Sobre arte, técnica e tempo : ritxòkòs

• Autor(a) principal: Macieira, Cássia
• Data de Publicação: 2024
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
• Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/48682
• topic: Arte. Techné. Bonecas Karajá.; Arte. Techné. Muñecas Karaja.; Art. Techné. Karajá Dolls.; Art.Techné. Poupées Karaja.; Art. Techné. Bambole Karajá.

ABSTRACT:   As ceramic bones of oils from the Karajá era have a figuração-Inỹ of ‘natural unison’, of inventive capacity, criada sem vínculo com o tempo chronological. Objectiva-se defend that a Boneca Karajá é a technology, interlaced by very níveis cosmológicos: ceu, terra e água. A methodological and qualitative study, of exploratory-observative-descriptive character, and published in the revision of the critical criticism of the ethnographic drawings of Sandra Campos (2007) and Chang Whan (2010). Our concepts of 'tempo' and 'techné' are revisited in the works of Alfred Gell (2018), Philippe Descola (2016), Bernard Stiegler (2007), André Leroi-Gourhan (1984), Marcel Mauss (1974) and others. After an investigation, confirm that the aesthetic production is interwoven with the current relations, not at the time of the production and not subject to compliance.   Keywords: Art. Techné. Karajá Dolls.