The Court of the Holy Office in the Operas of Antônio José da Silva, the Jew

Bibliographic Details
Main Author: Pereira, Kenia Maria de Almeida
Publication Date: 2021
Format: Article
Language: por
Source: Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
Download full: https://periodicos.ufmg.br/index.php/maaravi/article/view/36577
Summary: The Portuguese-Brazilian playwright Antônio José da Silva, better known by his nickname, the Jew (o Judeu), took to the stage in Lisbon eight comic plays, classified as jocose-serious operas. In them, he dialogues in a parodic way, sometimes with Greek mythology, as, for example, in Amphitrion or Jupiter and Alcmene, The Charms of Medea and Labyrinth of Crete; sometimes with canonical narratives from Western Literature, as one reads in El ingenioso hidalgo don Quijote de la Mancha. Victim of the Portuguese Inquisition in the 18th century, the Jew, through symbologies and metaphors, recorded in his texts the excesses of monarchic and ecclesiastical power, during the reign of the Tribunal of the Holy Office.
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spelling The Court of the Holy Office in the Operas of Antônio José da Silva, the JewO tribunal do Santo Ofício nas óperas de Antônio José da Silva, o JudeuAntônio José da Silva, O JudeuInquisição portuguesaTeatroAntônio José da Silva, O JudeuPortuguese InquisitionTheaterThe Portuguese-Brazilian playwright Antônio José da Silva, better known by his nickname, the Jew (o Judeu), took to the stage in Lisbon eight comic plays, classified as jocose-serious operas. In them, he dialogues in a parodic way, sometimes with Greek mythology, as, for example, in Amphitrion or Jupiter and Alcmene, The Charms of Medea and Labyrinth of Crete; sometimes with canonical narratives from Western Literature, as one reads in El ingenioso hidalgo don Quijote de la Mancha. Victim of the Portuguese Inquisition in the 18th century, the Jew, through symbologies and metaphors, recorded in his texts the excesses of monarchic and ecclesiastical power, during the reign of the Tribunal of the Holy Office.O dramaturgo luso-brasileiro Antônio José da Silva, mais conhecido pelo apelido, o Judeu, levou aos palcos de Lisboa oito peças cômicas, classificadas como óperas joco-sérias. Nelas, ele dialoga de forma paródica, ora com a mitologia grega, como, por exemplo, em Anfitrião ou Júpiter e Alcmena, Os encantos de Medeia e Labirinto de Creta; ora com narrativas canônicas da Literatura Ocidental, como se lê em A vida do grande Dom Quixote de La Mancha e do gordo Sancho Pança. Vítima da Inquisição portuguesa do século XVIII, o Judeu, por meio de simbologias e metáforas, registrou em seus textos, os excessos do poder monárquico e eclesiástico, durante o reinado do Tribunal do Santo Ofício.Universidade Federal de Minas Gerais2021-10-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/maaravi/article/view/3657710.35699/1982-3053.2021.36577Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG; v. 15 n. 28 (2021): Literatura Judaica Brasileira ; 47-541982-3053reponame:Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/maaravi/article/view/36577/28637https://periodicos.ufmg.br/index.php/maaravi/article/view/36577/28778Copyright (c) 2021 Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMGhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessPereira, Kenia Maria de Almeida2021-10-18T22:02:04Zoai:periodicos.ufmg.br:article/36577Revistahttp://www.periodicos.letras.ufmg.br/index.php/maaravi/indexPUBhttp://www.periodicos.letras.ufmg.br/index.php/maaravi/oai||lyslei@ufmg.br1982-30531982-3053opendoar:2021-10-18T22:02:04Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The Court of the Holy Office in the Operas of Antônio José da Silva, the Jew
O tribunal do Santo Ofício nas óperas de Antônio José da Silva, o Judeu
title The Court of the Holy Office in the Operas of Antônio José da Silva, the Jew
spellingShingle The Court of the Holy Office in the Operas of Antônio José da Silva, the Jew
Pereira, Kenia Maria de Almeida
Antônio José da Silva, O Judeu
Inquisição portuguesa
Teatro
Antônio José da Silva, O Judeu
Portuguese Inquisition
Theater
title_short The Court of the Holy Office in the Operas of Antônio José da Silva, the Jew
title_full The Court of the Holy Office in the Operas of Antônio José da Silva, the Jew
title_fullStr The Court of the Holy Office in the Operas of Antônio José da Silva, the Jew
title_full_unstemmed The Court of the Holy Office in the Operas of Antônio José da Silva, the Jew
title_sort The Court of the Holy Office in the Operas of Antônio José da Silva, the Jew
author Pereira, Kenia Maria de Almeida
author_facet Pereira, Kenia Maria de Almeida
author_role author
dc.contributor.author.fl_str_mv Pereira, Kenia Maria de Almeida
dc.subject.por.fl_str_mv Antônio José da Silva, O Judeu
Inquisição portuguesa
Teatro
Antônio José da Silva, O Judeu
Portuguese Inquisition
Theater
topic Antônio José da Silva, O Judeu
Inquisição portuguesa
Teatro
Antônio José da Silva, O Judeu
Portuguese Inquisition
Theater
description The Portuguese-Brazilian playwright Antônio José da Silva, better known by his nickname, the Jew (o Judeu), took to the stage in Lisbon eight comic plays, classified as jocose-serious operas. In them, he dialogues in a parodic way, sometimes with Greek mythology, as, for example, in Amphitrion or Jupiter and Alcmene, The Charms of Medea and Labyrinth of Crete; sometimes with canonical narratives from Western Literature, as one reads in El ingenioso hidalgo don Quijote de la Mancha. Victim of the Portuguese Inquisition in the 18th century, the Jew, through symbologies and metaphors, recorded in his texts the excesses of monarchic and ecclesiastical power, during the reign of the Tribunal of the Holy Office.
publishDate 2021
dc.date.none.fl_str_mv 2021-10-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/maaravi/article/view/36577
10.35699/1982-3053.2021.36577
url https://periodicos.ufmg.br/index.php/maaravi/article/view/36577
identifier_str_mv 10.35699/1982-3053.2021.36577
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/maaravi/article/view/36577/28637
https://periodicos.ufmg.br/index.php/maaravi/article/view/36577/28778
dc.rights.driver.fl_str_mv Copyright (c) 2021 Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG; v. 15 n. 28 (2021): Literatura Judaica Brasileira ; 47-54
1982-3053
reponame:Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
collection Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
repository.name.fl_str_mv Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv ||lyslei@ufmg.br
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