"Life, Color, Warmth and Truth": Expressive timing in German late Romantic organ music

Detalhes bibliográficos
Autor(a) principal: Draginda, Yulia
Data de Publicação: 2021
Outros Autores: Fujinaga, Ichiro
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/26080
Resumo: This paper proposes a mathematical model for expressive timing in German late Romantic organ music based on Riemannian phrasing principles. The model is built following the symmetric hierarchical motivic scheme and then applied to the organ work of Max Reger. It was shown that music expressive content is carried by the model parameter defined as temporal elasticity. Along with the standard analytical and empirical evaluation, the model was also evaluated in terms of its naturalness. We found that the correlation between model and human performance is comparable with the correlation between distinct professional human interpretations.   
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spelling "Life, Color, Warmth and Truth": Expressive timing in German late Romantic organ music"Vida, color, calidez y verdad": Tiempo expresivo en la música de órgano del romanticismo tardío alemán"Vida, Cor, Calor e Verdade": Tempo Expressivo na Música de Órgão Romântica Tardia AlemãHugo RiemannMusic information retrievalExpressive timingOrgan performanceHugo RiemannRecuperação de informação musicalTempo expressivoPerformance musical de orgãoHugo RiemannRecuperación de la información musicalTiempo expresivoInterpretación de música de órganoThis paper proposes a mathematical model for expressive timing in German late Romantic organ music based on Riemannian phrasing principles. The model is built following the symmetric hierarchical motivic scheme and then applied to the organ work of Max Reger. It was shown that music expressive content is carried by the model parameter defined as temporal elasticity. Along with the standard analytical and empirical evaluation, the model was also evaluated in terms of its naturalness. We found that the correlation between model and human performance is comparable with the correlation between distinct professional human interpretations.   Este artículo propone un modelo matemático para el tiempo expresivo en la música de órgano del romanticismo tardío alemán, basado en los principios de fraseo de Riemann. El modelo se construye siguiendo el esquema de jerarquía motívica simétrica, y luego se aplica a la obra para órgano de Max Reger. Se ha demostrado que el contenido expresivo de la música se conserva en el modelo, esto a través de un parámetro denominado elasticidad temporal. Junto a las evaluaciones analíticas y empíricas convencionales, el modelo también ha sido evaluado por su naturalidad. Se ha encontrado que la correlación entre el modelo y la interpretación musical humana es comparable a la correlación entre diferentes interpretaciones profesionales de la obra.Este artigo propõe um modelo matemático para o tempo expressivo na música de órgão romântica tardia alemã, baseado nos princípios do fraseado de Riemann. O modelo é construído seguindo o esquema de hierarquia motívica simétrica e, em seguida, aplicado ao trabalho para órgão de Max Reger. Foi demonstrado que o conteúdo expressivo da música é preservado no modelo, isso por meio de um parâmetro denominado elasticidade temporal. Junto com as avaliações analíticas e empíricas convencionais, o modelo também foi avaliado quanto à sua naturalidade. A correlação entre o modelo e o desempenho musical humano é comparável à correlação entre diferentes performances profissionais da obra.Universidade Federal de Minas Gerais (UFMG)2021-06-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/2608010.35699/2317-6377.2020.26080Per Musi; No. 40 (2020): Thematic Session: Computing Performed Music; 1-17Per Musi; Núm. 40 (2020): Thematic Session: Computing Performed Music; 1-17Per Musi; n. 40 (2020): Thematic Session: Computing Performed Music; 1-172317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/26080/37645https://periodicos.ufmg.br/index.php/permusi/article/view/26080/27513Copyright (c) 2021 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDraginda, YuliaFujinaga, Ichiro2023-05-09T17:49:20Zoai:periodicos.ufmg.br:article/26080Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-05-09T17:49:20Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv "Life, Color, Warmth and Truth": Expressive timing in German late Romantic organ music
"Vida, color, calidez y verdad": Tiempo expresivo en la música de órgano del romanticismo tardío alemán
"Vida, Cor, Calor e Verdade": Tempo Expressivo na Música de Órgão Romântica Tardia Alemã
title "Life, Color, Warmth and Truth": Expressive timing in German late Romantic organ music
spellingShingle "Life, Color, Warmth and Truth": Expressive timing in German late Romantic organ music
Draginda, Yulia
Hugo Riemann
Music information retrieval
Expressive timing
Organ performance
Hugo Riemann
Recuperação de informação musical
Tempo expressivo
Performance musical de orgão
Hugo Riemann
Recuperación de la información musical
Tiempo expresivo
Interpretación de música de órgano
title_short "Life, Color, Warmth and Truth": Expressive timing in German late Romantic organ music
title_full "Life, Color, Warmth and Truth": Expressive timing in German late Romantic organ music
title_fullStr "Life, Color, Warmth and Truth": Expressive timing in German late Romantic organ music
title_full_unstemmed "Life, Color, Warmth and Truth": Expressive timing in German late Romantic organ music
title_sort "Life, Color, Warmth and Truth": Expressive timing in German late Romantic organ music
author Draginda, Yulia
author_facet Draginda, Yulia
Fujinaga, Ichiro
author_role author
author2 Fujinaga, Ichiro
author2_role author
dc.contributor.author.fl_str_mv Draginda, Yulia
Fujinaga, Ichiro
dc.subject.por.fl_str_mv Hugo Riemann
Music information retrieval
Expressive timing
Organ performance
Hugo Riemann
Recuperação de informação musical
Tempo expressivo
Performance musical de orgão
Hugo Riemann
Recuperación de la información musical
Tiempo expresivo
Interpretación de música de órgano
topic Hugo Riemann
Music information retrieval
Expressive timing
Organ performance
Hugo Riemann
Recuperação de informação musical
Tempo expressivo
Performance musical de orgão
Hugo Riemann
Recuperación de la información musical
Tiempo expresivo
Interpretación de música de órgano
description This paper proposes a mathematical model for expressive timing in German late Romantic organ music based on Riemannian phrasing principles. The model is built following the symmetric hierarchical motivic scheme and then applied to the organ work of Max Reger. It was shown that music expressive content is carried by the model parameter defined as temporal elasticity. Along with the standard analytical and empirical evaluation, the model was also evaluated in terms of its naturalness. We found that the correlation between model and human performance is comparable with the correlation between distinct professional human interpretations.   
publishDate 2021
dc.date.none.fl_str_mv 2021-06-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/26080
10.35699/2317-6377.2020.26080
url https://periodicos.ufmg.br/index.php/permusi/article/view/26080
identifier_str_mv 10.35699/2317-6377.2020.26080
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/26080/37645
https://periodicos.ufmg.br/index.php/permusi/article/view/26080/27513
dc.rights.driver.fl_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/xml
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 40 (2020): Thematic Session: Computing Performed Music; 1-17
Per Musi; Núm. 40 (2020): Thematic Session: Computing Performed Music; 1-17
Per Musi; n. 40 (2020): Thematic Session: Computing Performed Music; 1-17
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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