Poesia e subjetividade: sobre uma hermenêutica “do desejo” de Hilda Hilst

• Autor(a) principal: CAVALCANTE, Andréia do Nascimento
• Data de Publicação: 2020
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UFMA
• Texto Completo: https://tedebc.ufma.br/jspui/handle/tede/4219
• topic: arte;; verdade;; poesia;; linguagem;; subjetividade;; subjectivity.; art;; truth;; poetry;; language;; Psicologia

This research aims to understand in what sense the poetic word, as an ontological expression of language, leads us to rethink the concept of modern subjectivity. The term subjectivity makes up the common vocabulary of the humanities, being defined in different ways, depending on the epistemological field from which the definition originates. However, in its multiple concepts there is an inheritance of the subjectivity paradigm, guiding principle of modern science, which permeates and crosses its uses. In the field of contemporary knowledge, many criticisms were made in order to revise or reformulate this paradigm, among them Gadamer's philosophical hermeneutics, which, starting from the notion of Dasein proposed by Heidegger, criticizes the modern scientific methodology and the implications of this paradigm about the modus operandi of the humanities, especially with regard to the definition of the concept of truth. Gadamer, anchored in the understanding of language in its ontological character, claims that the truth comes from experiences other than those legitimized by modern science, such as art, philosophy and history. He finds in art an experience of openness where the truth of being emerges in the relationship of meaning that is revealed in the event of understanding Gadamer will talk about the ontological experience of art from the concepts of game, symbol and party, the way in which art presents itself as a declaration of truth. In this sense, starting from a bibliographic research and, anchored in the paradigm of philosophical hermeneutics, we seek to understand the experience of the poetic word of Hilda Hilsta's work in its happening as an ontological opening of meaning and possibility, which reveals in the relationship I-you an emblematic brand to rethink the concept of modern subjectivity. Finally, it presents some possible contributions of this discussion to the field of Art Psychology, from which it is possible to think of a new way of approaching the human and the artistic experience.