Do caipira apaixonado ao Sertanejo Universitário: uma análise do discurso

• Autor(a) principal: Ferreira, Cassiano de Andrade
• Data de Publicação: 2020
• Outros Autores: Notini, Lucas, Campos, Rafaella Cristina, Villarta-Neder, Marco Antônio
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Repositório Institucional da UFLA
• Texto Completo: http://repositorio.ufla.br/jspui/handle/1/48360
• topic: Música sertaneja; Êxodo rural; Análise crítica do discurso; Country music; Rural exodus; Critical discourse analysis

This article analyzes the transformation of speech used in the lyrics of country songs over the past decades. In general, it is a comparison between the speech observed in country songs from the 1960s, 1970s, 1980s and 1990s and the country songs of the years 2000 and 2010. The methodology of work is based on the critical discourse analysis contained in the lyrics of songs sertanejas written in both periods of pre-set time. There was a colossal change in musical compositions of backcountry genre in recent decades. While the songs of the 1960s,1970s, 1980s and 1990s referred to the man of the field as a being in love for his land and his family, especially his "beloved", and that, despite having moved to the city, never forgotten of his life in the field, which misses; the farmer portrayed in the songs of the 2000s and 2010 went from employee stripped the farmer goer ballads. The countryside has become a very different place than it was portrayed in country songs from previous decades. Now the farm has internet, pickup trucks and imported car.