DO PRESENCISMO DE JOSÉ RÉGIO EM SEU JOGO DA CABRA CEGA
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Darandina Revisteletrônica |
Texto Completo: | https://periodicos.ufjf.br/index.php/darandina/article/view/42392 |
Resumo: | Anticipating by a few months the celebrations relating to the 90th anniversary of the publication of the novel “Jogo da cabra cega”, by Portuguese author José Régio, published for the first time in 1934, this article analyzes how the discursive materiality of this novel reveals the main issues of the artistic-literary movement Portuguese modernist called “Presença”, namely: psychological imagination, introspective consciousness, confessionalism, sincerity and simplicity. Furthermore, themes such as the scrutiny of human coexistence, the relationship between art and literature and the decadent legacies present in the text are other biases addressed in this analysis. The critical reading undertaken in this text is always intended to be linked to the literary exercise of the novel, with a view to reiterating the exquisite aesthetic work of the present author, who established, in his own way, the lines of a new modernism in Portuguese Literature, establishing itself among the avant-garde and tradition, as the critic Fernando Guimarães had already commented, and leaving for posterity a record of psychological investigation with which readers of all eras will be able to identify. |
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DO PRESENCISMO DE JOSÉ RÉGIO EM SEU JOGO DA CABRA CEGAEstratégias narrativasIntrospecção psicológicaJosé RégioPresencismoModernismoJosé RégioModernismnarrative strategiesPsychological introspectionpresenceAnticipating by a few months the celebrations relating to the 90th anniversary of the publication of the novel “Jogo da cabra cega”, by Portuguese author José Régio, published for the first time in 1934, this article analyzes how the discursive materiality of this novel reveals the main issues of the artistic-literary movement Portuguese modernist called “Presença”, namely: psychological imagination, introspective consciousness, confessionalism, sincerity and simplicity. Furthermore, themes such as the scrutiny of human coexistence, the relationship between art and literature and the decadent legacies present in the text are other biases addressed in this analysis. The critical reading undertaken in this text is always intended to be linked to the literary exercise of the novel, with a view to reiterating the exquisite aesthetic work of the present author, who established, in his own way, the lines of a new modernism in Portuguese Literature, establishing itself among the avant-garde and tradition, as the critic Fernando Guimarães had already commented, and leaving for posterity a record of psychological investigation with which readers of all eras will be able to identify.Antecipando em alguns meses as comemorações relativas aos 90 anos de publicação do romance Jogo da cabra cega, do autor português José Régio, publicado pela primeira vez em 1934, este artigo analisa como a materialidade discursiva desse romance revela as principais questões do movimento artístico-literário modernista português denominado “Presença”, a saber: a imaginação psicológica, a consciência introspectiva, o confessionalismo, a sinceridade e a simplicidade. Ademais, temas como o escrutínio da convivência humana, as relações entre arte e literatura e as heranças decadentistas presentes no texto são outros vieses abordados nessa análise. A leitura crítica empreendida nesse texto pretende ser sempre colada ao exercício literário do romance, com vistas a reiterar o trabalho estético primoroso do autor presencista, que estabeleceu, a seu modo, as linhas de um novo modernismo na Literatura Portuguesa, instalando-se entre a vanguarda e a tradição, como já afirmara o crítico Fernando Guimarães, e deixando para a posteridade um registro de investigação psicológica com o qual os leitores de todas as épocas poderão se identificar.Universidade Federal de Juiz de Fora2023-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfhttps://periodicos.ufjf.br/index.php/darandina/article/view/4239210.34019/1983-8379.2023.v16.42392DARANDINA REVISTELETRÔNICA; v. 16 n. 2 (2023): LITERATURA E CULTURA DIGITAL; 136 - 1521983-8379reponame:Darandina Revisteletrônicainstname:Universidade Federal de Juiz de Fora (UFJF)instacron:UFJFporhttps://periodicos.ufjf.br/index.php/darandina/article/view/42392/27003Copyright (c) 2023 Michele Dull Sampaio Beraldo Matterhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMatter, Michele Dull Sampaio Beraldo 2023-12-31T00:01:02Zoai:periodicos.ufjf.br:article/42392Revistahttps://periodicos.ufjf.br/index.php/darandinaPUBhttps://periodicos.ufjf.br/index.php/darandina/oaidarandina.revista@ufjf.edu.br1983-83791983-8379opendoar:2023-12-31T00:01:02Darandina Revisteletrônica - Universidade Federal de Juiz de Fora (UFJF)false |
dc.title.none.fl_str_mv |
DO PRESENCISMO DE JOSÉ RÉGIO EM SEU JOGO DA CABRA CEGA |
title |
DO PRESENCISMO DE JOSÉ RÉGIO EM SEU JOGO DA CABRA CEGA |
spellingShingle |
DO PRESENCISMO DE JOSÉ RÉGIO EM SEU JOGO DA CABRA CEGA Matter, Michele Dull Sampaio Beraldo Estratégias narrativas Introspecção psicológica José Régio Presencismo Modernismo José Régio Modernism narrative strategies Psychological introspection presence |
title_short |
DO PRESENCISMO DE JOSÉ RÉGIO EM SEU JOGO DA CABRA CEGA |
title_full |
DO PRESENCISMO DE JOSÉ RÉGIO EM SEU JOGO DA CABRA CEGA |
title_fullStr |
DO PRESENCISMO DE JOSÉ RÉGIO EM SEU JOGO DA CABRA CEGA |
title_full_unstemmed |
DO PRESENCISMO DE JOSÉ RÉGIO EM SEU JOGO DA CABRA CEGA |
title_sort |
DO PRESENCISMO DE JOSÉ RÉGIO EM SEU JOGO DA CABRA CEGA |
author |
Matter, Michele Dull Sampaio Beraldo |
author_facet |
Matter, Michele Dull Sampaio Beraldo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Matter, Michele Dull Sampaio Beraldo |
dc.subject.por.fl_str_mv |
Estratégias narrativas Introspecção psicológica José Régio Presencismo Modernismo José Régio Modernism narrative strategies Psychological introspection presence |
topic |
Estratégias narrativas Introspecção psicológica José Régio Presencismo Modernismo José Régio Modernism narrative strategies Psychological introspection presence |
description |
Anticipating by a few months the celebrations relating to the 90th anniversary of the publication of the novel “Jogo da cabra cega”, by Portuguese author José Régio, published for the first time in 1934, this article analyzes how the discursive materiality of this novel reveals the main issues of the artistic-literary movement Portuguese modernist called “Presença”, namely: psychological imagination, introspective consciousness, confessionalism, sincerity and simplicity. Furthermore, themes such as the scrutiny of human coexistence, the relationship between art and literature and the decadent legacies present in the text are other biases addressed in this analysis. The critical reading undertaken in this text is always intended to be linked to the literary exercise of the novel, with a view to reiterating the exquisite aesthetic work of the present author, who established, in his own way, the lines of a new modernism in Portuguese Literature, establishing itself among the avant-garde and tradition, as the critic Fernando Guimarães had already commented, and leaving for posterity a record of psychological investigation with which readers of all eras will be able to identify. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufjf.br/index.php/darandina/article/view/42392 10.34019/1983-8379.2023.v16.42392 |
url |
https://periodicos.ufjf.br/index.php/darandina/article/view/42392 |
identifier_str_mv |
10.34019/1983-8379.2023.v16.42392 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufjf.br/index.php/darandina/article/view/42392/27003 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Michele Dull Sampaio Beraldo Matter https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Michele Dull Sampaio Beraldo Matter https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Juiz de Fora |
publisher.none.fl_str_mv |
Universidade Federal de Juiz de Fora |
dc.source.none.fl_str_mv |
DARANDINA REVISTELETRÔNICA; v. 16 n. 2 (2023): LITERATURA E CULTURA DIGITAL; 136 - 152 1983-8379 reponame:Darandina Revisteletrônica instname:Universidade Federal de Juiz de Fora (UFJF) instacron:UFJF |
instname_str |
Universidade Federal de Juiz de Fora (UFJF) |
instacron_str |
UFJF |
institution |
UFJF |
reponame_str |
Darandina Revisteletrônica |
collection |
Darandina Revisteletrônica |
repository.name.fl_str_mv |
Darandina Revisteletrônica - Universidade Federal de Juiz de Fora (UFJF) |
repository.mail.fl_str_mv |
darandina.revista@ufjf.edu.br |
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1796798207686082560 |