As terras de Monge Belo: as práticas locais e o design participativo relacional na produção dos colorantes naturais

Detalhes bibliográficos
Autor(a) principal: FERREIRA, Gabriela Ramos
Data de Publicação: 2023
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UFMA
Texto Completo: https://tedebc.ufma.br/jspui/handle/tede/tede/5318
Resumo: Maranhão stands out as one of the states that houses one of the highest rates of occurrences of quilombola communities in Brazil, a scenario prone to conflicts related to land issues. In contrast to this situation, many quilombola communities also stand out as places of resistance through their traditional knowledge and the richness of biodiversity in their territories. The quilombo of Monge Belo is one such example. Located in the municipality of Itapecuru Mirim, in Maranhão, the community's main economic activity is subsistence farming and it is known for the work carried out by a group of women who paint cisterns using mineral dyes. Through the practices of correspondences, as introduced by Ingold (2013), a relational way of being in the world, we had our first contacts with the group of women and the material. In this way, we identified research opportunities by recognizing local resources (dyes and mordants) as potential raw materials to be used in this production, thus promoting the environmental dimensions of sustainability and autonomy in the production of natural dyes. Therefore, the present research aimed to contribute, through participatory relational design and following the principles of design anthropology (Gatt and Ingold, 2013), to the systematization and co-creation of processes involving the production of natural dyes in the community of Monge Belo, with a focus on the productive autonomy of women, guided by the principle of autopoiesis by Escobar (2016). For this purpose, we adopted the Material Driven Design (MDD) approach proposed by Karana et al. (2015) as our methodological framework, which addresses both tangible and intangible aspects of a material and focuses on the experiences derived from this interaction. In support of these stages, we conducted tests in laboratories (UFMA and ED-UEMG) related to colorimetry, color fixation, and fabric morphology before and after dyeing, providing us with a more technical and procedural understanding of the materials studied. Finally, we returned to the community to prototype dyeing with the dyes and mordants, thus completing the process of knowledge exchange. The results are presented through data triangulation and demonstrate the insights gained by researchers and co-researchers in the field, combined with the presented theory presented, resulting in a new type of knowledge. Through this collaborative process in the field, the effectiveness of Monge Belo's natural dyes and mordants could be attested as potential raw materials in the natural dyeing process, thus contributing to environmental sustainability and the process of women's autonomy, as well as new other possibilities were listed for future studies.
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spelling NORONHA, Raquel Gomeshttp://lattes.cnpq.br/4782161324909358PAGNAN, Caroline Salvanhttp://lattes.cnpq.br/3724113397606541NORONHA, Raquel Gomes Noronhahttp://lattes.cnpq.br/4782161324909358SANTOS, Denilson MoreiraDenilson Moreira SantosDINIZ, Raimundo Lopeshttp://lattes.cnpq.br/9755992709224022PAGNAN, Andreia Salvanhttp://lattes.cnpq.br/1032931470714677http://lattes.cnpq.br/2262481265221584FERREIRA, Gabriela Ramos2024-05-29T17:17:14Z2023-07-07FERREIRA, Gabriela Ramos. As terras de Monge Belo: as práticas locais e o design participativo relacional na produção dos colorantes naturais. 2023. 138 f. Dissertação (Programa de Pós-Graduação em Design/CCET) - Universidade Federal do Maranhão, São Luís, 2023.https://tedebc.ufma.br/jspui/handle/tede/tede/5318Maranhão stands out as one of the states that houses one of the highest rates of occurrences of quilombola communities in Brazil, a scenario prone to conflicts related to land issues. In contrast to this situation, many quilombola communities also stand out as places of resistance through their traditional knowledge and the richness of biodiversity in their territories. The quilombo of Monge Belo is one such example. Located in the municipality of Itapecuru Mirim, in Maranhão, the community's main economic activity is subsistence farming and it is known for the work carried out by a group of women who paint cisterns using mineral dyes. Through the practices of correspondences, as introduced by Ingold (2013), a relational way of being in the world, we had our first contacts with the group of women and the material. In this way, we identified research opportunities by recognizing local resources (dyes and mordants) as potential raw materials to be used in this production, thus promoting the environmental dimensions of sustainability and autonomy in the production of natural dyes. Therefore, the present research aimed to contribute, through participatory relational design and following the principles of design anthropology (Gatt and Ingold, 2013), to the systematization and co-creation of processes involving the production of natural dyes in the community of Monge Belo, with a focus on the productive autonomy of women, guided by the principle of autopoiesis by Escobar (2016). For this purpose, we adopted the Material Driven Design (MDD) approach proposed by Karana et al. (2015) as our methodological framework, which addresses both tangible and intangible aspects of a material and focuses on the experiences derived from this interaction. In support of these stages, we conducted tests in laboratories (UFMA and ED-UEMG) related to colorimetry, color fixation, and fabric morphology before and after dyeing, providing us with a more technical and procedural understanding of the materials studied. Finally, we returned to the community to prototype dyeing with the dyes and mordants, thus completing the process of knowledge exchange. The results are presented through data triangulation and demonstrate the insights gained by researchers and co-researchers in the field, combined with the presented theory presented, resulting in a new type of knowledge. Through this collaborative process in the field, the effectiveness of Monge Belo's natural dyes and mordants could be attested as potential raw materials in the natural dyeing process, thus contributing to environmental sustainability and the process of women's autonomy, as well as new other possibilities were listed for future studies.O Maranhão destaca-se por ser um dos estados que abrigam um dos maiores índices relacionados à ocorrência de comunidades quilombolas do Brasil, cenário propício a conflitos relacionados a questões fundiárias. Em contraponto a essa situação, muitas comunidades quilombolas destacam-se também como locais de resistência por meio de seus saberes tradicionais e das riquezas em biodiversidade do território. O quilombo de Monge Belo é um desses exemplos. Situada no município de Itapecuru Mirim, no Maranhão, a comunidade tem como fonte de renda e sustento principal a atividade de subsistência e destaca-se pelo trabalho desenvolvido por um grupo de mulheres que fazem pinturas em cisternas com o uso de colorantes minerais. A partir das práticas de correspondências, trazidas por Ingold (2013), um modo relacional de estar no mundo, tivemos os primeiros contatos com o grupo de mulheres e com o material. Dessa forma, identificamos oportunidades de pesquisa ao detectarmos recursos locais (colorantes e mordentes) como potenciais matérias-primas a serem utilizadas nessa produção, fomentando dessa forma as dimensões ambientais de sustentabilidade e autonomia na produção dos colorantes naturais. Posto isso, a presente pesquisa objetivou contribuir, por meio do Design participativo relacional e seguindo princípios do designantropologia (Gatt e Ingold, 2013), para a sistematização e cocriação de processos que envolvem a produção de colorantes naturais na comunidade de Monge Belo, com foco na autonomia produtiva das mulheres, pautadas pelo princípio da autopoesis de Escobar (2016). Para isso, utilizamos como abordagem metodológica o MDD (Material Driven Design) proposto por Karana et al. (2015), metodologia que aborda os aspectos tangíveis e intangíveis de um material e tem como foco as experiências vivenciadas a partir desse contato. Como auxílio a estas etapas, realizamos testes em laboratórios (UFMA e ED-UEMG) relacionados à colorimetria, fixação das cores e morfologia do tecido antes e após os tingimentos, o que nos propiciou uma visão mais técnica e procedimental sobre os materiais estudados. Por fim, temos o retorno à comunidade para realização da prototipação de tingimentos com os colorantes e mordentes e assim finalizamos o processo do intercâmbio de saberes. Os resultados são apresentados por meio da triangulação de dados e demonstram as percepções apreendidas por pesquisadoras e copesquisadoras em campo, aliadas à teoria apresentada, resultando a partir destes, em um novo tipo de conhecimento. E, por meio desse processo colaborativo em campo, a eficácia dos colorantes e mordentes naturais de Monge Belo puderam ser atestadas como potenciais matérias-primas no processo de tingimento natural, contribuindo assim à sustentabilidade ambiental e ao processo de autonomia das mulheres, assim como novas outras possibilidades foram elencadas para estudos futuros.Submitted by Jonathan Sousa de Almeida (jonathan.sousa@ufma.br) on 2024-05-29T17:17:14Z No. of bitstreams: 1 GABRIELARAMOSFERREIRA.pdf: 3017753 bytes, checksum: 7906f737e2268cf9581ddd0860d78016 (MD5)Made available in DSpace on 2024-05-29T17:17:14Z (GMT). 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dc.title.por.fl_str_mv As terras de Monge Belo: as práticas locais e o design participativo relacional na produção dos colorantes naturais
dc.title.alternative.eng.fl_str_mv The lands of Monge Belo: local practices and relational participatory design in the production of natural colorants
title As terras de Monge Belo: as práticas locais e o design participativo relacional na produção dos colorantes naturais
spellingShingle As terras de Monge Belo: as práticas locais e o design participativo relacional na produção dos colorantes naturais
FERREIRA, Gabriela Ramos
design participativo relacional;
práticas de correspondências;
colorantes naturais;
autonomia;
Quilombo;
mulheres.
participatory relational design;
practices of correspondences;
natural dyes;
autonomy;
Quilombo;
women.
Ciências Sociais Aplicadas
title_short As terras de Monge Belo: as práticas locais e o design participativo relacional na produção dos colorantes naturais
title_full As terras de Monge Belo: as práticas locais e o design participativo relacional na produção dos colorantes naturais
title_fullStr As terras de Monge Belo: as práticas locais e o design participativo relacional na produção dos colorantes naturais
title_full_unstemmed As terras de Monge Belo: as práticas locais e o design participativo relacional na produção dos colorantes naturais
title_sort As terras de Monge Belo: as práticas locais e o design participativo relacional na produção dos colorantes naturais
author FERREIRA, Gabriela Ramos
author_facet FERREIRA, Gabriela Ramos
author_role author
dc.contributor.advisor1.fl_str_mv NORONHA, Raquel Gomes
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/4782161324909358
dc.contributor.advisor-co1.fl_str_mv PAGNAN, Caroline Salvan
dc.contributor.advisor-co1Lattes.fl_str_mv http://lattes.cnpq.br/3724113397606541
dc.contributor.referee1.fl_str_mv NORONHA, Raquel Gomes Noronha
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/4782161324909358
dc.contributor.referee2.fl_str_mv SANTOS, Denilson Moreira
dc.contributor.referee2Lattes.fl_str_mv Denilson Moreira Santos
dc.contributor.referee3.fl_str_mv DINIZ, Raimundo Lopes
dc.contributor.referee3Lattes.fl_str_mv http://lattes.cnpq.br/9755992709224022
dc.contributor.referee4.fl_str_mv PAGNAN, Andreia Salvan
dc.contributor.referee4Lattes.fl_str_mv http://lattes.cnpq.br/1032931470714677
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/2262481265221584
dc.contributor.author.fl_str_mv FERREIRA, Gabriela Ramos
contributor_str_mv NORONHA, Raquel Gomes
PAGNAN, Caroline Salvan
NORONHA, Raquel Gomes Noronha
SANTOS, Denilson Moreira
DINIZ, Raimundo Lopes
PAGNAN, Andreia Salvan
dc.subject.por.fl_str_mv design participativo relacional;
práticas de correspondências;
colorantes naturais;
autonomia;
Quilombo;
mulheres.
topic design participativo relacional;
práticas de correspondências;
colorantes naturais;
autonomia;
Quilombo;
mulheres.
participatory relational design;
practices of correspondences;
natural dyes;
autonomy;
Quilombo;
women.
Ciências Sociais Aplicadas
dc.subject.eng.fl_str_mv participatory relational design;
practices of correspondences;
natural dyes;
autonomy;
Quilombo;
women.
dc.subject.cnpq.fl_str_mv Ciências Sociais Aplicadas
description Maranhão stands out as one of the states that houses one of the highest rates of occurrences of quilombola communities in Brazil, a scenario prone to conflicts related to land issues. In contrast to this situation, many quilombola communities also stand out as places of resistance through their traditional knowledge and the richness of biodiversity in their territories. The quilombo of Monge Belo is one such example. Located in the municipality of Itapecuru Mirim, in Maranhão, the community's main economic activity is subsistence farming and it is known for the work carried out by a group of women who paint cisterns using mineral dyes. Through the practices of correspondences, as introduced by Ingold (2013), a relational way of being in the world, we had our first contacts with the group of women and the material. In this way, we identified research opportunities by recognizing local resources (dyes and mordants) as potential raw materials to be used in this production, thus promoting the environmental dimensions of sustainability and autonomy in the production of natural dyes. Therefore, the present research aimed to contribute, through participatory relational design and following the principles of design anthropology (Gatt and Ingold, 2013), to the systematization and co-creation of processes involving the production of natural dyes in the community of Monge Belo, with a focus on the productive autonomy of women, guided by the principle of autopoiesis by Escobar (2016). For this purpose, we adopted the Material Driven Design (MDD) approach proposed by Karana et al. (2015) as our methodological framework, which addresses both tangible and intangible aspects of a material and focuses on the experiences derived from this interaction. In support of these stages, we conducted tests in laboratories (UFMA and ED-UEMG) related to colorimetry, color fixation, and fabric morphology before and after dyeing, providing us with a more technical and procedural understanding of the materials studied. Finally, we returned to the community to prototype dyeing with the dyes and mordants, thus completing the process of knowledge exchange. The results are presented through data triangulation and demonstrate the insights gained by researchers and co-researchers in the field, combined with the presented theory presented, resulting in a new type of knowledge. Through this collaborative process in the field, the effectiveness of Monge Belo's natural dyes and mordants could be attested as potential raw materials in the natural dyeing process, thus contributing to environmental sustainability and the process of women's autonomy, as well as new other possibilities were listed for future studies.
publishDate 2023
dc.date.issued.fl_str_mv 2023-07-07
dc.date.accessioned.fl_str_mv 2024-05-29T17:17:14Z
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dc.identifier.citation.fl_str_mv FERREIRA, Gabriela Ramos. As terras de Monge Belo: as práticas locais e o design participativo relacional na produção dos colorantes naturais. 2023. 138 f. Dissertação (Programa de Pós-Graduação em Design/CCET) - Universidade Federal do Maranhão, São Luís, 2023.
dc.identifier.uri.fl_str_mv https://tedebc.ufma.br/jspui/handle/tede/tede/5318
identifier_str_mv FERREIRA, Gabriela Ramos. As terras de Monge Belo: as práticas locais e o design participativo relacional na produção dos colorantes naturais. 2023. 138 f. Dissertação (Programa de Pós-Graduação em Design/CCET) - Universidade Federal do Maranhão, São Luís, 2023.
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dc.publisher.initials.fl_str_mv UFMA
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv DEPARTAMENTO DE DESENHO E TECNOLOGIA/CCET
publisher.none.fl_str_mv Universidade Federal do Maranhão
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