The "We" insurgent "Attack" in Art
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2019 |
| Tipo de documento: | Artigo |
| Idioma: | por |
| Título da fonte: | Pós (Universidade Federal de Minas Gerais. Online) |
| Texto Completo: | https://periodicos.ufmg.br/index.php/revistapos/article/view/15723 |
Resumo: | The attempt of part of contemporary art production to promote different kinds of collective experiences can be considered as a specific desire of being together. Thus, the present text, as part of a broader study of the “being together” forms in contemporary art, intends to focus on a specific form present in several works of art. It is the so called “attack”. The purpose of this is to pay attention to works of art that explore the “attack” as a device for the “being together” forms. In this regard, specific works by artists like Marina Abramovic, grupo 3nós3 and Grupo de Arte Callejero were analyzed. |
| id |
UFMG-12_58029aed19640afa98875c985c4e5293 |
|---|---|
| oai_identifier_str |
oai:periodicos.ufmg.br:article/15723 |
| network_acronym_str |
UFMG-12 |
| network_name_str |
Pós (Universidade Federal de Minas Gerais. Online) |
| repository_id_str |
|
| spelling |
The "We" insurgent "Attack" in ArtO “Nós” insurgente do “Ataque” na arteEstar juntoArte contemporâneaAtaqueBeing togetherContemporary artAttackThe attempt of part of contemporary art production to promote different kinds of collective experiences can be considered as a specific desire of being together. Thus, the present text, as part of a broader study of the “being together” forms in contemporary art, intends to focus on a specific form present in several works of art. It is the so called “attack”. The purpose of this is to pay attention to works of art that explore the “attack” as a device for the “being together” forms. In this regard, specific works by artists like Marina Abramovic, grupo 3nós3 and Grupo de Arte Callejero were analyzed.A tentativa de parte da produção artística contemporânea de promover diferentes tipos de agenciamentos coletivos pode ser pensada como indício de um desejo genuíno de estar junto. Dessa forma, o presente texto, como parte de um estudo mais amplo acerca das formas de estar junto da arte contemporânea, debruça-se sobre uma forma específica, evidenciada em vários trabalhos artísticos. O estar junto do “ataque”. O propósito é de aprofundar o olhar a respeito dessa estratégia relacional, identificando toda a potência que embasa trabalhos que lançam mão do choque e do enfrentamento enquanto verdadeiros dispositivos instauradores de formas de estar junto. Como exemplos dessa tendência, foram analisados trabalhos específicos de Marina Abramovic, Grupo 3nós3 e Grupo de Arte Callejero.Universidade Federal de Minas Gerais2019-05-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/1572310.35699/2237-5864.2019.15723PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 9 No. 17: may.2019 - oct.2019; 36 - 63PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 9 Núm. 17: may.2019 - oct.2019; 36 - 63PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 9 n. 17: mai.2019 - out.2019; 36 - 632238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/15723/pdfAlmeida, Bruno Gomes deinfo:eu-repo/semantics/openAccess2020-09-30T21:07:59Zoai:periodicos.ufmg.br:article/15723Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2020-09-30T21:07:59Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false |
| dc.title.none.fl_str_mv |
The "We" insurgent "Attack" in Art O “Nós” insurgente do “Ataque” na arte |
| title |
The "We" insurgent "Attack" in Art |
| spellingShingle |
The "We" insurgent "Attack" in Art Almeida, Bruno Gomes de Estar junto Arte contemporânea Ataque Being together Contemporary art Attack |
| title_short |
The "We" insurgent "Attack" in Art |
| title_full |
The "We" insurgent "Attack" in Art |
| title_fullStr |
The "We" insurgent "Attack" in Art |
| title_full_unstemmed |
The "We" insurgent "Attack" in Art |
| title_sort |
The "We" insurgent "Attack" in Art |
| author |
Almeida, Bruno Gomes de |
| author_facet |
Almeida, Bruno Gomes de |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Almeida, Bruno Gomes de |
| dc.subject.por.fl_str_mv |
Estar junto Arte contemporânea Ataque Being together Contemporary art Attack |
| topic |
Estar junto Arte contemporânea Ataque Being together Contemporary art Attack |
| description |
The attempt of part of contemporary art production to promote different kinds of collective experiences can be considered as a specific desire of being together. Thus, the present text, as part of a broader study of the “being together” forms in contemporary art, intends to focus on a specific form present in several works of art. It is the so called “attack”. The purpose of this is to pay attention to works of art that explore the “attack” as a device for the “being together” forms. In this regard, specific works by artists like Marina Abramovic, grupo 3nós3 and Grupo de Arte Callejero were analyzed. |
| publishDate |
2019 |
| dc.date.none.fl_str_mv |
2019-05-17 |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/15723 10.35699/2237-5864.2019.15723 |
| url |
https://periodicos.ufmg.br/index.php/revistapos/article/view/15723 |
| identifier_str_mv |
10.35699/2237-5864.2019.15723 |
| dc.language.iso.fl_str_mv |
por |
| language |
por |
| dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/15723/pdf |
| dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
| publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
| dc.source.none.fl_str_mv |
PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 9 No. 17: may.2019 - oct.2019; 36 - 63 PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 9 Núm. 17: may.2019 - oct.2019; 36 - 63 PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 9 n. 17: mai.2019 - out.2019; 36 - 63 2238-2046 1982-9507 reponame:Pós (Universidade Federal de Minas Gerais. Online) instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
| instname_str |
Universidade Federal de Minas Gerais (UFMG) |
| instacron_str |
UFMG |
| institution |
UFMG |
| reponame_str |
Pós (Universidade Federal de Minas Gerais. Online) |
| collection |
Pós (Universidade Federal de Minas Gerais. Online) |
| repository.name.fl_str_mv |
Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG) |
| repository.mail.fl_str_mv |
revistapos.ppga@gmail.com |
| _version_ |
1797049081331187712 |