The The enslaved women in the Odyssey
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Rónai |
Texto Completo: | https://periodicos.ufjf.br/index.php/ronai/article/view/34176 |
Resumo: | The aim of this study is to investigate the representation of enslaved women in the narrative of the Odyssey, and its portrayal of the way in which the archaic Greek aristocracy conceived slavery. To that end, the relations between gender and social class in Antiquity are considered, as well as those between property (oîkos), community, and cosmic order. Through textual evidence, our reading tracks the general situation of enslaved women in Odysseus’ property, approaching the construction of Eurykleia as a character, including her interaction with Odysseus as she recognizes his scar. Other scenes considered in our analysis are those with Melantho and the hanging of the women who had had sexual intercourse with the suitors. The Odyssey builds interactions between characters, based on a morality model that demands not only the subordination of enslaved women’s interests and actions to that of their masters, but also their affection for their masters and their family. Nevertheless, hierarchy and authority in the oîkos are established through violence. |
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The The enslaved women in the OdysseyThe enslaved women in the OdysseyAs mulheres escravizadas na OdisseiaHomerOdysseyslaveryenslaved womenHomeroOdisseiaescravidãomulheres escravizadasThe aim of this study is to investigate the representation of enslaved women in the narrative of the Odyssey, and its portrayal of the way in which the archaic Greek aristocracy conceived slavery. To that end, the relations between gender and social class in Antiquity are considered, as well as those between property (oîkos), community, and cosmic order. Through textual evidence, our reading tracks the general situation of enslaved women in Odysseus’ property, approaching the construction of Eurykleia as a character, including her interaction with Odysseus as she recognizes his scar. Other scenes considered in our analysis are those with Melantho and the hanging of the women who had had sexual intercourse with the suitors. The Odyssey builds interactions between characters, based on a morality model that demands not only the subordination of enslaved women’s interests and actions to that of their masters, but also their affection for their masters and their family. Nevertheless, hierarchy and authority in the oîkos are established through violence.The aim of this study is to investigate the representation of enslaved women in the narrative of the Odyssey, and its portrayal of the way in which the archaic Greek aristocracy conceived slavery. To that end, the relations between gender and social class in Antiquity are considered, as well as those between property (oîkos), community, and cosmic order. Through textual evidence, our reading tracks the general situation of enslaved women in Odysseus’ property, approaching the construction of Eurykleia as a character, including her interaction with Odysseus as she recognizes his scar. Other scenes considered in our analysis are those with Melantho and the hanging of the women who had had sexual intercourse with the suitors. The Odyssey builds interactions between characters, based on a morality model that demands not only the subordination of enslaved women’s interests and actions to that of their masters, but also their affection for their masters and their family. Nevertheless, hierarchy and authority in the oîkos are established through violence.O objetivo deste estudo é investigar a representação das mulheres escravizadas na narrativa da Odisseia e como ela manifesta o modo aristocrático grego arcaico de conceber a escravidão. Para isso, consideram-se as relações entre gênero e classe na Antiguidade, assim como as entre propriedade (oîkos), comunidade e ordem cósmica. A leitura rastreia, a partir das evidências no texto, a situação geral das mulheres escravizadas na propriedade de Odisseu e trata da construção de Euricleia como personagem, de sua interação com Odisseu no reconhecimento da cicatriz, das cenas de Melanto e do enforcamento das mulheres que mantiveram relações sexuais com os pretendentes. A Odisseia constrói interações entre personagens baseadas num modelo de moralidade que exige não só a subordinação do interesse e das ações das mulheres escravizadas aos interesses do senhor, mas mesmo a afeição delas pelo senhor e por sua família. Ainda assim, a hierarquia e a autoridade no oîkos são estabelecidas pela violência.Universidade Federal de Juiz de Fora2021-07-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado por paresapplication/pdfhttps://periodicos.ufjf.br/index.php/ronai/article/view/3417610.34019/2318-3446.2021.v9.34176Rónai – Revista de Estudos Clássicos e Tradutórios; Vol. 9 No. 1 (2021); 4-20Rónai – Revista de Estudos Clássicos e Tradutórios; v. 9 n. 1 (2021); 4-202318-3446reponame:Rónaiinstname:Universidade Federal de Juiz de Fora (UFJF)instacron:UFJFporhttps://periodicos.ufjf.br/index.php/ronai/article/view/34176/23138Copyright (c) 2021 Gustavo Frade, Anna Clara Figueiredo Lima, Gabriela de Oliveira Vallejo, Raphaella Nasser Rodrigueshttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessFrade, GustavoFigueiredo Lima, Anna Clarade Oliveira Vallejo, GabrielaNasser Rodrigues, Raphaella2023-10-27T19:03:41Zoai:periodicos.ufjf.br:article/34176Revistahttps://periodicos.ufjf.br/index.php/ronaiPUBhttps://periodicos.ufjf.br/index.php/ronai/oairevistaronai@gmail.comhttps://doi.org/10.34019/2318-34462318-34462318-3446opendoar:2024-05-03T12:01:07.592672Rónai - Universidade Federal de Juiz de Fora (UFJF)true |
dc.title.none.fl_str_mv |
The The enslaved women in the Odyssey The enslaved women in the Odyssey As mulheres escravizadas na Odisseia |
title |
The The enslaved women in the Odyssey |
spellingShingle |
The The enslaved women in the Odyssey Frade, Gustavo Homer Odyssey slavery enslaved women Homero Odisseia escravidão mulheres escravizadas |
title_short |
The The enslaved women in the Odyssey |
title_full |
The The enslaved women in the Odyssey |
title_fullStr |
The The enslaved women in the Odyssey |
title_full_unstemmed |
The The enslaved women in the Odyssey |
title_sort |
The The enslaved women in the Odyssey |
author |
Frade, Gustavo |
author_facet |
Frade, Gustavo Figueiredo Lima, Anna Clara de Oliveira Vallejo, Gabriela Nasser Rodrigues, Raphaella |
author_role |
author |
author2 |
Figueiredo Lima, Anna Clara de Oliveira Vallejo, Gabriela Nasser Rodrigues, Raphaella |
author2_role |
author author author |
dc.contributor.author.fl_str_mv |
Frade, Gustavo Figueiredo Lima, Anna Clara de Oliveira Vallejo, Gabriela Nasser Rodrigues, Raphaella |
dc.subject.por.fl_str_mv |
Homer Odyssey slavery enslaved women Homero Odisseia escravidão mulheres escravizadas |
topic |
Homer Odyssey slavery enslaved women Homero Odisseia escravidão mulheres escravizadas |
description |
The aim of this study is to investigate the representation of enslaved women in the narrative of the Odyssey, and its portrayal of the way in which the archaic Greek aristocracy conceived slavery. To that end, the relations between gender and social class in Antiquity are considered, as well as those between property (oîkos), community, and cosmic order. Through textual evidence, our reading tracks the general situation of enslaved women in Odysseus’ property, approaching the construction of Eurykleia as a character, including her interaction with Odysseus as she recognizes his scar. Other scenes considered in our analysis are those with Melantho and the hanging of the women who had had sexual intercourse with the suitors. The Odyssey builds interactions between characters, based on a morality model that demands not only the subordination of enslaved women’s interests and actions to that of their masters, but also their affection for their masters and their family. Nevertheless, hierarchy and authority in the oîkos are established through violence. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-07-15 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufjf.br/index.php/ronai/article/view/34176 10.34019/2318-3446.2021.v9.34176 |
url |
https://periodicos.ufjf.br/index.php/ronai/article/view/34176 |
identifier_str_mv |
10.34019/2318-3446.2021.v9.34176 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufjf.br/index.php/ronai/article/view/34176/23138 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Juiz de Fora |
publisher.none.fl_str_mv |
Universidade Federal de Juiz de Fora |
dc.source.none.fl_str_mv |
Rónai – Revista de Estudos Clássicos e Tradutórios; Vol. 9 No. 1 (2021); 4-20 Rónai – Revista de Estudos Clássicos e Tradutórios; v. 9 n. 1 (2021); 4-20 2318-3446 reponame:Rónai instname:Universidade Federal de Juiz de Fora (UFJF) instacron:UFJF |
instname_str |
Universidade Federal de Juiz de Fora (UFJF) |
instacron_str |
UFJF |
institution |
UFJF |
reponame_str |
Rónai |
collection |
Rónai |
repository.name.fl_str_mv |
Rónai - Universidade Federal de Juiz de Fora (UFJF) |
repository.mail.fl_str_mv |
revistaronai@gmail.com |
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1798044934448611328 |