Anatomy of a Rhetorical Gesture

Detalhes bibliográficos
Autor(a) principal: Martínez, Gonzalo Javier
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5253
Resumo: The article analyzes a rhetoric gesture that frequently appears in tonal and post tonal repertoires, and starting from an analysis by Patrick McCreless (2006) postulates that the gesture is more limited than what the author proposes in this reference, reducing it to three stages related with the process of expectations. For the analysis, it checks the definitions offered by renowned investigators of gesture in general and rhetoric gesture in particular. The analysis is based in concepts that imply: the participation of the body in the musical audition, the attributes of significances, the metaphoric audition and, finally, the model of expectations proposed recently by David Huron. Finally, it analyses the instances of the gesture that appear in the pianistic and symphonic repertoire from the eighteenth century up to the beginning of the twentieth century.
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spelling Anatomy of a Rhetorical GestureAnatomía de un gesto retóricoAnatomia de um gesto retóricoRhetoric gesturepersonified auditionmetaphoric auditiongestural analysismusical rhetoricgesto retóricoaudição encarnadaaudição metafóricaanálise gestualretórica musicalgesto retóricoaudición personalizadaaudición metafóricaanálisis por gestosretórica musicalThe article analyzes a rhetoric gesture that frequently appears in tonal and post tonal repertoires, and starting from an analysis by Patrick McCreless (2006) postulates that the gesture is more limited than what the author proposes in this reference, reducing it to three stages related with the process of expectations. For the analysis, it checks the definitions offered by renowned investigators of gesture in general and rhetoric gesture in particular. The analysis is based in concepts that imply: the participation of the body in the musical audition, the attributes of significances, the metaphoric audition and, finally, the model of expectations proposed recently by David Huron. Finally, it analyses the instances of the gesture that appear in the pianistic and symphonic repertoire from the eighteenth century up to the beginning of the twentieth century.El artículo analiza un gesto retórico que aparece con frecuencia en el repertorio tonal y post-tonal, a partir de un análisis de Patrick McCreless realizado en 2006 sobre el mismo tema. Se defiende la idea de que el gesto es más limitado de lo que el autor propone en esta referencia, reduciéndolo a tres fases relacionadas con el proceso de expectativa. Para realizar el análisis se revisaron las definiciones de gesto en general y de gesto retórico en particular, propuestas por investigadores de renombre. El análisis se basa en conceptos que involucran: la participación del cuerpo en la escucha de la música, la atribución de significado, la auditación metafórica y, finalmente, el modelo de expectativas recientemente propuesto por David Huron. Se investigan los casos de gesto que aparecen en el repertorio pianístico y sinfónico desde el siglo XVIII hasta principios del siglo XX.O artigo analisa um gesto retórico que aparece frequentemente no repertório tonal e pós-tonal, a partir de uma análise de Patrick McCreless realizada em 2006 sobre o mesmo assunto. Defende-se a ideia de que o gesto é mais limitado do que o autor propõe nessa referência, reduzindo-o a três fases relacionadas com o processo da expectativa. Para realizar a análise foram revisadas as definições de gesto em geral e de gesto retórico em particular, propostas por renomados pesquisadores. A análise é baseada em conceitos que envolvem: a participação do corpo na audição de música, a atribuição de significado, a audição metafórica, e, finalmente, o modelo de expectativas recentemente proposto por David Huron. Os casos de gesto que aparecem no repertório pianístico e sinfônico, desde o século XVIII até o principio do século XX são investigados.Universidade Federal de Minas Gerais (UFMG)2018-05-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextotextoinfo:eu-repo/semantics/otherapplication/pdfimage/pngimage/jpegimage/pngimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpeghttps://periodicos.ufmg.br/index.php/permusi/article/view/525310.35699/2317-6377.2017.5253Per Musi; No. 37 (2017): General TopicsPer Musi; Núm. 37 (2017): General TopicsPer Musi; n. 37 (2017): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/5253/3261https://periodicos.ufmg.br/index.php/permusi/article/view/5253/9516https://periodicos.ufmg.br/index.php/permusi/article/view/5253/9517https://periodicos.ufmg.br/index.php/permusi/article/view/5253/9518https://periodicos.ufmg.br/index.php/permusi/article/view/5253/9519https://periodicos.ufmg.br/index.php/permusi/article/view/5253/9520https://periodicos.ufmg.br/index.php/permusi/article/view/5253/9521https://periodicos.ufmg.br/index.php/permusi/article/view/5253/9522https://periodicos.ufmg.br/index.php/permusi/article/view/5253/9523https://periodicos.ufmg.br/index.php/permusi/article/view/5253/9524https://periodicos.ufmg.br/index.php/permusi/article/view/5253/9525https://periodicos.ufmg.br/index.php/permusi/article/view/5253/9526Martínez, Gonzalo Javierinfo:eu-repo/semantics/openAccess2020-02-27T19:17:03Zoai:periodicos.ufmg.br:article/5253Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-02-27T19:17:03Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Anatomy of a Rhetorical Gesture
Anatomía de un gesto retórico
Anatomia de um gesto retórico
title Anatomy of a Rhetorical Gesture
spellingShingle Anatomy of a Rhetorical Gesture
Martínez, Gonzalo Javier
Rhetoric gesture
personified audition
metaphoric audition
gestural analysis
musical rhetoric
gesto retórico
audição encarnada
audição metafórica
análise gestual
retórica musical
gesto retórico
audición personalizada
audición metafórica
análisis por gestos
retórica musical
title_short Anatomy of a Rhetorical Gesture
title_full Anatomy of a Rhetorical Gesture
title_fullStr Anatomy of a Rhetorical Gesture
title_full_unstemmed Anatomy of a Rhetorical Gesture
title_sort Anatomy of a Rhetorical Gesture
author Martínez, Gonzalo Javier
author_facet Martínez, Gonzalo Javier
author_role author
dc.contributor.author.fl_str_mv Martínez, Gonzalo Javier
dc.subject.por.fl_str_mv Rhetoric gesture
personified audition
metaphoric audition
gestural analysis
musical rhetoric
gesto retórico
audição encarnada
audição metafórica
análise gestual
retórica musical
gesto retórico
audición personalizada
audición metafórica
análisis por gestos
retórica musical
topic Rhetoric gesture
personified audition
metaphoric audition
gestural analysis
musical rhetoric
gesto retórico
audição encarnada
audição metafórica
análise gestual
retórica musical
gesto retórico
audición personalizada
audición metafórica
análisis por gestos
retórica musical
description The article analyzes a rhetoric gesture that frequently appears in tonal and post tonal repertoires, and starting from an analysis by Patrick McCreless (2006) postulates that the gesture is more limited than what the author proposes in this reference, reducing it to three stages related with the process of expectations. For the analysis, it checks the definitions offered by renowned investigators of gesture in general and rhetoric gesture in particular. The analysis is based in concepts that imply: the participation of the body in the musical audition, the attributes of significances, the metaphoric audition and, finally, the model of expectations proposed recently by David Huron. Finally, it analyses the instances of the gesture that appear in the pianistic and symphonic repertoire from the eighteenth century up to the beginning of the twentieth century.
publishDate 2018
dc.date.none.fl_str_mv 2018-05-26
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dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5253
10.35699/2317-6377.2017.5253
url https://periodicos.ufmg.br/index.php/permusi/article/view/5253
identifier_str_mv 10.35699/2317-6377.2017.5253
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5253/3261
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dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 37 (2017): General Topics
Per Musi; Núm. 37 (2017): General Topics
Per Musi; n. 37 (2017): General Topics
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
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instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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