Body percussion in the band repertoire: case study of the work La corrida de toros, by Mario Bürki

Detalhes bibliográficos
Autor(a) principal: Di Russo, Salvatore
Data de Publicação: 2024
Outros Autores: Gisbert Caudeli, Vicenta, Romero-Naranjo, Francisco Javier, Pelizza, Antonio Domenico
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/49030
Resumo: When analyzing the band music repertoire, which includes works composed for wind ensemble as well as arrangements from orchestral compositions, an increase in the incorporation of body percussion as a compositional resource has been observed. This article focuses on the work La corrida de toros by Mario Bürki. The Swiss composer, in his descriptive symphonic poem, is dedicated to presenting the different parts of a Spanish bullfight, also called tercios if we stick to bullfighting terminology. Starting with the paseillo that leads the bullfighters into the arena, up to the tercio de muerte (third of death) in the final part. The composition includes sounds and rhythms combined with the percussion of different parts of the body. This paper presents a complete musicological analysis that contemplates structural, organological, harmonic and rhythmic parameters. Special attention is given to the aspects related to the musical function that body percussion plays in this composition.
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spelling Body percussion in the band repertoire: case study of the work La corrida de toros, by Mario BürkiLa percusión corporal en el repertorio de la banda: estudio de caso de La corrida de toros de Mario BürkiPercussão corporal no repertório de bandas: estudo de caso da obra La corrida de toros, de Mario BürkiBody percussionBand repertoireBAPNE MethodMusical pedagogyPercussão corporalRepertório de bandaMario BürkiMétodo BAPNEPedagogía musicalPercusión corporalRepertorio para bandaMario BürkiMetodo BAPNEPedagogia musicalWhen analyzing the band music repertoire, which includes works composed for wind ensemble as well as arrangements from orchestral compositions, an increase in the incorporation of body percussion as a compositional resource has been observed. This article focuses on the work La corrida de toros by Mario Bürki. The Swiss composer, in his descriptive symphonic poem, is dedicated to presenting the different parts of a Spanish bullfight, also called tercios if we stick to bullfighting terminology. Starting with the paseillo that leads the bullfighters into the arena, up to the tercio de muerte (third of death) in the final part. The composition includes sounds and rhythms combined with the percussion of different parts of the body. This paper presents a complete musicological analysis that contemplates structural, organological, harmonic and rhythmic parameters. Special attention is given to the aspects related to the musical function that body percussion plays in this composition.Al analizar el repertorio de música para banda, que incluye obras compuestas para conjunto de viento, así como arreglos de composiciones orquestales, se ha observado un incremento en la incorporación de la percusión corporal como recurso compositivo. Este artículo se centra en La corrida de toros de Mario Bürki. En su descriptivo poema sinfónico, el compositor suizo presenta las diferentes partes de una corrida de toros española, también llamados tercios, si nos ceñimos a la terminología taurina. Empezando por el paseillo que lleva a los toreros al ruedo, hasta el tercio de muerte en la parte final. La composición incluye sonidos y ritmos combinados con la percusión de diferentes partes del cuerpo. Este texto presenta un completo análisis musicológico que incluye parámetros estructurales, organológicos, armónicos y rítmicos. Se presta especial atención a los aspectos relacionados con la función musical que desempeña la percusión corporal en esta composición.Ao analisar o repertório de música de banda, que inclui obras compostas para conjunto de sopros, bem como arranjos de composições orquestrais, observou-se um aumento na incorporação da percussão corporal como recurso composicional. Este artigo enfoca a obra La corrida de toros de Mario Bürki. O compositor suíço, em seu poema sinfônico descritivo, dedica-se a apresentar as diferentes partes de uma tourada espanhola, também chamadas de tercios, se nos atermos à terminologia das touradas. Começando com o paseillo que leva os toureiros à arena, até o tercio de muerte (terço da morte) na parte final. A composição inclui sons e ritmos combinados com a percussão de diferentes partes do corpo. Este texto apresenta uma análise musicológica completa que contempla parâmetros estruturais, organológicos, harmônicos e rítmicos. É dada atenção especial aos aspectos relacionados à função musical que a percussão corporal desempenha nesta composição.Universidade Federal de Minas Gerais (UFMG)2024-04-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdftext/xmltext/htmlhttps://periodicos.ufmg.br/index.php/permusi/article/view/4903010.35699/2317-6377.2024.49030Per Musi; Vol. 25 (2024): General Topics; 1-41Per Musi; Vol. 25 (2024): General Topics; 1-41Per Musi; v. 25 (2024): General Topics; 1-412317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/49030/43611https://periodicos.ufmg.br/index.php/permusi/article/view/49030/43852https://periodicos.ufmg.br/index.php/permusi/article/view/49030/43612Copyright (c) 2024 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDi Russo, SalvatoreGisbert Caudeli, VicentaRomero-Naranjo, Francisco JavierPelizza, Antonio Domenico2024-04-12T17:18:24Zoai:periodicos.ufmg.br:article/49030Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2024-04-12T17:18:24Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Body percussion in the band repertoire: case study of the work La corrida de toros, by Mario Bürki
La percusión corporal en el repertorio de la banda: estudio de caso de La corrida de toros de Mario Bürki
Percussão corporal no repertório de bandas: estudo de caso da obra La corrida de toros, de Mario Bürki
title Body percussion in the band repertoire: case study of the work La corrida de toros, by Mario Bürki
spellingShingle Body percussion in the band repertoire: case study of the work La corrida de toros, by Mario Bürki
Di Russo, Salvatore
Body percussion
Band repertoire
BAPNE Method
Musical pedagogy
Percussão corporal
Repertório de banda
Mario Bürki
Método BAPNE
Pedagogía musical
Percusión corporal
Repertorio para banda
Mario Bürki
Metodo BAPNE
Pedagogia musical
title_short Body percussion in the band repertoire: case study of the work La corrida de toros, by Mario Bürki
title_full Body percussion in the band repertoire: case study of the work La corrida de toros, by Mario Bürki
title_fullStr Body percussion in the band repertoire: case study of the work La corrida de toros, by Mario Bürki
title_full_unstemmed Body percussion in the band repertoire: case study of the work La corrida de toros, by Mario Bürki
title_sort Body percussion in the band repertoire: case study of the work La corrida de toros, by Mario Bürki
author Di Russo, Salvatore
author_facet Di Russo, Salvatore
Gisbert Caudeli, Vicenta
Romero-Naranjo, Francisco Javier
Pelizza, Antonio Domenico
author_role author
author2 Gisbert Caudeli, Vicenta
Romero-Naranjo, Francisco Javier
Pelizza, Antonio Domenico
author2_role author
author
author
dc.contributor.author.fl_str_mv Di Russo, Salvatore
Gisbert Caudeli, Vicenta
Romero-Naranjo, Francisco Javier
Pelizza, Antonio Domenico
dc.subject.por.fl_str_mv Body percussion
Band repertoire
BAPNE Method
Musical pedagogy
Percussão corporal
Repertório de banda
Mario Bürki
Método BAPNE
Pedagogía musical
Percusión corporal
Repertorio para banda
Mario Bürki
Metodo BAPNE
Pedagogia musical
topic Body percussion
Band repertoire
BAPNE Method
Musical pedagogy
Percussão corporal
Repertório de banda
Mario Bürki
Método BAPNE
Pedagogía musical
Percusión corporal
Repertorio para banda
Mario Bürki
Metodo BAPNE
Pedagogia musical
description When analyzing the band music repertoire, which includes works composed for wind ensemble as well as arrangements from orchestral compositions, an increase in the incorporation of body percussion as a compositional resource has been observed. This article focuses on the work La corrida de toros by Mario Bürki. The Swiss composer, in his descriptive symphonic poem, is dedicated to presenting the different parts of a Spanish bullfight, also called tercios if we stick to bullfighting terminology. Starting with the paseillo that leads the bullfighters into the arena, up to the tercio de muerte (third of death) in the final part. The composition includes sounds and rhythms combined with the percussion of different parts of the body. This paper presents a complete musicological analysis that contemplates structural, organological, harmonic and rhythmic parameters. Special attention is given to the aspects related to the musical function that body percussion plays in this composition.
publishDate 2024
dc.date.none.fl_str_mv 2024-04-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/49030
10.35699/2317-6377.2024.49030
url https://periodicos.ufmg.br/index.php/permusi/article/view/49030
identifier_str_mv 10.35699/2317-6377.2024.49030
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/49030/43611
https://periodicos.ufmg.br/index.php/permusi/article/view/49030/43852
https://periodicos.ufmg.br/index.php/permusi/article/view/49030/43612
dc.rights.driver.fl_str_mv Copyright (c) 2024 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/xml
text/html
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; Vol. 25 (2024): General Topics; 1-41
Per Musi; Vol. 25 (2024): General Topics; 1-41
Per Musi; v. 25 (2024): General Topics; 1-41
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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