Suspending space and time: The body seen under the lens of the Japanese concept of Ma
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Data de Publicação: | 2019 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pós (Universidade Federal de Minas Gerais. Online) |
Texto Completo: | https://periodicos.ufmg.br/index.php/revistapos/article/view/16126 |
Resumo: | Ma means emptiness, space, time or pause and its origin is correlated to the ideas of transience and incompleteness of Zen-Buddhist aesthetics. More than a concept, Ma is a modus operandi in Japanese daily life which illustrates an interval of space-time available for the materialization of potential events and where an endless number of sign combinations may occur. In this article, we will address the application of Ma as the guiding principle of the creation, as well as of the appreciation of works in the field of the arts of the body. The body will be treated as a body-in-process in total availability for interaction with other media in the production of meaning. |
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Pós (Universidade Federal de Minas Gerais. Online) |
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Suspending space and time: The body seen under the lens of the Japanese concept of MaSuspender o tempo e o espaço: O corpo visto sob a lente do conceito japonês de MaEspaço maCorpoProcesso criativoMa spaceBodyCreative processMa means emptiness, space, time or pause and its origin is correlated to the ideas of transience and incompleteness of Zen-Buddhist aesthetics. More than a concept, Ma is a modus operandi in Japanese daily life which illustrates an interval of space-time available for the materialization of potential events and where an endless number of sign combinations may occur. In this article, we will address the application of Ma as the guiding principle of the creation, as well as of the appreciation of works in the field of the arts of the body. The body will be treated as a body-in-process in total availability for interaction with other media in the production of meaning.Ma significa vazio, espaço, tempo ou pausa e sua origem está correlacionada às ideias de transitoriedade e incompletude características da estética Zen-budista. Mais do que um conceito, ma é um modus operandi na vida cotidiana japonesa, que ilustra um intervalo de espaço-tempo disponível para a materialização de eventos em potencial, onde infinitas combinações sígnicas podem acontecer. Neste artigo, abordaremos a aplicação de ma enquanto princípio condutor da criação bem como da apreciação de obras na área das artes do corpo. O corpo será tratado com um corpo-em-processo com total disponibilidade para a interação com outras mídias na produção de sentido.Universidade Federal de Minas Gerais2019-11-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/1612610.35699/2237-5864.2019.16126PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 9 No. 18: nov.2019 - apr.2020; 312-341PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 9 Núm. 18: nov.2019 - abr.2020; 312-341PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 9 n. 18: nov.2019 - abr.2020; 312-3412238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/16126/12958Copyright (c) 2019 maria cristina Elias Meneghetti, Priscila Arantesinfo:eu-repo/semantics/openAccessMeneghetti, Maria Cristina EliasArantes, Priscila2020-09-30T21:04:41Zoai:periodicos.ufmg.br:article/16126Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2020-09-30T21:04:41Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Suspending space and time: The body seen under the lens of the Japanese concept of Ma Suspender o tempo e o espaço: O corpo visto sob a lente do conceito japonês de Ma |
title |
Suspending space and time: The body seen under the lens of the Japanese concept of Ma |
spellingShingle |
Suspending space and time: The body seen under the lens of the Japanese concept of Ma Meneghetti, Maria Cristina Elias Espaço ma Corpo Processo criativo Ma space Body Creative process |
title_short |
Suspending space and time: The body seen under the lens of the Japanese concept of Ma |
title_full |
Suspending space and time: The body seen under the lens of the Japanese concept of Ma |
title_fullStr |
Suspending space and time: The body seen under the lens of the Japanese concept of Ma |
title_full_unstemmed |
Suspending space and time: The body seen under the lens of the Japanese concept of Ma |
title_sort |
Suspending space and time: The body seen under the lens of the Japanese concept of Ma |
author |
Meneghetti, Maria Cristina Elias |
author_facet |
Meneghetti, Maria Cristina Elias Arantes, Priscila |
author_role |
author |
author2 |
Arantes, Priscila |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Meneghetti, Maria Cristina Elias Arantes, Priscila |
dc.subject.por.fl_str_mv |
Espaço ma Corpo Processo criativo Ma space Body Creative process |
topic |
Espaço ma Corpo Processo criativo Ma space Body Creative process |
description |
Ma means emptiness, space, time or pause and its origin is correlated to the ideas of transience and incompleteness of Zen-Buddhist aesthetics. More than a concept, Ma is a modus operandi in Japanese daily life which illustrates an interval of space-time available for the materialization of potential events and where an endless number of sign combinations may occur. In this article, we will address the application of Ma as the guiding principle of the creation, as well as of the appreciation of works in the field of the arts of the body. The body will be treated as a body-in-process in total availability for interaction with other media in the production of meaning. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-11-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/16126 10.35699/2237-5864.2019.16126 |
url |
https://periodicos.ufmg.br/index.php/revistapos/article/view/16126 |
identifier_str_mv |
10.35699/2237-5864.2019.16126 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/16126/12958 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 maria cristina Elias Meneghetti, Priscila Arantes info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 maria cristina Elias Meneghetti, Priscila Arantes |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
dc.source.none.fl_str_mv |
PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 9 No. 18: nov.2019 - apr.2020; 312-341 PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 9 Núm. 18: nov.2019 - abr.2020; 312-341 PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 9 n. 18: nov.2019 - abr.2020; 312-341 2238-2046 1982-9507 reponame:Pós (Universidade Federal de Minas Gerais. Online) instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Pós (Universidade Federal de Minas Gerais. Online) |
collection |
Pós (Universidade Federal de Minas Gerais. Online) |
repository.name.fl_str_mv |
Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
revistapos.ppga@gmail.com |
_version_ |
1797049081437093888 |