Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera

Detalhes bibliográficos
Autor(a) principal: Barros, Helena de
Data de Publicação: 2021
Outros Autores: Arume, Igor
Tipo de documento: Artigo
Idioma: por
Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/25859
Resumo: Despite the vaunted "death of the print" with digital media, this article investigates material aspects where printing on paper, more specifically in so-called ephemeral printed matter, still has a differentiated power of significance. This investigation is based on the material analysis of commercial color printing techniques on paper that are distinguished from mass printing techniques – more specifically chromolithography in the 19th century, and risography today – occupying different territories in the universe of collectibles: the guard of historical heritage by public institutions, and the affirmation of style and identity in the self-publications of young artists and designers. The differences in the appreciation of these printed materials through digital media or direct contact with paper samples are also discussed.
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spelling Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemeraTécnicas de impresión comerciales en color sobre papel: el apelo material de la cromolitografía y la risografía como impresos efímeros coleccionablesTécnicas de impressão comercial colorida sobre papel: o apelo material da cromolitografia e da risografia como impressos efêmeros colecionáveisimpressoscoleçõesauracromolitografiarisografiaprinted mattercollectionsaurachromolithographyrisographyimpresoscoleccionesauracromolitografíarisografíaDespite the vaunted "death of the print" with digital media, this article investigates material aspects where printing on paper, more specifically in so-called ephemeral printed matter, still has a differentiated power of significance. This investigation is based on the material analysis of commercial color printing techniques on paper that are distinguished from mass printing techniques – more specifically chromolithography in the 19th century, and risography today – occupying different territories in the universe of collectibles: the guard of historical heritage by public institutions, and the affirmation of style and identity in the self-publications of young artists and designers. The differences in the appreciation of these printed materials through digital media or direct contact with paper samples are also discussed.A pesar de la tan cacareada "muerte de la imprenta" con los medios digitales, este artículo indaga en aspectos materiales donde la impresión en papel, más concretamente en los llamados impresos efímeros, aún tiene un poder diferenciado de significación. Esta investigación se basa en el análisis material de las técnicas comerciales de impresión en color sobre papel que se distinguen de las técnicas de impresión masiva – más concretamente la cromolitografía en el siglo XIX, y la risografía actual – ocupando diferentes territorios en el universo de los coleccionables: la guardia del patrimonio histórico por parte de las instituciones públicas, y la afirmación del estilo y la identidad en las autoediciones de jóvenes artistas y diseñadores. También se discuten las diferencias en la valoración de estos materiales impresos a través de medios digitales o contacto directo con muestras de papel.Apesar da alardeada “morte do impresso” com as mídias digitais, este artigo investiga aspectos materiais em que a impressão sobre papel, mais especificamente nos chamados impressos efêmeros, ainda exerce uma potência de significação diferenciada. Esta investigação se baseia na análise material de técnicas comerciais de impressão colorida sobre papel, que se distinguem das técnicas de impressão de massa – mais especificamente a cromolitografia no século XIX e a risografia na atualidade –, ocupando territórios distintos no universo de bens colecionáveis: a guarda de patrimônio histórico por instituições públicas e a afirmação de estilo e identidade nas autopublicações de jovens artistas e designers. Discute-se ainda as diferenças na apreciação desses impressos através de mídias digitais ou do contato direto com amostras em papel.Universidade Federal de Minas Gerais2021-07-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/2585910.35699/2237-5864.2021.25859PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 22: May.2021 - Aug.2021; 265-296PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 22: May.2021 - Ago.2021; 265-296PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 22: mai.2021 - ago.2021; 265-2962238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/25859/27895Copyright (c) 2021 Helena de Barros, Igor Arumehttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessBarros, Helena deArume, Igor2021-08-02T19:20:49Zoai:periodicos.ufmg.br:article/25859Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2021-08-02T19:20:49Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera
Técnicas de impresión comerciales en color sobre papel: el apelo material de la cromolitografía y la risografía como impresos efímeros coleccionables
Técnicas de impressão comercial colorida sobre papel: o apelo material da cromolitografia e da risografia como impressos efêmeros colecionáveis
title Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera
spellingShingle Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera
Barros, Helena de
impressos
coleções
aura
cromolitografia
risografia
printed matter
collections
aura
chromolithography
risography
impresos
colecciones
aura
cromolitografía
risografía
title_short Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera
title_full Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera
title_fullStr Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera
title_full_unstemmed Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera
title_sort Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera
author Barros, Helena de
author_facet Barros, Helena de
Arume, Igor
author_role author
author2 Arume, Igor
author2_role author
dc.contributor.author.fl_str_mv Barros, Helena de
Arume, Igor
dc.subject.por.fl_str_mv impressos
coleções
aura
cromolitografia
risografia
printed matter
collections
aura
chromolithography
risography
impresos
colecciones
aura
cromolitografía
risografía
topic impressos
coleções
aura
cromolitografia
risografia
printed matter
collections
aura
chromolithography
risography
impresos
colecciones
aura
cromolitografía
risografía
description Despite the vaunted "death of the print" with digital media, this article investigates material aspects where printing on paper, more specifically in so-called ephemeral printed matter, still has a differentiated power of significance. This investigation is based on the material analysis of commercial color printing techniques on paper that are distinguished from mass printing techniques – more specifically chromolithography in the 19th century, and risography today – occupying different territories in the universe of collectibles: the guard of historical heritage by public institutions, and the affirmation of style and identity in the self-publications of young artists and designers. The differences in the appreciation of these printed materials through digital media or direct contact with paper samples are also discussed.
publishDate 2021
dc.date.none.fl_str_mv 2021-07-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/25859
10.35699/2237-5864.2021.25859
url https://periodicos.ufmg.br/index.php/revistapos/article/view/25859
identifier_str_mv 10.35699/2237-5864.2021.25859
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/25859/27895
dc.rights.driver.fl_str_mv Copyright (c) 2021 Helena de Barros, Igor Arume
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Helena de Barros, Igor Arume
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 22: May.2021 - Aug.2021; 265-296
PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 22: May.2021 - Ago.2021; 265-296
PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 22: mai.2021 - ago.2021; 265-296
2238-2046
1982-9507
reponame:Pós (Universidade Federal de Minas Gerais. Online)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Pós (Universidade Federal de Minas Gerais. Online)
collection Pós (Universidade Federal de Minas Gerais. Online)
repository.name.fl_str_mv Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv revistapos.ppga@gmail.com
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