A FAVELA EM PERSPECTIVA COMPARADA: A expressão do espaço nas obras Quarto de despejo de Carolina Maria de Jesus e Becos da Memória de Conceição Evaristo
Autor(a) principal: | |
---|---|
Data de Publicação: | 2023 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UFMA |
Texto Completo: | https://tedebc.ufma.br/jspui/handle/tede/tede/4720 |
Resumo: | This dissertation aims to compare the ways of representing space and place in the works Quarto de despejo (1963) by Carolina Maria de Jesus and Becos da memória (2017) by Conceição Evaristo. Specifically, we intend to understand what role the slum plays both in the literary works in question, and in the very lives of these black women writers, trying to shed light on some structural links of their narrative constructions. Added to this is the even more complex issue of the place that Afro-Brazilian women's writing holds in the Brazilian literary space. Last, and not least, the exploration of the forms of symbolic definition of space and place verbalized by socially excluded subjects can be taken as an important laboratory for understanding everyday life and society. Objectively, while Carolina tells in this kind of diary her routine in the shantytown, how her life was and the daily struggles against hunger and misery living in a place of exclusion, in Becos da Memória, Conceição Evaristo tells how the shantytown was built, the arrival of the first residents and, finally, narrates its deconstruction with the demolition process, highlighting the fear and uncertainty in people's lives as they seek to rebuild their lives in a new place. Thus, by placing side by side biographical and literary experiences that hold familiarities, we seek to problematize the very tensions and challenges specific to literary creation. By virtue of the analytical challenges implied, on the other hand, the conceptual and methodological bases of the present research could only rest on an interdisciplinary reading grid, encompassing from the limits and possibilities of literary comparison, to even reflections on space and literature and black female protagonism in literature (CARVALHAL, 2006; NITRINI, 2010; TUAN, 1983; ASSMAN, 2011; SANTOS, 2009; DALCASTAGNÉ, 2014; CUTI, 2009; DUARTE 2018, among others). The results point to differences and similarities in the representativeness of the favela space in the referred works and its influence on the lives of the characters. |
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NERIS, Wheriston Silvahttp://lattes.cnpq.br/0108605127365257NERIS, Wheriston Silvahttp://lattes.cnpq.br/0108605127365257OLIVEIRA, Rubenil da Silvahttp://lattes.cnpq.br/8814177911312131ARRUDA, Aline Alveshttp://lattes.cnpq.br/1282472264281157http://lattes.cnpq.br/6738087473745292SOUZA, Francisca Katrine de Carvalho2023-05-25T16:31:48Z2023-04-28SOUZA, Francisca Katrine de Carvalho. A favela em perspectiva comparada: A expressão do espaço nas obras Quarto de despejo de Carolina Maria de Jesus e Becos da Memória de Conceição Evaristo. 2023. 118 f. Dissertação( Programa de Pós-graduação em Letras - Campus Bacabal) - Universidade Federal do Maranhão, Bacabal, 2023.https://tedebc.ufma.br/jspui/handle/tede/tede/4720This dissertation aims to compare the ways of representing space and place in the works Quarto de despejo (1963) by Carolina Maria de Jesus and Becos da memória (2017) by Conceição Evaristo. Specifically, we intend to understand what role the slum plays both in the literary works in question, and in the very lives of these black women writers, trying to shed light on some structural links of their narrative constructions. Added to this is the even more complex issue of the place that Afro-Brazilian women's writing holds in the Brazilian literary space. Last, and not least, the exploration of the forms of symbolic definition of space and place verbalized by socially excluded subjects can be taken as an important laboratory for understanding everyday life and society. Objectively, while Carolina tells in this kind of diary her routine in the shantytown, how her life was and the daily struggles against hunger and misery living in a place of exclusion, in Becos da Memória, Conceição Evaristo tells how the shantytown was built, the arrival of the first residents and, finally, narrates its deconstruction with the demolition process, highlighting the fear and uncertainty in people's lives as they seek to rebuild their lives in a new place. Thus, by placing side by side biographical and literary experiences that hold familiarities, we seek to problematize the very tensions and challenges specific to literary creation. By virtue of the analytical challenges implied, on the other hand, the conceptual and methodological bases of the present research could only rest on an interdisciplinary reading grid, encompassing from the limits and possibilities of literary comparison, to even reflections on space and literature and black female protagonism in literature (CARVALHAL, 2006; NITRINI, 2010; TUAN, 1983; ASSMAN, 2011; SANTOS, 2009; DALCASTAGNÉ, 2014; CUTI, 2009; DUARTE 2018, among others). The results point to differences and similarities in the representativeness of the favela space in the referred works and its influence on the lives of the characters.Esta dissertação tem como objetivo comparar as formas de representação do espaço e do lugar nas obras Quarto de despejo (1963) de Carolina Maria de Jesus e Becos da memória (2017) de Conceição Evaristo. De modo específico, pretende-se compreender qual o papel que a favela desempenha tanto nas obras literárias em pauta, quanto na própria vida dessas escritoras negras, tentando lançar luz sobre alguns elos estruturantes de suas construções narrativas. Soma-se a isso, a questão ainda mais complexa do lugar que a escrita afro-brasileira feminina detém no espaço literário brasileiro. Por fim, e não menos importante, a exploração das formas de definição simbólicas do espaço e do lugar verbalizadas por sujeitos excluídos socialmente pode ser tomada como laboratório importante para compreender o cotidiano e a sociedade. Objetivamente, enquanto Carolina conta nessa espécie de diário sua rotina na favela, como era sua vida e as lutas diárias contra a fome e a miséria, vivendo em um local de exclusão, em Becos da Memória, Conceição Evaristo relata como foi a construção da favela, a chegada dos primeiros moradores e, por fim narra a sua desconstrução com o processo de demolição, ressaltando o medo e a incerteza na vida das pessoas ao buscarem reconstruir suas vidas em um novo local. Assim, ao colocar lado a lado experiências biográficas e literárias que guardam familiaridades, procurou-se problematizar as próprias tensões e desafios específicos da criação literária. Em virtude dos desafios analíticos implicados. Por outro lado, as bases conceituais e metodológicas da presente pesquisa só poderiam se apoiar sobre uma grade de leitura interdisciplinar, englobando desde os limites e possibilidades da comparação literária, até mesmo as reflexões sobre o espaço e a literatura e o protagonismo feminino negro na literatura (CARVALHAL, 2006; NITRINI, 2010; TUAN, 1983; ASSMAN, 2011; SANTOS, 2009; DALCASTAGNÉ, 2014; CUTI, 2009; DUARTE 2018, entre outros). Os resultados apontam para diferenças e semelhanças na representatividade do espaço favela nas referidas obras e a influência deste na vida das personagens.Submitted by Maria Aparecida (cidazen@gmail.com) on 2023-05-25T16:31:48Z No. of bitstreams: 1 Francisca Katrinevec.pdf: 62214557 bytes, checksum: d907765b3da17d8b361e2ba01bb6264d (MD5)Made available in DSpace on 2023-05-25T16:31:48Z (GMT). No. of bitstreams: 1 Francisca Katrinevec.pdf: 62214557 bytes, checksum: d907765b3da17d8b361e2ba01bb6264d (MD5) Previous issue date: 2023-04-28application/pdfporUniversidade Federal do MaranhãoPROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS - Campus BacabalUFMABrasilDEPARTAMENTO DE SOCIOLOGIA E ANTROPOLOGIA/CCHLiteratura comparada;Espaço;Carolina Maria de Jesus;Conceição EvaristoComparative Literature;Space;Carolina Maria de Jesus;Conceição EvaristoLiteratura ComparadaA FAVELA EM PERSPECTIVA COMPARADA: A expressão do espaço nas obras Quarto de despejo de Carolina Maria de Jesus e Becos da Memória de Conceição EvaristoTHE FAVELA IN COMPARATIVE PERSPECTIVE: The expression of space in the works Eviction room by Carolina Maria de Jesus and Alleys of Memory by Conceição Evaristoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFMAinstname:Universidade Federal do Maranhão (UFMA)instacron:UFMAORIGINALFrancisca Katrinevec.pdfFrancisca Katrinevec.pdfapplication/pdf62214557http://tedebc.ufma.br:8080/bitstream/tede/4720/2/Francisca+Katrinevec.pdfd907765b3da17d8b361e2ba01bb6264dMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82255http://tedebc.ufma.br:8080/bitstream/tede/4720/1/license.txt97eeade1fce43278e63fe063657f8083MD51tede/47202023-05-25 13:31:48.835oai:tede2: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Biblioteca Digital de Teses e Dissertaçõeshttps://tedebc.ufma.br/jspui/PUBhttp://tedebc.ufma.br:8080/oai/requestrepositorio@ufma.br||repositorio@ufma.bropendoar:21312023-05-25T16:31:48Biblioteca Digital de Teses e Dissertações da UFMA - Universidade Federal do Maranhão (UFMA)false |
dc.title.por.fl_str_mv |
A FAVELA EM PERSPECTIVA COMPARADA: A expressão do espaço nas obras Quarto de despejo de Carolina Maria de Jesus e Becos da Memória de Conceição Evaristo |
dc.title.alternative.eng.fl_str_mv |
THE FAVELA IN COMPARATIVE PERSPECTIVE: The expression of space in the works Eviction room by Carolina Maria de Jesus and Alleys of Memory by Conceição Evaristo |
title |
A FAVELA EM PERSPECTIVA COMPARADA: A expressão do espaço nas obras Quarto de despejo de Carolina Maria de Jesus e Becos da Memória de Conceição Evaristo |
spellingShingle |
A FAVELA EM PERSPECTIVA COMPARADA: A expressão do espaço nas obras Quarto de despejo de Carolina Maria de Jesus e Becos da Memória de Conceição Evaristo SOUZA, Francisca Katrine de Carvalho Literatura comparada; Espaço; Carolina Maria de Jesus; Conceição Evaristo Comparative Literature; Space; Carolina Maria de Jesus; Conceição Evaristo Literatura Comparada |
title_short |
A FAVELA EM PERSPECTIVA COMPARADA: A expressão do espaço nas obras Quarto de despejo de Carolina Maria de Jesus e Becos da Memória de Conceição Evaristo |
title_full |
A FAVELA EM PERSPECTIVA COMPARADA: A expressão do espaço nas obras Quarto de despejo de Carolina Maria de Jesus e Becos da Memória de Conceição Evaristo |
title_fullStr |
A FAVELA EM PERSPECTIVA COMPARADA: A expressão do espaço nas obras Quarto de despejo de Carolina Maria de Jesus e Becos da Memória de Conceição Evaristo |
title_full_unstemmed |
A FAVELA EM PERSPECTIVA COMPARADA: A expressão do espaço nas obras Quarto de despejo de Carolina Maria de Jesus e Becos da Memória de Conceição Evaristo |
title_sort |
A FAVELA EM PERSPECTIVA COMPARADA: A expressão do espaço nas obras Quarto de despejo de Carolina Maria de Jesus e Becos da Memória de Conceição Evaristo |
author |
SOUZA, Francisca Katrine de Carvalho |
author_facet |
SOUZA, Francisca Katrine de Carvalho |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
NERIS, Wheriston Silva |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0108605127365257 |
dc.contributor.referee1.fl_str_mv |
NERIS, Wheriston Silva |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/0108605127365257 |
dc.contributor.referee2.fl_str_mv |
OLIVEIRA, Rubenil da Silva |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/8814177911312131 |
dc.contributor.referee3.fl_str_mv |
ARRUDA, Aline Alves |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/1282472264281157 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/6738087473745292 |
dc.contributor.author.fl_str_mv |
SOUZA, Francisca Katrine de Carvalho |
contributor_str_mv |
NERIS, Wheriston Silva NERIS, Wheriston Silva OLIVEIRA, Rubenil da Silva ARRUDA, Aline Alves |
dc.subject.por.fl_str_mv |
Literatura comparada; Espaço; Carolina Maria de Jesus; Conceição Evaristo |
topic |
Literatura comparada; Espaço; Carolina Maria de Jesus; Conceição Evaristo Comparative Literature; Space; Carolina Maria de Jesus; Conceição Evaristo Literatura Comparada |
dc.subject.eng.fl_str_mv |
Comparative Literature; Space; Carolina Maria de Jesus; Conceição Evaristo |
dc.subject.cnpq.fl_str_mv |
Literatura Comparada |
description |
This dissertation aims to compare the ways of representing space and place in the works Quarto de despejo (1963) by Carolina Maria de Jesus and Becos da memória (2017) by Conceição Evaristo. Specifically, we intend to understand what role the slum plays both in the literary works in question, and in the very lives of these black women writers, trying to shed light on some structural links of their narrative constructions. Added to this is the even more complex issue of the place that Afro-Brazilian women's writing holds in the Brazilian literary space. Last, and not least, the exploration of the forms of symbolic definition of space and place verbalized by socially excluded subjects can be taken as an important laboratory for understanding everyday life and society. Objectively, while Carolina tells in this kind of diary her routine in the shantytown, how her life was and the daily struggles against hunger and misery living in a place of exclusion, in Becos da Memória, Conceição Evaristo tells how the shantytown was built, the arrival of the first residents and, finally, narrates its deconstruction with the demolition process, highlighting the fear and uncertainty in people's lives as they seek to rebuild their lives in a new place. Thus, by placing side by side biographical and literary experiences that hold familiarities, we seek to problematize the very tensions and challenges specific to literary creation. By virtue of the analytical challenges implied, on the other hand, the conceptual and methodological bases of the present research could only rest on an interdisciplinary reading grid, encompassing from the limits and possibilities of literary comparison, to even reflections on space and literature and black female protagonism in literature (CARVALHAL, 2006; NITRINI, 2010; TUAN, 1983; ASSMAN, 2011; SANTOS, 2009; DALCASTAGNÉ, 2014; CUTI, 2009; DUARTE 2018, among others). The results point to differences and similarities in the representativeness of the favela space in the referred works and its influence on the lives of the characters. |
publishDate |
2023 |
dc.date.accessioned.fl_str_mv |
2023-05-25T16:31:48Z |
dc.date.issued.fl_str_mv |
2023-04-28 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
SOUZA, Francisca Katrine de Carvalho. A favela em perspectiva comparada: A expressão do espaço nas obras Quarto de despejo de Carolina Maria de Jesus e Becos da Memória de Conceição Evaristo. 2023. 118 f. Dissertação( Programa de Pós-graduação em Letras - Campus Bacabal) - Universidade Federal do Maranhão, Bacabal, 2023. |
dc.identifier.uri.fl_str_mv |
https://tedebc.ufma.br/jspui/handle/tede/tede/4720 |
identifier_str_mv |
SOUZA, Francisca Katrine de Carvalho. A favela em perspectiva comparada: A expressão do espaço nas obras Quarto de despejo de Carolina Maria de Jesus e Becos da Memória de Conceição Evaristo. 2023. 118 f. Dissertação( Programa de Pós-graduação em Letras - Campus Bacabal) - Universidade Federal do Maranhão, Bacabal, 2023. |
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https://tedebc.ufma.br/jspui/handle/tede/tede/4720 |
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por |
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DEPARTAMENTO DE SOCIOLOGIA E ANTROPOLOGIA/CCH |
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Universidade Federal do Maranhão |
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