Sex Trafficking in Argentina Now and Then: Keepers of Memory in The Impure

Detalhes bibliográficos
Autor(a) principal: Goldfine, Daniela
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
Texto Completo: https://periodicos.ufmg.br/index.php/maaravi/article/view/24239
Resumo: In his 2017 documentary The Impure Daniel Najenson straddles the notions of past and present to denounce the horrors and the injustice of sex trafficking in Argentina. Following a family tale of a great-aunt who migrated from Eastern Europe to South America at the beginning of the twentieth century, he digs deep into Israeli and Argentine archives to tell the story of the Zwi Migdal and the way Jewish women were forced into prostitution. To give voice to these women, he brings in Sonia Sánchez, originally from northern Argentina, and forced into prostitution in Buenos Aires when she was seventeen years old. Sánchez tells her own story, but also reads letters from the now deceased victims of sex trade a century ago. This self-professed feminist and activist is also shown in demonstrations and interviews fueling the NiUnaMenos movement in Argentina, while the #MeToo and TimesUp movements explode in the U.S.
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spelling Sex Trafficking in Argentina Now and Then: Keepers of Memory in The Impure Trata de personas en la Argentina en el presente y el pasado: Los guardianes de la memoria en Los impuros (2017): Los guardianes de la memoria en Los impurosSex Trafficking in Argentina Now and Then: Keepers of Memory in The Impure The ImpureSonia SánchezZwi MigdalThe Impure Sonia SánchezZwi Migdal Los impurosSonia SánchezZwi MigdalIn his 2017 documentary The Impure Daniel Najenson straddles the notions of past and present to denounce the horrors and the injustice of sex trafficking in Argentina. Following a family tale of a great-aunt who migrated from Eastern Europe to South America at the beginning of the twentieth century, he digs deep into Israeli and Argentine archives to tell the story of the Zwi Migdal and the way Jewish women were forced into prostitution. To give voice to these women, he brings in Sonia Sánchez, originally from northern Argentina, and forced into prostitution in Buenos Aires when she was seventeen years old. Sánchez tells her own story, but also reads letters from the now deceased victims of sex trade a century ago. This self-professed feminist and activist is also shown in demonstrations and interviews fueling the NiUnaMenos movement in Argentina, while the #MeToo and TimesUp movements explode in the U.S.En su documental del 2017, Los impuros, Daniel Najenson se mueve entre las nociones del pasado y el presente para denunciar los horrores y las injusticias de la trata de personas en la Argentina. Siguiendo una historia de su familia sobre una tía abuela que emigró de Europa del Este a Sudamérica al comienzo del siglo 20, busca en archivos de Israel y Argentina documentos que cuenten la historia de la Zwi Migdal y la manera en que las mujeres judías fueron forzadas a prostituirse. Para darle voz a estas mujeres, el director incorpora a Sonia Sánchez, originalmente del norte de la Argentina, y forzada a prostituirse en Buenos Aires cuando tenía diecisiete años. Sánchez cuenta su propia historia, pero también lee cartas de las ya fallecidas mujeres forzadas a la prostitución hace un siglo. Tambien se la ve a Sánchez, feminista y activista, em manifestaciones y entrevistas que forman parte del movimiento NiUnaMenos en la Argentina, mientras los movimientos #MeToo y TimesUp explotan en los Estados Unidos.In his 2017 documentary The Impure Daniel Najenson straddles the notions of past and present to denounce the horrors and the injustice of sex trafficking in Argentina. Following a family tale of a great-aunt who migrated from Eastern Europe to South America at the beginning of the twentieth century, he digs deep into Israeli and Argentine archives to tell the story of the Zwi Migdal and the way Jewish women were forced into prostitution. To give voice to these women, he brings in Sonia Sánchez, originally from northern Argentina, and forced into prostitution in Buenos Aires when she was seventeen years old. Sánchez tells her own story, but also reads letters from the now deceased victims of sex trade a century ago. This self-professed feminist and activist is also shown in demonstrations and interviews fueling the NiUnaMenos movement in Argentina, while the #MeToo and TimesUp movements explode in the U.S.Universidade Federal de Minas Gerais2020-11-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/maaravi/article/view/2423910.35699/1982-3053.2020.24239Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG; v. 14 n. 27 (2020): O cinema judaico; 33-501982-3053reponame:Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMGinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/maaravi/article/view/24239/20296Copyright (c) 2020 Daniela Goldfinehttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGoldfine, Daniela2021-07-14T23:35:30Zoai:periodicos.ufmg.br:article/24239Revistahttp://www.periodicos.letras.ufmg.br/index.php/maaravi/indexPUBhttp://www.periodicos.letras.ufmg.br/index.php/maaravi/oai||lyslei@ufmg.br1982-30531982-3053opendoar:2021-07-14T23:35:30Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Sex Trafficking in Argentina Now and Then: Keepers of Memory in The Impure
Trata de personas en la Argentina en el presente y el pasado: Los guardianes de la memoria en Los impuros (2017): Los guardianes de la memoria en Los impuros
Sex Trafficking in Argentina Now and Then: Keepers of Memory in The Impure
title Sex Trafficking in Argentina Now and Then: Keepers of Memory in The Impure
spellingShingle Sex Trafficking in Argentina Now and Then: Keepers of Memory in The Impure
Goldfine, Daniela
The Impure
Sonia Sánchez
Zwi Migdal
The Impure
Sonia Sánchez
Zwi Migdal
Los impuros
Sonia Sánchez
Zwi Migdal
title_short Sex Trafficking in Argentina Now and Then: Keepers of Memory in The Impure
title_full Sex Trafficking in Argentina Now and Then: Keepers of Memory in The Impure
title_fullStr Sex Trafficking in Argentina Now and Then: Keepers of Memory in The Impure
title_full_unstemmed Sex Trafficking in Argentina Now and Then: Keepers of Memory in The Impure
title_sort Sex Trafficking in Argentina Now and Then: Keepers of Memory in The Impure
author Goldfine, Daniela
author_facet Goldfine, Daniela
author_role author
dc.contributor.author.fl_str_mv Goldfine, Daniela
dc.subject.por.fl_str_mv The Impure
Sonia Sánchez
Zwi Migdal
The Impure
Sonia Sánchez
Zwi Migdal
Los impuros
Sonia Sánchez
Zwi Migdal
topic The Impure
Sonia Sánchez
Zwi Migdal
The Impure
Sonia Sánchez
Zwi Migdal
Los impuros
Sonia Sánchez
Zwi Migdal
description In his 2017 documentary The Impure Daniel Najenson straddles the notions of past and present to denounce the horrors and the injustice of sex trafficking in Argentina. Following a family tale of a great-aunt who migrated from Eastern Europe to South America at the beginning of the twentieth century, he digs deep into Israeli and Argentine archives to tell the story of the Zwi Migdal and the way Jewish women were forced into prostitution. To give voice to these women, he brings in Sonia Sánchez, originally from northern Argentina, and forced into prostitution in Buenos Aires when she was seventeen years old. Sánchez tells her own story, but also reads letters from the now deceased victims of sex trade a century ago. This self-professed feminist and activist is also shown in demonstrations and interviews fueling the NiUnaMenos movement in Argentina, while the #MeToo and TimesUp movements explode in the U.S.
publishDate 2020
dc.date.none.fl_str_mv 2020-11-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/maaravi/article/view/24239
10.35699/1982-3053.2020.24239
url https://periodicos.ufmg.br/index.php/maaravi/article/view/24239
identifier_str_mv 10.35699/1982-3053.2020.24239
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/maaravi/article/view/24239/20296
dc.rights.driver.fl_str_mv Copyright (c) 2020 Daniela Goldfine
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Daniela Goldfine
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais
publisher.none.fl_str_mv Universidade Federal de Minas Gerais
dc.source.none.fl_str_mv Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG; v. 14 n. 27 (2020): O cinema judaico; 33-50
1982-3053
reponame:Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
collection Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG
repository.name.fl_str_mv Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv ||lyslei@ufmg.br
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