CORPO E RISCO: POÉTICA E PERFORMATIVIDADE

• Autor(a) principal: Ferracini, Renato
• Data de Publicação: 2016
• Outros Autores: Mandell, Carolina Hamanaka
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
• Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/15749
• topic: Risco; Corpo; Performatividade; Risk; Body; Performativity

We are dealing here with the risk on the contemporary scene, from a reflection about their relationship with body and performativity. We leave the analysis of the term itself in the various fields of knowledge based in Ulrich Beck, Zygmunt Bauman Josette Feral, David Le Breton e Deleuze and observation of works and contemporary artists that adopt the risk as attitude performative or aesthetics like Intrepid Troupe (RJ), Nau Ícaros (SP), La Minimum (SP), Cia. Scenic Circense ParaladosanjoS (SP), Pia Fraus ( SP) Group Ares (SP), or foreigners like De La Guarda and Fuerza Bruta! (Argentina), Compagnia Finzi Pasca (Switzerland) and La Fura dels Baus (Spain). Also the performers work as Jan Fabre, Tehching Hsieh and Brazilian Filipe Spindola and Sara Panamby (RJ), who take very different attitudes toward risk. Companies and dance artists, such as the aforementioned Group Scene 11 (SC) and the dancer and choreographer Diogo Granato (SP), which supports its creation in Contact Improvisation techniques, circus and parkour.