Quase o Diabo

• Autor(a) principal: Miguel, Alcebiades Diniz
• Data de Publicação: 2016
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
• Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/15734
• topic: Primeiro Cinema; Narrativa; Reconstrução; Birth of movies; Narrative; Reconstruction

A problem that presents the researcher who is dedicated to the study of particular field or technology pioneers is precisely the difficulty in determining the limits and consequences of subjectivity – understood as the attempt to grasp the fluctuations on the basis of amplification of what makes a complex  phenomenon – that powered the first generation of explorers. Immersed in the complex and eventually numerous conceptual, structural and immediate technical problems, a precursor would not have time to perform reflections or even record the fluctuations of his or her subjectivity in this process. Therefore, we propose in our work is a possibility of recovery – through a process of narrative and dream-building – this subjective process that was lost in the early days of what would be the cinema.