenes considered in our analysis are those with Melantho and the hanging of the women who had had sexual intercourse with the suitors. The Odyssey builds interactions between characters, based on a morality model that demands not only the subordination of enslaved women’s interests and actions to that of their masters, but also their affection for their masters and their family. Nevertheless, hierarchy and authority in the oîkos are established through violence.
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spelling The The enslaved women in the OdysseyThe enslaved women in the OdysseyAs mulheres escravizadas na OdisseiaHomerOdysseyslaveryenslaved womenHomeroOdisseiaescravidãomulheres escravizadasThe aim of this study is to investigate the representation of enslaved women in the narrative of the Odyssey, and its portrayal of the way in which the archaic Greek aristocracy conceived slavery. To that end, the relations between gender and social class in Antiquity are considered, as well as those between property (oîkos), community, and cosmic order. Through textual evidence, our reading tracks the general situation of enslaved women in Odysseus’ property, approaching the construction of Eurykleia as a character, including her interaction with Odysseus as she recognizes his scar. Other scenes considered in our analysis are those with Melantho and the hanging of the women who had had sexual intercourse with the suitors. The Odyssey builds interactions between characters, based on a morality model that demands not only the subordination of enslaved women’s interests and actions to that of their masters, but also their affection for their masters and their family. Nevertheless, hierarchy and authority in the oîkos are established through violence.The aim of this study is to investigate the representation of enslaved women in the narrative of the Odyssey, and its portrayal of the way in which the archaic Greek aristocracy conceived slavery. To that end, the relations between gender and social class in Antiquity are considered, as well as those between property (oîkos), community, and cosmic order. Through textual evidence, our reading tracks the general situation of enslaved women in Odysseus’ property, approaching the construction of Eurykleia as a character, including her interaction with Odysseus as she recognizes his scar. Other scenes considered in our analysis are those with Melantho and the hanging of the women who had had sexual intercourse with the suitors. The Odyssey builds interactions between characters, based on a morality model that demands not only the subordination of enslaved women’s interests and actions to that of their masters, but also their affection for their masters and their family. Nevertheless, hierarchy and authority in the oîkos are established through violence.O objetivo deste estudo é investigar a representação das mulheres escravizadas na narrativa da Odisseia e como ela manifesta o modo aristocrático grego arcaico de conceber a escravidão. Para isso, consideram-se as relações entre gênero e classe na Antiguidade, assim como as entre propriedade (oîkos), comunidade e ordem cósmica. A leitura rastreia, a partir das evidências no texto, a situação geral das mulheres escravizadas na propriedade de Odisseu e trata da construção de Euricleia como personagem, de sua interação com Odisseu no reconhecimento da cicatriz, das cenas de Melanto e do enforcamento das mulheres que mantiveram relações sexuais com os pretendentes. A Odisseia constrói interações entre personagens baseadas num modelo de moralidade que exige não só a subordinação do interesse e das ações das mulheres escravizadas aos interesses do senhor, mas mesmo a afeição delas pelo senhor e por sua família. Ainda assim, a hierarquia e a autoridade no oîkos são estabelecidas pela violência.Universidade Federal de Juiz de Fora2021-07-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado por paresapplication/pdfhttps://periodicos.ufjf.br/index.php/ronai/article/view/3417610.34019/2318-3446.2021.v9.34176Rónai – Revista de Estudos Clássicos e Tradutórios; Vol. 9 No. 1 (2021); 4-20Rónai – Revista de Estudos Clássicos e Tradutórios; v. 9 n. 1 (2021); 4-202318-3446reponame:Rónaiinstname:Universidade Federal de Juiz de Fora (UFJF)instacron:UFJFporhttps://periodicos.ufjf.br/index.php/ronai/article/view/34176/23138Copyright (c) 2021 Gustavo Frade, Anna Clara Figueiredo Lima, Gabriela de Oliveira Vallejo, Raphaella Nasser Rodrigueshttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessFrade, GustavoFigueiredo Lima, Anna Clarade Oliveira Vallejo, GabrielaNasser Rodrigues, Raphaella2023-10-27T19:03:41Zoai:periodicos.ufjf.br:article/34176Revistahttps://periodicos.ufjf.br/index.php/ronaiPUBhttps://periodicos.ufjf.br/index.php/ronai/oairevistaronai@gmail.comhttps://doi.org/10.34019/2318-34462318-34462318-3446opendoar:2024-05-03T12:01:07.592672Rónai - Universidade Federal de Juiz de Fora (UFJF)true
dc.title.none.fl_str_mv The The enslaved women in the Odyssey
The enslaved women in the Odyssey
As mulheres escravizadas na Odisseia
title The The enslaved women in the Odyssey
spellingShingle The The enslaved women in the Odyssey
Frade, Gustavo
Homer
Odyssey
slavery
enslaved women
Homero
Odisseia
escravidão
mulheres escravizadas
title_short The The enslaved women in the Odyssey
title_full The The enslaved women in the Odyssey
title_fullStr The The enslaved women in the Odyssey
title_full_unstemmed The The enslaved women in the Odyssey
title_sort The The enslaved women in the Odyssey
author Frade, Gustavo
author_facet Frade, Gustavo
Figueiredo Lima, Anna Clara
de Oliveira Vallejo, Gabriela
Nasser Rodrigues, Raphaella
author_role author
author2 Figueiredo Lima, Anna Clara
de Oliveira Vallejo, Gabriela
Nasser Rodrigues, Raphaella
author2_role author
author
author
dc.contributor.author.fl_str_mv Frade, Gustavo
Figueiredo Lima, Anna Clara
de Oliveira Vallejo, Gabriela
Nasser Rodrigues, Raphaella
dc.subject.por.fl_str_mv Homer
Odyssey
slavery
enslaved women
Homero
Odisseia
escravidão
mulheres escravizadas
topic Homer
Odyssey
slavery
enslaved women
Homero
Odisseia
escravidão
mulheres escravizadas
description The aim of this study is to investigate the representation of enslaved women in the narrative of the Odyssey, and its portrayal of the way in which the archaic Greek aristocracy conceived slavery. To that end, the relations between gender and social class in Antiquity are considered, as well as those between property (oîkos), community, and cosmic order. Through textual evidence, our reading tracks the general situation of enslaved women in Odysseus’ property, approaching the construction of Eurykleia as a character, including her interaction with Odysseus as she recognizes his scar. Other scenes considered in our analysis are those with Melantho and the hanging of the women who had had sexual intercourse with the suitors. The Odyssey builds interactions between characters, based on a morality model that demands not only the subordination of enslaved women’s interests and actions to that of their masters, but also their affection for their masters and their family. Nevertheless, hierarchy and authority in the oîkos are established through violence.
publishDate 2021
dc.date.none.fl_str_mv 2021-07-15
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado por pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufjf.br/index.php/ronai/article/view/34176
10.34019/2318-3446.2021.v9.34176
url https://periodicos.ufjf.br/index.php/ronai/article/view/34176
identifier_str_mv 10.34019/2318-3446.2021.v9.34176
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufjf.br/index.php/ronai/article/view/34176/23138
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Juiz de Fora
publisher.none.fl_str_mv Universidade Federal de Juiz de Fora
dc.source.none.fl_str_mv Rónai – Revista de Estudos Clássicos e Tradutórios; Vol. 9 No. 1 (2021); 4-20
Rónai – Revista de Estudos Clássicos e Tradutórios; v. 9 n. 1 (2021); 4-20
2318-3446
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reponame_str Rónai
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