Rereading Austen: from XIX century young lady hero to XXI century vlogger
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Lumina |
Texto Completo: | https://periodicos.ufjf.br/index.php/lumina/article/view/21254 |
Resumo: | Pride and Prejudice, the novel authored by English writer Jane Austen, may be considered one of the well-remembered novels from the history of literature. Even though it has been two centuries since its publication, the narrative presents discussions that reverberate nowadays, such as the social role of women and criticisms to a society that privileges appearances. The novel has been adapted several times to various formats such as film, television series or reread onto other literary works. The first attempt to adapt it for the internet is the webseries The Lizzie Bennet Diaries, 2012,broadcasted on a channel on youtube.com. The webseries also created characters’ profiles on social media such as Twitter, Facebook and Tumblr, allowing audience interaction. One hundred episodes were produced in an effort to bring a contemporary view of the novel by presenting a new post from the main character’s vlog at each episode. This article aims to analyze which elements of literary narrative were preserved with this particular adaptation of the novel to a webseries considering the necessary contextualization to maintain verisimilitude. |
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Rereading Austen: from XIX century young lady hero to XXI century vloggerLiteratureWebseriesAdaptationCyberspaceSocial MediaJane AustenPride and Prejudice, the novel authored by English writer Jane Austen, may be considered one of the well-remembered novels from the history of literature. Even though it has been two centuries since its publication, the narrative presents discussions that reverberate nowadays, such as the social role of women and criticisms to a society that privileges appearances. The novel has been adapted several times to various formats such as film, television series or reread onto other literary works. The first attempt to adapt it for the internet is the webseries The Lizzie Bennet Diaries, 2012,broadcasted on a channel on youtube.com. The webseries also created characters’ profiles on social media such as Twitter, Facebook and Tumblr, allowing audience interaction. One hundred episodes were produced in an effort to bring a contemporary view of the novel by presenting a new post from the main character’s vlog at each episode. This article aims to analyze which elements of literary narrative were preserved with this particular adaptation of the novel to a webseries considering the necessary contextualization to maintain verisimilitude.Universidade Federal de Juiz de Fora2015-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufjf.br/index.php/lumina/article/view/2125410.34019/1981-4070.2015.v9.21254Lumina; v. 9 n. 2 (2015): Dossiê Intermidialidade1981-40701516-0785reponame:Revista Luminainstname:Universidade Federal de Juiz de Fora (UFJF)instacron:UFJFenghttps://periodicos.ufjf.br/index.php/lumina/article/view/21254/11559Copyright (c) 2015 Luminainfo:eu-repo/semantics/openAccessAmorim, Maria Inês Freitas de2019-02-16T14:03:24Zoai:periodicos.ufjf.br:article/21254Revistahttps://periodicos.ufjf.br/index.php/lumina/indexPRIhttps://periodicos.ufjf.br/index.php/lumina/oairevista.lumina@ufjf.br1981-40701516-0785opendoar:2019-02-16T14:03:24Revista Lumina - Universidade Federal de Juiz de Fora (UFJF)false |
dc.title.none.fl_str_mv |
Rereading Austen: from XIX century young lady hero to XXI century vlogger |
title |
Rereading Austen: from XIX century young lady hero to XXI century vlogger |
spellingShingle |
Rereading Austen: from XIX century young lady hero to XXI century vlogger Amorim, Maria Inês Freitas de Literature Webseries Adaptation Cyberspace Social Media Jane Austen |
title_short |
Rereading Austen: from XIX century young lady hero to XXI century vlogger |
title_full |
Rereading Austen: from XIX century young lady hero to XXI century vlogger |
title_fullStr |
Rereading Austen: from XIX century young lady hero to XXI century vlogger |
title_full_unstemmed |
Rereading Austen: from XIX century young lady hero to XXI century vlogger |
title_sort |
Rereading Austen: from XIX century young lady hero to XXI century vlogger |
author |
Amorim, Maria Inês Freitas de |
author_facet |
Amorim, Maria Inês Freitas de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Amorim, Maria Inês Freitas de |
dc.subject.por.fl_str_mv |
Literature Webseries Adaptation Cyberspace Social Media Jane Austen |
topic |
Literature Webseries Adaptation Cyberspace Social Media Jane Austen |
description |
Pride and Prejudice, the novel authored by English writer Jane Austen, may be considered one of the well-remembered novels from the history of literature. Even though it has been two centuries since its publication, the narrative presents discussions that reverberate nowadays, such as the social role of women and criticisms to a society that privileges appearances. The novel has been adapted several times to various formats such as film, television series or reread onto other literary works. The first attempt to adapt it for the internet is the webseries The Lizzie Bennet Diaries, 2012,broadcasted on a channel on youtube.com. The webseries also created characters’ profiles on social media such as Twitter, Facebook and Tumblr, allowing audience interaction. One hundred episodes were produced in an effort to bring a contemporary view of the novel by presenting a new post from the main character’s vlog at each episode. This article aims to analyze which elements of literary narrative were preserved with this particular adaptation of the novel to a webseries considering the necessary contextualization to maintain verisimilitude. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-12-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufjf.br/index.php/lumina/article/view/21254 10.34019/1981-4070.2015.v9.21254 |
url |
https://periodicos.ufjf.br/index.php/lumina/article/view/21254 |
identifier_str_mv |
10.34019/1981-4070.2015.v9.21254 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://periodicos.ufjf.br/index.php/lumina/article/view/21254/11559 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2015 Lumina info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2015 Lumina |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Juiz de Fora |
publisher.none.fl_str_mv |
Universidade Federal de Juiz de Fora |
dc.source.none.fl_str_mv |
Lumina; v. 9 n. 2 (2015): Dossiê Intermidialidade 1981-4070 1516-0785 reponame:Revista Lumina instname:Universidade Federal de Juiz de Fora (UFJF) instacron:UFJF |
instname_str |
Universidade Federal de Juiz de Fora (UFJF) |
instacron_str |
UFJF |
institution |
UFJF |
reponame_str |
Revista Lumina |
collection |
Revista Lumina |
repository.name.fl_str_mv |
Revista Lumina - Universidade Federal de Juiz de Fora (UFJF) |
repository.mail.fl_str_mv |
revista.lumina@ufjf.br |
_version_ |
1798675254467362816 |