Social status, courtesy and etiquette: (reflections on Jan van Eyck’s canvas The Arnolfini couple)

Detalhes bibliográficos
Autor(a) principal: Guaranha, Manoel Francisco
Data de Publicação: 2021
Outros Autores: Gomes, Álvaro Cardoso, Campos, Alzira Lobo de Arruda
Tipo de documento: Artigo
Idioma: por
Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/26163
Resumo: In this interdisciplinary article, merging History of Mentalities and Plastic Arts, we approach the painting The Arnolfini Portrait (1434), by Flemish painter Jan van Eyck (c. 1390-1441), as an illustration suggestive of the birth of Modern Europe and the bourgeois family, in Fourteenth century revival. Through the analysis of gestures, clothes, furniture and decorative objects, fixed by van Eyck, it is possible to verify how the bourgeoisie became the owner of power, occupied by the former nobility, from which he would inherit customs and labels. The union of the coat of arms with the bag, as distinctive symbols of power, implied the search for codes of civility and etiquette that would balance the values of public life and the demands of private life.
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spelling Social status, courtesy and etiquette: (reflections on Jan van Eyck’s canvas The Arnolfini couple)Estado social, civilidad: (reflexiones sobre el lienzo La pareja Arnolfini, de Jan van Eyck)Status social, civilidade: (Reflexões sobre a tela O Casal Arnolfini, de Jan van Eyck)O Casal Arnolfini.Pintura renascentista.Burguesia.Mercantilismo.Civilidade.The Arnofini PortraitRenaissance painting.Bourgeoisie.CommercialismCivility.El Retrato de Giovanni Arnolfini y su esposa.Pintura renacentista.Burguesia.Mercantilismo.Civilidad.In this interdisciplinary article, merging History of Mentalities and Plastic Arts, we approach the painting The Arnolfini Portrait (1434), by Flemish painter Jan van Eyck (c. 1390-1441), as an illustration suggestive of the birth of Modern Europe and the bourgeois family, in Fourteenth century revival. Through the analysis of gestures, clothes, furniture and decorative objects, fixed by van Eyck, it is possible to verify how the bourgeoisie became the owner of power, occupied by the former nobility, from which he would inherit customs and labels. The union of the coat of arms with the bag, as distinctive symbols of power, implied the search for codes of civility and etiquette that would balance the values of public life and the demands of private life.En este interdisciplinar artículo, fusionando Historia de las Mentalidades y Artes Plásticas, nos acercamos al cuadro El Retrato de Giovanni Arnolfini y su esposa (1434), del pintor flamenco Jan van Eyck (c.1390-1441), como ilustración sugerente del nacimiento de la Europa Moderna y la familia burguesa, en Renacimiento del siglo XIV. A través del análisis de gestos, vestimentas, muebles y objetos decorativos, fijado por van Eyck, es posible comprobar cómo la burguesía se convirtió en dueña del poder, apoderándose de los lugares ocupados por la antigua nobleza, del que heredaría costumbres y rótulos. La unión del escudo con el bolso, como símbolos distintivos del poder, implicó la búsqueda de códigos de civismo y etiqueta que equilibraran los valores de la vida pública y las exigencias de la vida privada.Neste artigo interdisciplinar, fundindo História das Mentalidades e Artes Plásticas, abordamos a tela O casal Arnolfini (1434), do pintor flamengo Jan van Eyck (c. 1390-1441), como uma ilustração sugestiva do nascimento da Europa Moderna e da família burguesa, no Renascimento Quatrocentista. Por meio da análise dos gestos, vestes, mobiliário e objetos de decoração, fixados por van Eyck, é possível verificar como a burguesia tornou-se dona do poder, assumindo os lugares ocupados pela nobreza, da qual herdaria costumes e etiquetas. A união do brasão à bolsa, como símbolos distintivos de poder, implicou a busca por códigos de civilidade e etiqueta que pusessem em equilíbrio os valores da vida pública e as exigências da vida privada.Universidade Federal de Minas Gerais2021-07-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/2616310.35699/2237-5864.2021.26163PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 22: May.2021 - Aug.2021; 464-491PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 22: May.2021 - Ago.2021; 464-491PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 22: mai.2021 - ago.2021; 464-4912238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/26163/27904Copyright (c) 2021 Manoel Francisco Guaranha, Álvaro Cardoso Gomes, Alzira Lobo de Arruda Camposhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessGuaranha, Manoel FranciscoGomes, Álvaro CardosoCampos, Alzira Lobo de Arruda2021-08-02T19:39:08Zoai:periodicos.ufmg.br:article/26163Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2021-08-02T19:39:08Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Social status, courtesy and etiquette: (reflections on Jan van Eyck’s canvas The Arnolfini couple)
Estado social, civilidad: (reflexiones sobre el lienzo La pareja Arnolfini, de Jan van Eyck)
Status social, civilidade: (Reflexões sobre a tela O Casal Arnolfini, de Jan van Eyck)
title Social status, courtesy and etiquette: (reflections on Jan van Eyck’s canvas The Arnolfini couple)
spellingShingle Social status, courtesy and etiquette: (reflections on Jan van Eyck’s canvas The Arnolfini couple)
Guaranha, Manoel Francisco
O Casal Arnolfini.
Pintura renascentista.
Burguesia.
Mercantilismo.
Civilidade.
The Arnofini Portrait
Renaissance painting.
Bourgeoisie.
Commercialism
Civility.
El Retrato de Giovanni Arnolfini y su esposa.
Pintura renacentista.
Burguesia.
Mercantilismo.
Civilidad.
title_short Social status, courtesy and etiquette: (reflections on Jan van Eyck’s canvas The Arnolfini couple)
title_full Social status, courtesy and etiquette: (reflections on Jan van Eyck’s canvas The Arnolfini couple)
title_fullStr Social status, courtesy and etiquette: (reflections on Jan van Eyck’s canvas The Arnolfini couple)
title_full_unstemmed Social status, courtesy and etiquette: (reflections on Jan van Eyck’s canvas The Arnolfini couple)
title_sort Social status, courtesy and etiquette: (reflections on Jan van Eyck’s canvas The Arnolfini couple)
author Guaranha, Manoel Francisco
author_facet Guaranha, Manoel Francisco
Gomes, Álvaro Cardoso
Campos, Alzira Lobo de Arruda
author_role author
author2 Gomes, Álvaro Cardoso
Campos, Alzira Lobo de Arruda
author2_role author
author
dc.contributor.author.fl_str_mv Guaranha, Manoel Francisco
Gomes, Álvaro Cardoso
Campos, Alzira Lobo de Arruda
dc.subject.por.fl_str_mv O Casal Arnolfini.
Pintura renascentista.
Burguesia.
Mercantilismo.
Civilidade.
The Arnofini Portrait
Renaissance painting.
Bourgeoisie.
Commercialism
Civility.
El Retrato de Giovanni Arnolfini y su esposa.
Pintura renacentista.
Burguesia.
Mercantilismo.
Civilidad.
topic O Casal Arnolfini.
Pintura renascentista.
Burguesia.
Mercantilismo.
Civilidade.
The Arnofini Portrait
Renaissance painting.
Bourgeoisie.
Commercialism
Civility.
El Retrato de Giovanni Arnolfini y su esposa.
Pintura renacentista.
Burguesia.
Mercantilismo.
Civilidad.
description In this interdisciplinary article, merging History of Mentalities and Plastic Arts, we approach the painting The Arnolfini Portrait (1434), by Flemish painter Jan van Eyck (c. 1390-1441), as an illustration suggestive of the birth of Modern Europe and the bourgeois family, in Fourteenth century revival. Through the analysis of gestures, clothes, furniture and decorative objects, fixed by van Eyck, it is possible to verify how the bourgeoisie became the owner of power, occupied by the former nobility, from which he would inherit customs and labels. The union of the coat of arms with the bag, as distinctive symbols of power, implied the search for codes of civility and etiquette that would balance the values of public life and the demands of private life.
publishDate 2021
dc.date.none.fl_str_mv 2021-07-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/26163
10.35699/2237-5864.2021.26163
url https://periodicos.ufmg.br/index.php/revistapos/article/view/26163
identifier_str_mv 10.35699/2237-5864.2021.26163
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/26163/27904
dc.rights.driver.fl_str_mv Copyright (c) 2021 Manoel Francisco Guaranha, Álvaro Cardoso Gomes, Alzira Lobo de Arruda Campos
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Manoel Francisco Guaranha, Álvaro Cardoso Gomes, Alzira Lobo de Arruda Campos
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 22: May.2021 - Aug.2021; 464-491
PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 22: May.2021 - Ago.2021; 464-491
PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 22: mai.2021 - ago.2021; 464-491
2238-2046
1982-9507
reponame:Pós (Universidade Federal de Minas Gerais. Online)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Pós (Universidade Federal de Minas Gerais. Online)
collection Pós (Universidade Federal de Minas Gerais. Online)
repository.name.fl_str_mv Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv revistapos.ppga@gmail.com
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