WHEN THE WORDS ARE SPOKEN MUSHROOMS MODES OF PERCEPTION, INTELLIGIBILITY, PROCEDURES

Detalhes bibliográficos
Autor(a) principal: Bonfitto, Matteo
Data de Publicação: 2018
Outros Autores: Dória, Gisela
Tipo de documento: Artigo
Idioma: por
Título da fonte: Pós (Universidade Federal de Minas Gerais. Online)
Texto Completo: https://periodicos.ufmg.br/index.php/revistapos/article/view/15621
Resumo: To reflect on a specific creative process, generator of a work entitled Corrupted Words is the first objective of this text. But when entering the territory of creative processes through the exercise of writing, seen here as a procedure of perceptive enhancement, it becomes inevitable a slip, an action of retreat. Going back in this case not only to "see better" but above all to seek to suspend our own assumptions. Thus, the act of flow writing does not dissociate itself here from the field investigated, taking the form itself from a creation, where "talk about" also becomes a "talk through", simultaneously. The closing of the frame surrounding the material proposed here still requires a consideration: this material is a two-handwriting, and therefore two points of view, two logics will intertwine at specific moments of this article / essay.
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spelling WHEN THE WORDS ARE SPOKEN MUSHROOMS MODES OF PERCEPTION, INTELLIGIBILITY, PROCEDURESQUANDO AS PALAVRAS SÃO COGUMELOS PODRES: MODOS DE PERCEPÇÃO, INTELIGIBILIDADES, PROCESSUALIDADESpalavraaçãocolaboraçãoWordActionCollaborationTo reflect on a specific creative process, generator of a work entitled Corrupted Words is the first objective of this text. But when entering the territory of creative processes through the exercise of writing, seen here as a procedure of perceptive enhancement, it becomes inevitable a slip, an action of retreat. Going back in this case not only to "see better" but above all to seek to suspend our own assumptions. Thus, the act of flow writing does not dissociate itself here from the field investigated, taking the form itself from a creation, where "talk about" also becomes a "talk through", simultaneously. The closing of the frame surrounding the material proposed here still requires a consideration: this material is a two-handwriting, and therefore two points of view, two logics will intertwine at specific moments of this article / essay.Refletir sobre um processo criativo específico, gerador de uma obra intitulada Palavras Corrompidas é o objetivo primeiro desse texto. Mas ao adentrar no território dos processos criativos através do exercício da escrita, visto aqui como procedimento de ampliação perceptiva, torna-se inevitável um deslizamento, uma ação de recuo. Recuar nesse caso não somente para “ver melhor”, mas sobre tudo para buscar suspender os nossos próprios pressupostos. Assim, o ato da escrita em fluxo não se dissocia aqui do campo investigado, tomando a forma ele mesmo de uma criação, onde o “falar sobre” torna-se também um “falar através”, simultaneamente. O fechamento da moldura que envolve o material proposto aqui requer ainda uma consideração: trata-se nesse caso de uma escrita a duas mãos - sendo uma das vozes marcadas pelo uso do itálico - e portanto, dois pontos de vista, duas lógicas se entrelaçaram em momentos específicos desse artigo/ensaioUniversidade Federal de Minas Gerais2018-05-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/15621PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; V.8, N.15: may.2018 - oct.2018; 288-301PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; V.8, N.15: may.2018 - oct.2018; 288-301PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; V.8, N.15: mai.2018 - out.2018; 288-3012238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/15621/pdf_1Bonfitto, MatteoDória, Giselainfo:eu-repo/semantics/openAccess2020-07-23T21:50:14Zoai:periodicos.ufmg.br:article/15621Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2020-07-23T21:50:14Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv WHEN THE WORDS ARE SPOKEN MUSHROOMS MODES OF PERCEPTION, INTELLIGIBILITY, PROCEDURES
QUANDO AS PALAVRAS SÃO COGUMELOS PODRES: MODOS DE PERCEPÇÃO, INTELIGIBILIDADES, PROCESSUALIDADES
title WHEN THE WORDS ARE SPOKEN MUSHROOMS MODES OF PERCEPTION, INTELLIGIBILITY, PROCEDURES
spellingShingle WHEN THE WORDS ARE SPOKEN MUSHROOMS MODES OF PERCEPTION, INTELLIGIBILITY, PROCEDURES
Bonfitto, Matteo
palavra
ação
colaboração
Word
Action
Collaboration
title_short WHEN THE WORDS ARE SPOKEN MUSHROOMS MODES OF PERCEPTION, INTELLIGIBILITY, PROCEDURES
title_full WHEN THE WORDS ARE SPOKEN MUSHROOMS MODES OF PERCEPTION, INTELLIGIBILITY, PROCEDURES
title_fullStr WHEN THE WORDS ARE SPOKEN MUSHROOMS MODES OF PERCEPTION, INTELLIGIBILITY, PROCEDURES
title_full_unstemmed WHEN THE WORDS ARE SPOKEN MUSHROOMS MODES OF PERCEPTION, INTELLIGIBILITY, PROCEDURES
title_sort WHEN THE WORDS ARE SPOKEN MUSHROOMS MODES OF PERCEPTION, INTELLIGIBILITY, PROCEDURES
author Bonfitto, Matteo
author_facet Bonfitto, Matteo
Dória, Gisela
author_role author
author2 Dória, Gisela
author2_role author
dc.contributor.author.fl_str_mv Bonfitto, Matteo
Dória, Gisela
dc.subject.por.fl_str_mv palavra
ação
colaboração
Word
Action
Collaboration
topic palavra
ação
colaboração
Word
Action
Collaboration
description To reflect on a specific creative process, generator of a work entitled Corrupted Words is the first objective of this text. But when entering the territory of creative processes through the exercise of writing, seen here as a procedure of perceptive enhancement, it becomes inevitable a slip, an action of retreat. Going back in this case not only to "see better" but above all to seek to suspend our own assumptions. Thus, the act of flow writing does not dissociate itself here from the field investigated, taking the form itself from a creation, where "talk about" also becomes a "talk through", simultaneously. The closing of the frame surrounding the material proposed here still requires a consideration: this material is a two-handwriting, and therefore two points of view, two logics will intertwine at specific moments of this article / essay.
publishDate 2018
dc.date.none.fl_str_mv 2018-05-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/15621
url https://periodicos.ufmg.br/index.php/revistapos/article/view/15621
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/revistapos/article/view/15621/pdf_1
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; V.8, N.15: may.2018 - oct.2018; 288-301
PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; V.8, N.15: may.2018 - oct.2018; 288-301
PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; V.8, N.15: mai.2018 - out.2018; 288-301
2238-2046
1982-9507
reponame:Pós (Universidade Federal de Minas Gerais. Online)
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Pós (Universidade Federal de Minas Gerais. Online)
collection Pós (Universidade Federal de Minas Gerais. Online)
repository.name.fl_str_mv Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv revistapos.ppga@gmail.com
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