Under the Muses, on technics: an investigation of possible interfaces between post-humanism and music

Detalhes bibliográficos
Autor(a) principal: Branco, Marta Castello
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/39909
Resumo: The actuality of a symbiosis between art and media, our object of study, presents itself in close relationship with the human aspect of ancient Greek reflection on art. In order to investigate the role of this relationship for contemporary understanding on possible social “places” of art, we relate the term μουσική τέχνη (mousikḗ tékhnē) to telematics, as described by Vilém Flusser, which means the consideration of otherness and altruism in aesthetic fruition. Thus, our methodology places music in front of the current post-humanist reflection, that discusses the social, political and ecological scope of a collective altruism, which we contextualize here in the symbolic aspect of music and in its fruition. Our conclusions include the discussion about the resort to a Greek heritage, the echoes of utilitarianism and the understanding of art as a collective and altruistic form of human interrelationship.
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spelling Under the Muses, on technics: an investigation of possible interfaces between post-humanism and musicBajo las Musas, sobre la técnica: una investigación de las posibles interfaces entre el posthumanismo y la músicaSob as Musas, sobre a técnica: uma investigação de possíveis interfaces entre pós-humanismo e músicapost-humanismaltruismconvivialitytelematicsmusicpós-humanismoaltruísmoconvivialidadetelemáticamúsicaposthumanismoaltruismoconvivialidadtelemáticamúsicaThe actuality of a symbiosis between art and media, our object of study, presents itself in close relationship with the human aspect of ancient Greek reflection on art. In order to investigate the role of this relationship for contemporary understanding on possible social “places” of art, we relate the term μουσική τέχνη (mousikḗ tékhnē) to telematics, as described by Vilém Flusser, which means the consideration of otherness and altruism in aesthetic fruition. Thus, our methodology places music in front of the current post-humanist reflection, that discusses the social, political and ecological scope of a collective altruism, which we contextualize here in the symbolic aspect of music and in its fruition. Our conclusions include the discussion about the resort to a Greek heritage, the echoes of utilitarianism and the understanding of art as a collective and altruistic form of human interrelationship.La actualidad de una simbiosis entre la música y los medios técnicos, nuestro objeto de estudio, se nos presenta en estrecha relación con el aspecto humano de la reflexión sobre el arte de la Grecia antigua. Para investigar el papel de esta relación para el pensamiento contemporáneo sobre los posibles “lugares” sociales del arte, relacionamos el término μουσική τέχνη (mousikḗ tékhnē) con la telemática, tal como la describe Vilém Flusser, que significa la consideración de la alteridad y el altruismo in el disfrute estético. Así, nuestra metodología sitúa a la música al frente de la reflexión poshumanista actual, que precisamente discute la amplitud social, política y ecológica de un altruismo colectivo, que contextualizamos aquí en el aspecto simbólico de la música y su fruición. Nuestras conclusiones incluyen una discusión sobre las formas de aprovechar una herencia griega, los ecos del utilitarismo y la comprensión del arte como una forma colectiva y altruista de interrelación humana.A atualidade de uma simbiose entre música e mídia, nosso objeto de estudo, se nos apresenta em estreita relação com o aspecto humano da reflexão grega antiga sobre arte. Com o objetivo de investigar o papel desta relação para o pensamento contemporâneo sobre possíveis “lugares” sociais da arte, relacionamos o termo μουσική τέχνη (mousikḗ tékhnē) à telemática, assim como descrita por Vilém Flusser, que significa a consideração da alteridade e do altruísmo na fruição estética. Assim, nossa metodologia coloca a música frente à corrente reflexão pós-humanista, que justamente discute a amplitude social, política e ecológica de um altruísmo coletivo, que contextualizamos aqui no aspecto simbólico da música e de sua fruição. Nossas conclusões incluem a discussão sobre formas de se recorrer a uma herança grega, os ecos do utilitarismo e a compreensão da arte como forma coletiva e altruísta de inter-relação humana.Universidade Federal de Minas Gerais (UFMG)2022-07-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/3990910.35699/2317-6377.2022.39909Per Musi; No. 42 (2022): General Topics; 1-19Per Musi; Núm. 42 (2022): General Topics; 1-19Per Musi; n. 42 (2022): General Topics; 1-192317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/39909/37526https://periodicos.ufmg.br/index.php/permusi/article/view/39909/37527https://periodicos.ufmg.br/index.php/permusi/article/view/39909/30885Copyright (c) 2022 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBranco, Marta Castello2023-10-14T00:15:20Zoai:periodicos.ufmg.br:article/39909Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-10-14T00:15:20Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Under the Muses, on technics: an investigation of possible interfaces between post-humanism and music
Bajo las Musas, sobre la técnica: una investigación de las posibles interfaces entre el posthumanismo y la música
Sob as Musas, sobre a técnica: uma investigação de possíveis interfaces entre pós-humanismo e música
title Under the Muses, on technics: an investigation of possible interfaces between post-humanism and music
spellingShingle Under the Muses, on technics: an investigation of possible interfaces between post-humanism and music
Branco, Marta Castello
post-humanism
altruism
conviviality
telematics
music
pós-humanismo
altruísmo
convivialidade
telemática
música
posthumanismo
altruismo
convivialidad
telemática
música
title_short Under the Muses, on technics: an investigation of possible interfaces between post-humanism and music
title_full Under the Muses, on technics: an investigation of possible interfaces between post-humanism and music
title_fullStr Under the Muses, on technics: an investigation of possible interfaces between post-humanism and music
title_full_unstemmed Under the Muses, on technics: an investigation of possible interfaces between post-humanism and music
title_sort Under the Muses, on technics: an investigation of possible interfaces between post-humanism and music
author Branco, Marta Castello
author_facet Branco, Marta Castello
author_role author
dc.contributor.author.fl_str_mv Branco, Marta Castello
dc.subject.por.fl_str_mv post-humanism
altruism
conviviality
telematics
music
pós-humanismo
altruísmo
convivialidade
telemática
música
posthumanismo
altruismo
convivialidad
telemática
música
topic post-humanism
altruism
conviviality
telematics
music
pós-humanismo
altruísmo
convivialidade
telemática
música
posthumanismo
altruismo
convivialidad
telemática
música
description The actuality of a symbiosis between art and media, our object of study, presents itself in close relationship with the human aspect of ancient Greek reflection on art. In order to investigate the role of this relationship for contemporary understanding on possible social “places” of art, we relate the term μουσική τέχνη (mousikḗ tékhnē) to telematics, as described by Vilém Flusser, which means the consideration of otherness and altruism in aesthetic fruition. Thus, our methodology places music in front of the current post-humanist reflection, that discusses the social, political and ecological scope of a collective altruism, which we contextualize here in the symbolic aspect of music and in its fruition. Our conclusions include the discussion about the resort to a Greek heritage, the echoes of utilitarianism and the understanding of art as a collective and altruistic form of human interrelationship.
publishDate 2022
dc.date.none.fl_str_mv 2022-07-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39909
10.35699/2317-6377.2022.39909
url https://periodicos.ufmg.br/index.php/permusi/article/view/39909
identifier_str_mv 10.35699/2317-6377.2022.39909
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39909/37526
https://periodicos.ufmg.br/index.php/permusi/article/view/39909/37527
https://periodicos.ufmg.br/index.php/permusi/article/view/39909/30885
dc.rights.driver.fl_str_mv Copyright (c) 2022 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/html
text/xml
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 42 (2022): General Topics; 1-19
Per Musi; Núm. 42 (2022): General Topics; 1-19
Per Musi; n. 42 (2022): General Topics; 1-19
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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