The sacrifice of Abraham and their obscure visual possibilities

Detalhes bibliográficos
Autor(a) principal: Miguel, Alcebíades Diniz
Data de Publicação: 2008
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
Texto Completo: https://periodicos.ufmg.br/index.php/maaravi/article/view/13931
Resumo: The biblical narrative paradigm chosen by Auerbach – which is contrasted to the Homeric episode of the discovery of the scar on the thigh of Ulysses, Odyssey–is, precisely, that of the sacrifice of Abraham. The plot prototypical by obscurity makes a glimpse of the signifier’s manifests into strange conflict with what cannot be expressed. The voice of God, as demonstrated by Auerbach, emerges from somewhere obscure, getting even so the prompt response of Abraham that, despite everything, was prepared to respond immediately and obediently to the so-called mysterious and that even is shifted, once the area of its manifestation isn’t etched in short narrative of the episode.
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spelling The sacrifice of Abraham and their obscure visual possibilitiesO sacrifício de Abraão e suas sombrias possibilidades visuaisSacrifícioAbraãoArteSacrificeAbrahamArtThe biblical narrative paradigm chosen by Auerbach – which is contrasted to the Homeric episode of the discovery of the scar on the thigh of Ulysses, Odyssey–is, precisely, that of the sacrifice of Abraham. The plot prototypical by obscurity makes a glimpse of the signifier’s manifests into strange conflict with what cannot be expressed. The voice of God, as demonstrated by Auerbach, emerges from somewhere obscure, getting even so the prompt response of Abraham that, despite everything, was prepared to respond immediately and obediently to the so-called mysterious and that even is shifted, once the area of its manifestation isn’t etched in short narrative of the episode.A paradigmática narrativa bíblica escolhida por Auerbach – que é contrastada ao episódio homérico da descoberta da cicatriz na coxa de Ulisses, na Odisséia – é, justamente, aquela do sacrifício de Abraão. A trama prototípica pela própria obscuridade deixa vislumbrar os significantes manifestos em estranho conflito com o que não pode ser expresso. A voz de Deus, como demonstra Auerbach, surge de algum lugar obscuro, recebendo mesmo assim a pronta resposta de Abraão que, apesar de tudo, estava preparado para responder imediata e obedientemente ao chamado misterioso e que sequer é deslocado, uma vez que o espaço de sua manifestação não é esboçado na curta narrativa do episódio.Universidade Federal de Minas Gerais2008-03-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/maaravi/article/view/1393110.17851/1982-3053.2.2.4-12Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG; v. 2 n. 2 (2008): Torah: arquivos multidisciplinares da escritura; 4-121982-3053reponame:Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/maaravi/article/view/13931/11112Miguel, Alcebíades Dinizinfo:eu-repo/semantics/openAccess2020-07-20T14:32:50Zoai:periodicos.ufmg.br:article/13931Revistahttp://www.periodicos.letras.ufmg.br/index.php/maaravi/indexPUBhttp://www.periodicos.letras.ufmg.br/index.php/maaravi/oai||lyslei@ufmg.br1982-30531982-3053opendoar:2020-07-20T14:32:50Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The sacrifice of Abraham and their obscure visual possibilities
O sacrifício de Abraão e suas sombrias possibilidades visuais
title The sacrifice of Abraham and their obscure visual possibilities
spellingShingle The sacrifice of Abraham and their obscure visual possibilities
Miguel, Alcebíades Diniz
Sacrifício
Abraão
Arte
Sacrifice
Abraham
Art
title_short The sacrifice of Abraham and their obscure visual possibilities
title_full The sacrifice of Abraham and their obscure visual possibilities
title_fullStr The sacrifice of Abraham and their obscure visual possibilities
title_full_unstemmed The sacrifice of Abraham and their obscure visual possibilities
title_sort The sacrifice of Abraham and their obscure visual possibilities
author Miguel, Alcebíades Diniz
author_facet Miguel, Alcebíades Diniz
author_role author
dc.contributor.author.fl_str_mv Miguel, Alcebíades Diniz
dc.subject.por.fl_str_mv Sacrifício
Abraão
Arte
Sacrifice
Abraham
Art
topic Sacrifício
Abraão
Arte
Sacrifice
Abraham
Art
description The biblical narrative paradigm chosen by Auerbach – which is contrasted to the Homeric episode of the discovery of the scar on the thigh of Ulysses, Odyssey–is, precisely, that of the sacrifice of Abraham. The plot prototypical by obscurity makes a glimpse of the signifier’s manifests into strange conflict with what cannot be expressed. The voice of God, as demonstrated by Auerbach, emerges from somewhere obscure, getting even so the prompt response of Abraham that, despite everything, was prepared to respond immediately and obediently to the so-called mysterious and that even is shifted, once the area of its manifestation isn’t etched in short narrative of the episode.
publishDate 2008
dc.date.none.fl_str_mv 2008-03-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/maaravi/article/view/13931
10.17851/1982-3053.2.2.4-12
url https://periodicos.ufmg.br/index.php/maaravi/article/view/13931
identifier_str_mv 10.17851/1982-3053.2.2.4-12
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/maaravi/article/view/13931/11112
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG; v. 2 n. 2 (2008): Torah: arquivos multidisciplinares da escritura; 4-12
1982-3053
reponame:Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
collection Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
repository.name.fl_str_mv Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv ||lyslei@ufmg.br
_version_ 1798321285659361280

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