Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pós (Universidade Federal de Minas Gerais. Online) |
Texto Completo: | https://periodicos.ufmg.br/index.php/revistapos/article/view/25859 |
Resumo: | Despite the vaunted "death of the print" with digital media, this article investigates material aspects where printing on paper, more specifically in so-called ephemeral printed matter, still has a differentiated power of significance. This investigation is based on the material analysis of commercial color printing techniques on paper that are distinguished from mass printing techniques – more specifically chromolithography in the 19th century, and risography today – occupying different territories in the universe of collectibles: the guard of historical heritage by public institutions, and the affirmation of style and identity in the self-publications of young artists and designers. The differences in the appreciation of these printed materials through digital media or direct contact with paper samples are also discussed. |
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Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemeraTécnicas de impresión comerciales en color sobre papel: el apelo material de la cromolitografía y la risografía como impresos efímeros coleccionablesTécnicas de impressão comercial colorida sobre papel: o apelo material da cromolitografia e da risografia como impressos efêmeros colecionáveisimpressoscoleçõesauracromolitografiarisografiaprinted mattercollectionsaurachromolithographyrisographyimpresoscoleccionesauracromolitografíarisografíaDespite the vaunted "death of the print" with digital media, this article investigates material aspects where printing on paper, more specifically in so-called ephemeral printed matter, still has a differentiated power of significance. This investigation is based on the material analysis of commercial color printing techniques on paper that are distinguished from mass printing techniques – more specifically chromolithography in the 19th century, and risography today – occupying different territories in the universe of collectibles: the guard of historical heritage by public institutions, and the affirmation of style and identity in the self-publications of young artists and designers. The differences in the appreciation of these printed materials through digital media or direct contact with paper samples are also discussed.A pesar de la tan cacareada "muerte de la imprenta" con los medios digitales, este artículo indaga en aspectos materiales donde la impresión en papel, más concretamente en los llamados impresos efímeros, aún tiene un poder diferenciado de significación. Esta investigación se basa en el análisis material de las técnicas comerciales de impresión en color sobre papel que se distinguen de las técnicas de impresión masiva – más concretamente la cromolitografía en el siglo XIX, y la risografía actual – ocupando diferentes territorios en el universo de los coleccionables: la guardia del patrimonio histórico por parte de las instituciones públicas, y la afirmación del estilo y la identidad en las autoediciones de jóvenes artistas y diseñadores. También se discuten las diferencias en la valoración de estos materiales impresos a través de medios digitales o contacto directo con muestras de papel.Apesar da alardeada “morte do impresso” com as mídias digitais, este artigo investiga aspectos materiais em que a impressão sobre papel, mais especificamente nos chamados impressos efêmeros, ainda exerce uma potência de significação diferenciada. Esta investigação se baseia na análise material de técnicas comerciais de impressão colorida sobre papel, que se distinguem das técnicas de impressão de massa – mais especificamente a cromolitografia no século XIX e a risografia na atualidade –, ocupando territórios distintos no universo de bens colecionáveis: a guarda de patrimônio histórico por instituições públicas e a afirmação de estilo e identidade nas autopublicações de jovens artistas e designers. Discute-se ainda as diferenças na apreciação desses impressos através de mídias digitais ou do contato direto com amostras em papel.Universidade Federal de Minas Gerais2021-07-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/2585910.35699/2237-5864.2021.25859PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 22: May.2021 - Aug.2021; 265-296PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 22: May.2021 - Ago.2021; 265-296PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 22: mai.2021 - ago.2021; 265-2962238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/25859/27895Copyright (c) 2021 Helena de Barros, Igor Arumehttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessBarros, Helena deArume, Igor2021-08-02T19:20:49Zoai:periodicos.ufmg.br:article/25859Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2021-08-02T19:20:49Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera Técnicas de impresión comerciales en color sobre papel: el apelo material de la cromolitografía y la risografía como impresos efímeros coleccionables Técnicas de impressão comercial colorida sobre papel: o apelo material da cromolitografia e da risografia como impressos efêmeros colecionáveis |
title |
Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera |
spellingShingle |
Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera Barros, Helena de impressos coleções aura cromolitografia risografia printed matter collections aura chromolithography risography impresos colecciones aura cromolitografía risografía |
title_short |
Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera |
title_full |
Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera |
title_fullStr |
Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera |
title_full_unstemmed |
Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera |
title_sort |
Commercial color printing techniques on paper: the material appeal of chromolithography and risography as collectible printed ephemera |
author |
Barros, Helena de |
author_facet |
Barros, Helena de Arume, Igor |
author_role |
author |
author2 |
Arume, Igor |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Barros, Helena de Arume, Igor |
dc.subject.por.fl_str_mv |
impressos coleções aura cromolitografia risografia printed matter collections aura chromolithography risography impresos colecciones aura cromolitografía risografía |
topic |
impressos coleções aura cromolitografia risografia printed matter collections aura chromolithography risography impresos colecciones aura cromolitografía risografía |
description |
Despite the vaunted "death of the print" with digital media, this article investigates material aspects where printing on paper, more specifically in so-called ephemeral printed matter, still has a differentiated power of significance. This investigation is based on the material analysis of commercial color printing techniques on paper that are distinguished from mass printing techniques – more specifically chromolithography in the 19th century, and risography today – occupying different territories in the universe of collectibles: the guard of historical heritage by public institutions, and the affirmation of style and identity in the self-publications of young artists and designers. The differences in the appreciation of these printed materials through digital media or direct contact with paper samples are also discussed. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-07-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/25859 10.35699/2237-5864.2021.25859 |
url |
https://periodicos.ufmg.br/index.php/revistapos/article/view/25859 |
identifier_str_mv |
10.35699/2237-5864.2021.25859 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/25859/27895 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Helena de Barros, Igor Arume https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Helena de Barros, Igor Arume https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
dc.source.none.fl_str_mv |
PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 22: May.2021 - Aug.2021; 265-296 PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 22: May.2021 - Ago.2021; 265-296 PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 22: mai.2021 - ago.2021; 265-296 2238-2046 1982-9507 reponame:Pós (Universidade Federal de Minas Gerais. Online) instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Pós (Universidade Federal de Minas Gerais. Online) |
collection |
Pós (Universidade Federal de Minas Gerais. Online) |
repository.name.fl_str_mv |
Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
revistapos.ppga@gmail.com |
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1797049081717063680 |