TumTá and Pisada: Digital Dance and Music Instruments Inspired by Popular Brazilian Traditions

Detalhes bibliográficos
Autor(a) principal: Tragtenberg, João
Data de Publicação: 2021
Outros Autores: Calegario, Filipe, Cabral, Giordano, Ramalho, Geber
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/26151
Resumo: This paper presents the development process of TumTá, a wearable Digital Dance and Music Instrument that triggers sound samples from foot stomps and Pisada, a dance-enabled MIDI pedalboard. It was developed between 2012 and 2017 for the use of Helder Vasconcelos, a dancer and musician formed by the traditions of Cavalo Marinho and Maracatu Rural from Pernambuco, Brazil. The design of this instrument was inspired by traditional instruments like the Zabumba and by the gestural vocabulary from Cavalo Marinho, to make music and dance at the same time. The development process of this instrument is described in the three prototyping phases conducted by three approaches: building blocks, artisanal, and digital fabrication. We analyze the process of designing digital technology inspired by Brazilian traditions, present the lessons learned, and discuss future works.
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spelling TumTá and Pisada: Digital Dance and Music Instruments Inspired by Popular Brazilian TraditionsTumTá y Pisada: Instrumentos digitales de danza y música inspirados en las tradiciones populares brasileñasTumTá and Pisada: Instrumentos Digitais de Dança e Música inspirados pelas Tradições Populares BrasileirasNew interfaces for musical expressionDigital musical instrumentDigital dance and music instrumentDesign processInspiration from traditionBrazilian musical instrumentNovas interfaces para expressão musicalInstrumento musical digitalInstrumento digital de música e dançaProcesso de designInspiração pela tradiçãoInstrumento musical brasileiroNuevas interfaces para la expresión musicalInstrumento musical digitalInstrumento digital de danza y músicaProceso de diseñoInspiración en la tradiciónInstrumento musical brasileñoThis paper presents the development process of TumTá, a wearable Digital Dance and Music Instrument that triggers sound samples from foot stomps and Pisada, a dance-enabled MIDI pedalboard. It was developed between 2012 and 2017 for the use of Helder Vasconcelos, a dancer and musician formed by the traditions of Cavalo Marinho and Maracatu Rural from Pernambuco, Brazil. The design of this instrument was inspired by traditional instruments like the Zabumba and by the gestural vocabulary from Cavalo Marinho, to make music and dance at the same time. The development process of this instrument is described in the three prototyping phases conducted by three approaches: building blocks, artisanal, and digital fabrication. We analyze the process of designing digital technology inspired by Brazilian traditions, present the lessons learned, and discuss future works. Esta investigación presenta el proceso de desarrollo de TumTá, un instrumento de música y danza digital llevable que activa samples de sonido con golpes con los pies y Pisada, una pedalera MIDI habilitada para la danza. Estos instrumentos fueron desarrollados entre 2012 y 2017 para uso de Helder Vasconcelos, bailarín y músico formado por las tradiciones de Cavalo Marinho y Maracatu Rural de Pernambuco, Brasil. El diseño de este instrumento se inspiró en instrumentos tradicionales como la Zabumba y en el vocabulario gestual de Cavalo Marinho, para hacer música y bailar al mismo tiempo. El proceso de diseño de este instrumento se describe en las tres fases de creación de prototipos que se llevan a cabo mediante tres enfoques: bloques de construcción, fabricación artesanal y digital. Analizamos el proceso de diseño de tecnología digital inspirada en las tradiciones brasileñas, presentamos las lecciones aprendidas y discutimos trabajos futuros.Este artigo apresenta o processo de desenvolvimento do TumTá, um Instrumento Digital de Dança e Música vestível que dispara samples sonoros com batidas de pé no chão e Pisada, uma pedaleira MIDI habilitada para dança. Eles foram desenvolvidos entre 2012 e 2017 para o uso de Helder Vasconcelos, dançarino e músico formado pelas tradições do Cavalo Marinho e do Maracatu Rural de Pernambuco, Brasil. O design destes instrumentos foi inspirado em instrumentos tradicionais como a Zabumba e no vocabulário gestual do Cavalo Marinho, para fazer música e dançar ao mesmo tempo. O processo de desenvolvimento deste instrumento é descrito nas três fases de prototipagem conduzidas por três abordagens: blocos de construção, manufatura artesanal e fabricação digital. Analisamos o processo de design de tecnologia digital inspirada nas tradições brasileiras, apresentamos as lições aprendidas e discutimos trabalhos futuros.  Universidade Federal de Minas Gerais (UFMG)2021-06-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/2615110.35699/2317-6377.2020.26151Per Musi; No. 40 (2020): Thematic Session: Computing Performed Music; 1-20Per Musi; Núm. 40 (2020): Thematic Session: Computing Performed Music; 1-20Per Musi; n. 40 (2020): Thematic Session: Computing Performed Music; 1-202317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/26151/37647https://periodicos.ufmg.br/index.php/permusi/article/view/26151/27548Copyright (c) 2021 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTragtenberg, JoãoCalegario, FilipeCabral, GiordanoRamalho, Geber2023-05-05T19:40:21Zoai:periodicos.ufmg.br:article/26151Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-05-05T19:40:21Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv TumTá and Pisada: Digital Dance and Music Instruments Inspired by Popular Brazilian Traditions
TumTá y Pisada: Instrumentos digitales de danza y música inspirados en las tradiciones populares brasileñas
TumTá and Pisada: Instrumentos Digitais de Dança e Música inspirados pelas Tradições Populares Brasileiras
title TumTá and Pisada: Digital Dance and Music Instruments Inspired by Popular Brazilian Traditions
spellingShingle TumTá and Pisada: Digital Dance and Music Instruments Inspired by Popular Brazilian Traditions
Tragtenberg, João
New interfaces for musical expression
Digital musical instrument
Digital dance and music instrument
Design process
Inspiration from tradition
Brazilian musical instrument
Novas interfaces para expressão musical
Instrumento musical digital
Instrumento digital de música e dança
Processo de design
Inspiração pela tradição
Instrumento musical brasileiro
Nuevas interfaces para la expresión musical
Instrumento musical digital
Instrumento digital de danza y música
Proceso de diseño
Inspiración en la tradición
Instrumento musical brasileño
title_short TumTá and Pisada: Digital Dance and Music Instruments Inspired by Popular Brazilian Traditions
title_full TumTá and Pisada: Digital Dance and Music Instruments Inspired by Popular Brazilian Traditions
title_fullStr TumTá and Pisada: Digital Dance and Music Instruments Inspired by Popular Brazilian Traditions
title_full_unstemmed TumTá and Pisada: Digital Dance and Music Instruments Inspired by Popular Brazilian Traditions
title_sort TumTá and Pisada: Digital Dance and Music Instruments Inspired by Popular Brazilian Traditions
author Tragtenberg, João
author_facet Tragtenberg, João
Calegario, Filipe
Cabral, Giordano
Ramalho, Geber
author_role author
author2 Calegario, Filipe
Cabral, Giordano
Ramalho, Geber
author2_role author
author
author
dc.contributor.author.fl_str_mv Tragtenberg, João
Calegario, Filipe
Cabral, Giordano
Ramalho, Geber
dc.subject.por.fl_str_mv New interfaces for musical expression
Digital musical instrument
Digital dance and music instrument
Design process
Inspiration from tradition
Brazilian musical instrument
Novas interfaces para expressão musical
Instrumento musical digital
Instrumento digital de música e dança
Processo de design
Inspiração pela tradição
Instrumento musical brasileiro
Nuevas interfaces para la expresión musical
Instrumento musical digital
Instrumento digital de danza y música
Proceso de diseño
Inspiración en la tradición
Instrumento musical brasileño
topic New interfaces for musical expression
Digital musical instrument
Digital dance and music instrument
Design process
Inspiration from tradition
Brazilian musical instrument
Novas interfaces para expressão musical
Instrumento musical digital
Instrumento digital de música e dança
Processo de design
Inspiração pela tradição
Instrumento musical brasileiro
Nuevas interfaces para la expresión musical
Instrumento musical digital
Instrumento digital de danza y música
Proceso de diseño
Inspiración en la tradición
Instrumento musical brasileño
description This paper presents the development process of TumTá, a wearable Digital Dance and Music Instrument that triggers sound samples from foot stomps and Pisada, a dance-enabled MIDI pedalboard. It was developed between 2012 and 2017 for the use of Helder Vasconcelos, a dancer and musician formed by the traditions of Cavalo Marinho and Maracatu Rural from Pernambuco, Brazil. The design of this instrument was inspired by traditional instruments like the Zabumba and by the gestural vocabulary from Cavalo Marinho, to make music and dance at the same time. The development process of this instrument is described in the three prototyping phases conducted by three approaches: building blocks, artisanal, and digital fabrication. We analyze the process of designing digital technology inspired by Brazilian traditions, present the lessons learned, and discuss future works.
publishDate 2021
dc.date.none.fl_str_mv 2021-06-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/26151
10.35699/2317-6377.2020.26151
url https://periodicos.ufmg.br/index.php/permusi/article/view/26151
identifier_str_mv 10.35699/2317-6377.2020.26151
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/26151/37647
https://periodicos.ufmg.br/index.php/permusi/article/view/26151/27548
dc.rights.driver.fl_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/xml
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 40 (2020): Thematic Session: Computing Performed Music; 1-20
Per Musi; Núm. 40 (2020): Thematic Session: Computing Performed Music; 1-20
Per Musi; n. 40 (2020): Thematic Session: Computing Performed Music; 1-20
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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