The Witch and the Maestro: the musical collaboration between Carlos Barbosa-Lima and Tom Jobim

Detalhes bibliográficos
Autor(a) principal: Loureiro, Ines
Data de Publicação: 2024
Outros Autores: Barbeitas , Flávio Terrigno
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/49464
Resumo: The aim of this article is to describe the milestones in the relationship between guitarist Carlos Barbosa-Lima and composer Antonio Carlos Jobim. Over more than a decade, the two cultivated a fruitful musical collaboration fueled by mutual admiration. Starting with their joint work on solo guitar arrangements of Jobim's songs, a friendship was established and it had positive impacts on both of their trajectories: through Barbosa-Lima's hands, Jobim was definitively incorporated into the classical guitar repertoire, and through Jobim, Barbosa-Lima gained greater visibility among jazz and popular music audiences, including in Brazil. From this collaboration emerged the project to compose a "Concerto for guitar and orchestra," which, although not realized, demonstrates how stimulating the connection between the guitar brujo and the Sovereign Maestro was.
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spelling The Witch and the Maestro: the musical collaboration between Carlos Barbosa-Lima and Tom Jobim El Brujo y el Maestro: la colaboración musical entre Carlosa Barbosa-Lima y Tom JobimO Bruxo e o Maestro: a colaboração musical entre Carlos Barbosa-Lima e Tom Jobim solo guitararrangements for guitarAntonio Carlos JobimCarlos Barbosa-LimaBrazilian Popular Musicviolão soloarranjos para violãoAntonio Carlos JobimCarlos Barbosa-LimaMúsica popular brasileiraguitarra solistaarreglos para guitarraAntonio Carlos JobimCarlos Barbosa-LimaMusica Popular BrasileñaThe aim of this article is to describe the milestones in the relationship between guitarist Carlos Barbosa-Lima and composer Antonio Carlos Jobim. Over more than a decade, the two cultivated a fruitful musical collaboration fueled by mutual admiration. Starting with their joint work on solo guitar arrangements of Jobim's songs, a friendship was established and it had positive impacts on both of their trajectories: through Barbosa-Lima's hands, Jobim was definitively incorporated into the classical guitar repertoire, and through Jobim, Barbosa-Lima gained greater visibility among jazz and popular music audiences, including in Brazil. From this collaboration emerged the project to compose a "Concerto for guitar and orchestra," which, although not realized, demonstrates how stimulating the connection between the guitar brujo and the Sovereign Maestro was.El objetivo del artículo es describir los principales hitos de la relación entre el guitarrista Carlos Barbosa-Lima y el compositor Antonio Carlos Jobim. Durante más de una década, los dos cultivaron una fructífera colaboración musical impulsada por la admiración mutua. A partir del trabajo conjunto en los arreglos para guitarra solista de las canciones de Jobim, se estableció una amistad que repercutió positivamente en sus carreras: de la mano de Barbosa-Lima, Jobim se incorporó definitivamente al repertorio de guitarra de concierto; A través de Jobim, Barbosa-Lima logró mayor protagonismo entre el público del jazz y la música popular, incluso en Brasil. De esta cooperación surgió el proyecto de componer un “Concierto para guitarra y orquesta” que, aunque no completado, muestra cuán estimulante fue la conexión entre el brujo de la guitarra y el Maestro soberano.O objetivo do artigo é descrever os principais marcos da relação entre o violonista Carlos Barbosa-Lima e o compositor Antonio Carlos Jobim. Ao longo de mais de uma década os dois cultivaram uma profícua colaboração musical alimentada pela mútua admiração. A partir do trabalho conjunto em torno dos arranjos para violão solo das músicas de Jobim, estabeleceu-se uma amizade que teve reflexos positivos sobre a trajetória de ambos: pelas mãos de Barbosa-Lima, Jobim foi definitivamente incorporado ao repertório do violão de concerto; por meio de Jobim, Barbosa-Lima obteve maior projeção entre o público de jazz e música popular, inclusive no Brasil. Desta cooperação nasceu o projeto de compor um “Concerto para violão e orquestra” que, embora não concretizado, mostra quão estimulante foi a ligação entre o brujo do violão e o Maestro soberano.Universidade Federal de Minas Gerais (UFMG)2024-05-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdftext/xmltext/htmlhttps://periodicos.ufmg.br/index.php/permusi/article/view/4946410.35699/2317-6377.2024.49464Per Musi; Vol. 25 (2024): General Topics; 1-18Per Musi; Vol. 25 (2024): General Topics; 1-18Per Musi; v. 25 (2024): General Topics; 1-182317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/49464/43982https://periodicos.ufmg.br/index.php/permusi/article/view/49464/44017https://periodicos.ufmg.br/index.php/permusi/article/view/49464/43985Copyright (c) 2024 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLoureiro, InesBarbeitas , Flávio Terrigno2024-05-10T00:36:37Zoai:periodicos.ufmg.br:article/49464Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2024-05-10T00:36:37Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The Witch and the Maestro: the musical collaboration between Carlos Barbosa-Lima and Tom Jobim
El Brujo y el Maestro: la colaboración musical entre Carlosa Barbosa-Lima y Tom Jobim
O Bruxo e o Maestro: a colaboração musical entre Carlos Barbosa-Lima e Tom Jobim
title The Witch and the Maestro: the musical collaboration between Carlos Barbosa-Lima and Tom Jobim
spellingShingle The Witch and the Maestro: the musical collaboration between Carlos Barbosa-Lima and Tom Jobim
Loureiro, Ines
solo guitar
arrangements for guitar
Antonio Carlos Jobim
Carlos Barbosa-Lima
Brazilian Popular Music
violão solo
arranjos para violão
Antonio Carlos Jobim
Carlos Barbosa-Lima
Música popular brasileira
guitarra solista
arreglos para guitarra
Antonio Carlos Jobim
Carlos Barbosa-Lima
Musica Popular Brasileña
title_short The Witch and the Maestro: the musical collaboration between Carlos Barbosa-Lima and Tom Jobim
title_full The Witch and the Maestro: the musical collaboration between Carlos Barbosa-Lima and Tom Jobim
title_fullStr The Witch and the Maestro: the musical collaboration between Carlos Barbosa-Lima and Tom Jobim
title_full_unstemmed The Witch and the Maestro: the musical collaboration between Carlos Barbosa-Lima and Tom Jobim
title_sort The Witch and the Maestro: the musical collaboration between Carlos Barbosa-Lima and Tom Jobim
author Loureiro, Ines
author_facet Loureiro, Ines
Barbeitas , Flávio Terrigno
author_role author
author2 Barbeitas , Flávio Terrigno
author2_role author
dc.contributor.author.fl_str_mv Loureiro, Ines
Barbeitas , Flávio Terrigno
dc.subject.por.fl_str_mv solo guitar
arrangements for guitar
Antonio Carlos Jobim
Carlos Barbosa-Lima
Brazilian Popular Music
violão solo
arranjos para violão
Antonio Carlos Jobim
Carlos Barbosa-Lima
Música popular brasileira
guitarra solista
arreglos para guitarra
Antonio Carlos Jobim
Carlos Barbosa-Lima
Musica Popular Brasileña
topic solo guitar
arrangements for guitar
Antonio Carlos Jobim
Carlos Barbosa-Lima
Brazilian Popular Music
violão solo
arranjos para violão
Antonio Carlos Jobim
Carlos Barbosa-Lima
Música popular brasileira
guitarra solista
arreglos para guitarra
Antonio Carlos Jobim
Carlos Barbosa-Lima
Musica Popular Brasileña
description The aim of this article is to describe the milestones in the relationship between guitarist Carlos Barbosa-Lima and composer Antonio Carlos Jobim. Over more than a decade, the two cultivated a fruitful musical collaboration fueled by mutual admiration. Starting with their joint work on solo guitar arrangements of Jobim's songs, a friendship was established and it had positive impacts on both of their trajectories: through Barbosa-Lima's hands, Jobim was definitively incorporated into the classical guitar repertoire, and through Jobim, Barbosa-Lima gained greater visibility among jazz and popular music audiences, including in Brazil. From this collaboration emerged the project to compose a "Concerto for guitar and orchestra," which, although not realized, demonstrates how stimulating the connection between the guitar brujo and the Sovereign Maestro was.
publishDate 2024
dc.date.none.fl_str_mv 2024-05-09
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info:eu-repo/semantics/publishedVersion
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text
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dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/49464
10.35699/2317-6377.2024.49464
url https://periodicos.ufmg.br/index.php/permusi/article/view/49464
identifier_str_mv 10.35699/2317-6377.2024.49464
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/49464/43982
https://periodicos.ufmg.br/index.php/permusi/article/view/49464/44017
https://periodicos.ufmg.br/index.php/permusi/article/view/49464/43985
dc.rights.driver.fl_str_mv Copyright (c) 2024 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/xml
text/html
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; Vol. 25 (2024): General Topics; 1-18
Per Musi; Vol. 25 (2024): General Topics; 1-18
Per Musi; v. 25 (2024): General Topics; 1-18
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
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repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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