SETTING THE SCENE THROUGH INTERVAL WRITING AND EMANCIPATORY APPARITION: JACQUES RANCIÈRE’S AESTHETICPOLITICAL METHOD

Detalhes bibliográficos
Autor(a) principal: Marques, Ângela Cristina Salgueiro
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Kriterion (Online)
Texto Completo: https://periodicos.ufmg.br/index.php/kriterion/article/view/35326
Resumo: Based on Rancière’s most recent reflections, carried outmainly between 2017 and 2020, the article systematizes the main axes of the construction of his method, which consists of articulating heterogeneous singularities in scenes originated in the confluence of his writing with the dissenting appearance of political subjects. We argue that Rancière elaborates, through anti-hierarchical writing, a work of disturbing the “explanatory machine” (2016, p.68) that sustains specialized speeches and their different translations into languages that insist on maintaining an order that controls who can appear on the scene, updating the separations between spatialities, temporalities and corporeality. His writing and his methodological gesture canhelp understand how research based on the montage of controversial scenes takes the risk of producing egalitarian topographies in which the researcher’s words slide between the words of various subjects, of various texts and of various experiences.
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spelling SETTING THE SCENE THROUGH INTERVAL WRITING AND EMANCIPATORY APPARITION: JACQUES RANCIÈRE’S AESTHETICPOLITICAL METHODMONTAR A CENA PELA ESCRITA INTERVALAR E PELO APARECIMENTO EMANCIPATÓRIO: O MÉTODO ESTÉTICOPOLÍTICO DE JACQUES RANCIÈREJacques RancièreCenaEscritaAparecimentoMétodoJacques RancièreSceneWritingAppearanceMethodBased on Rancière’s most recent reflections, carried outmainly between 2017 and 2020, the article systematizes the main axes of the construction of his method, which consists of articulating heterogeneous singularities in scenes originated in the confluence of his writing with the dissenting appearance of political subjects. We argue that Rancière elaborates, through anti-hierarchical writing, a work of disturbing the “explanatory machine” (2016, p.68) that sustains specialized speeches and their different translations into languages that insist on maintaining an order that controls who can appear on the scene, updating the separations between spatialities, temporalities and corporeality. His writing and his methodological gesture canhelp understand how research based on the montage of controversial scenes takes the risk of producing egalitarian topographies in which the researcher’s words slide between the words of various subjects, of various texts and of various experiences.A partir das reflexões mais recentes de Rancière, realizadas, sobretudo entre os anos 2017 e 2020, o artigo sistematiza os principais eixos da construção de seu método, que consiste em articular singularidades heterogêneas em cenas originadas na confluência de sua escrita com o aparecer dissensual de sujeitos políticos. Argumentamos que Rancière elabora, através de uma escrita anti-hierárquica, um trabalho de perturbação da “máquina explicativa” (2016, p. 68) que sustenta discursos especializados e suas diferentes traduçõesem linguagens que insistem em manter uma ordem que controla quem pode aparecer sobre a cena, atualizando as separações entre espacialidades, temporalidades e corporeidades. Sua escrita e seu gesto metodológico podem auxiliar a compreender como a pesquisa baseada na montagem de cenas polêmicas assume o risco de produzir topografias igualitárias nas quais a palavra do pesquisador desliza entre as palavras de vários sujeitos, de vários textos e de várias experiências.Revista KriterionRevista KriterionKriterion: Revista de FilosofiaKriterion: Revista de FilosofiaRevista Kriterion2023-05-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/kriterion/article/view/35326Revista Kriterion; Vol. 64 No. 154 (2023)Revista Kriterion; Vol. 64 Núm. 154 (2023)Kriterion: Revista de Filosofia; Vol. 64 No 154 (2023)Kriterion: Revista de Filosofia; V. 64 N. 154 (2023)Revista Kriterion; v. 64 n. 154 (2023)1981-53360100-512Xreponame:Kriterion (Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/kriterion/article/view/35326/37548Copyright (c) 2023 Revista Kriterionhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccess Marques, Ângela Cristina Salgueiro2023-05-29T19:43:32Zoai:periodicos.ufmg.br:article/35326Revistahttps://periodicos.ufmg.br/index.php/kriterionPUBhttps://periodicos.ufmg.br/index.php/kriterion/oairevistakriterion@gmail.com1981-53360100-512Xopendoar:2024-01-24T12:41:30.219983Kriterion (Online) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv SETTING THE SCENE THROUGH INTERVAL WRITING AND EMANCIPATORY APPARITION: JACQUES RANCIÈRE’S AESTHETICPOLITICAL METHOD
MONTAR A CENA PELA ESCRITA INTERVALAR E PELO APARECIMENTO EMANCIPATÓRIO: O MÉTODO ESTÉTICOPOLÍTICO DE JACQUES RANCIÈRE
title SETTING THE SCENE THROUGH INTERVAL WRITING AND EMANCIPATORY APPARITION: JACQUES RANCIÈRE’S AESTHETICPOLITICAL METHOD
spellingShingle SETTING THE SCENE THROUGH INTERVAL WRITING AND EMANCIPATORY APPARITION: JACQUES RANCIÈRE’S AESTHETICPOLITICAL METHOD
Marques, Ângela Cristina Salgueiro
Jacques Rancière
Cena
Escrita
Aparecimento
Método
Jacques Rancière
Scene
Writing
Appearance
Method
title_short SETTING THE SCENE THROUGH INTERVAL WRITING AND EMANCIPATORY APPARITION: JACQUES RANCIÈRE’S AESTHETICPOLITICAL METHOD
title_full SETTING THE SCENE THROUGH INTERVAL WRITING AND EMANCIPATORY APPARITION: JACQUES RANCIÈRE’S AESTHETICPOLITICAL METHOD
title_fullStr SETTING THE SCENE THROUGH INTERVAL WRITING AND EMANCIPATORY APPARITION: JACQUES RANCIÈRE’S AESTHETICPOLITICAL METHOD
title_full_unstemmed SETTING THE SCENE THROUGH INTERVAL WRITING AND EMANCIPATORY APPARITION: JACQUES RANCIÈRE’S AESTHETICPOLITICAL METHOD
title_sort SETTING THE SCENE THROUGH INTERVAL WRITING AND EMANCIPATORY APPARITION: JACQUES RANCIÈRE’S AESTHETICPOLITICAL METHOD
author Marques, Ângela Cristina Salgueiro
author_facet Marques, Ângela Cristina Salgueiro
author_role author
dc.contributor.author.fl_str_mv Marques, Ângela Cristina Salgueiro
dc.subject.por.fl_str_mv Jacques Rancière
Cena
Escrita
Aparecimento
Método
Jacques Rancière
Scene
Writing
Appearance
Method
topic Jacques Rancière
Cena
Escrita
Aparecimento
Método
Jacques Rancière
Scene
Writing
Appearance
Method
description Based on Rancière’s most recent reflections, carried outmainly between 2017 and 2020, the article systematizes the main axes of the construction of his method, which consists of articulating heterogeneous singularities in scenes originated in the confluence of his writing with the dissenting appearance of political subjects. We argue that Rancière elaborates, through anti-hierarchical writing, a work of disturbing the “explanatory machine” (2016, p.68) that sustains specialized speeches and their different translations into languages that insist on maintaining an order that controls who can appear on the scene, updating the separations between spatialities, temporalities and corporeality. His writing and his methodological gesture canhelp understand how research based on the montage of controversial scenes takes the risk of producing egalitarian topographies in which the researcher’s words slide between the words of various subjects, of various texts and of various experiences.
publishDate 2023
dc.date.none.fl_str_mv 2023-05-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/kriterion/article/view/35326
url https://periodicos.ufmg.br/index.php/kriterion/article/view/35326
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/kriterion/article/view/35326/37548
dc.rights.driver.fl_str_mv Copyright (c) 2023 Revista Kriterion
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Revista Kriterion
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Revista Kriterion
Revista Kriterion
Kriterion: Revista de Filosofia
Kriterion: Revista de Filosofia
Revista Kriterion
publisher.none.fl_str_mv Revista Kriterion
Revista Kriterion
Kriterion: Revista de Filosofia
Kriterion: Revista de Filosofia
Revista Kriterion
dc.source.none.fl_str_mv Revista Kriterion; Vol. 64 No. 154 (2023)
Revista Kriterion; Vol. 64 Núm. 154 (2023)
Kriterion: Revista de Filosofia; Vol. 64 No 154 (2023)
Kriterion: Revista de Filosofia; V. 64 N. 154 (2023)
Revista Kriterion; v. 64 n. 154 (2023)
1981-5336
0100-512X
reponame:Kriterion (Online)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Kriterion (Online)
collection Kriterion (Online)
repository.name.fl_str_mv Kriterion (Online) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv revistakriterion@gmail.com
_version_ 1799711183377268736

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