Can Ubimus Technologies affect our Musicality?

Detalhes bibliográficos
Autor(a) principal: Costalonga, Leandro
Data de Publicação: 2021
Outros Autores: Pimenta, Marcelo, Wanderley, Marcelo
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/25941
Resumo: Recent works recognize musicality is based on and constrained by our cognitive and biological system. Taking in account a concept from cognitive science - cognitive offloading - as a principle for technology-supported musical activities, in this paper we discuss some principles (guidelines) to be taken into account when designing, developing and evaluating computer music technologies, especially those related to ubimus. We think that Ubimus technology can shape the way we think about music and have a positive (or negative) influence on our musicality.
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spelling Can Ubimus Technologies affect our Musicality?¿Pueden las tecnologías UbiMus afectar nuestra musicalidad? Podem as tecnologias UbiMus afetar nossa musicalidade?Cognitive OffloadingMusicalityUbimus technologyCognitive offloadingMusicalidadeTecnologia UbimusDescarga cognitivaMusicalidadTecnología ubimus Recent works recognize musicality is based on and constrained by our cognitive and biological system. Taking in account a concept from cognitive science - cognitive offloading - as a principle for technology-supported musical activities, in this paper we discuss some principles (guidelines) to be taken into account when designing, developing and evaluating computer music technologies, especially those related to ubimus. We think that Ubimus technology can shape the way we think about music and have a positive (or negative) influence on our musicality. Los trabajos recientes reconocen que la musicalidad se basa y está restringida por nuestro sistema cognitivo y biológico. Teniendo en cuenta un concepto de las ciencias cognitivas, la descarga cognitiva, como principio para las actividades musicales apoyadas por la tecnología, en este trabajo discutimos algunas sugerencias (pautas) a tener en cuenta a la hora de diseñar, desarrollar y evaluar tecnologías de música por ordenador, especialmente las relacionadas a ubimus. Creemos que la tecnología Ubimus puede moldear nuestra forma de pensar sobre la música y tener una influencia positiva (o negativa) en nuestra musicalidad. Trabalhos recentes reconhecem que musicalidade é baseada e limitada pelo nosso sistema cognitivo e biológico. Levando em consideração um conceito originário da ciência cognitiva - cognitive offloading - como um princípio para atividades musicais suportadas por tecnologia, neste artigo discutimos alguns princípios (diretrizes) a serem levados em consideração ao projetar, desenvolver e avaliar tecnologias de música computacional, especialmente aquelas relacionadas a Ubimus. Pensamos que a tecnologia Ubimus pode moldar a maneira como pensamos sobre música e ter uma influência positiva (ou negativa) em nossa musicalidade. Universidade Federal de Minas Gerais (UFMG)2021-06-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/2594110.35699/2317-6377.2020.25941Per Musi; No. 40 (2020): Thematic Session: Computing Performed Music; 1-16Per Musi; Núm. 40 (2020): Thematic Session: Computing Performed Music; 1-16Per Musi; n. 40 (2020): Thematic Session: Computing Performed Music; 1-162317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGenghttps://periodicos.ufmg.br/index.php/permusi/article/view/25941/37653https://periodicos.ufmg.br/index.php/permusi/article/view/25941/27508Copyright (c) 2021 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCostalonga, LeandroPimenta, MarceloWanderley, Marcelo2023-05-05T19:42:01Zoai:periodicos.ufmg.br:article/25941Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-05-05T19:42:01Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Can Ubimus Technologies affect our Musicality?
¿Pueden las tecnologías UbiMus afectar nuestra musicalidad?
Podem as tecnologias UbiMus afetar nossa musicalidade?
title Can Ubimus Technologies affect our Musicality?
spellingShingle Can Ubimus Technologies affect our Musicality?
Costalonga, Leandro
Cognitive Offloading
Musicality
Ubimus technology
Cognitive offloading
Musicalidade
Tecnologia Ubimus
Descarga cognitiva
Musicalidad
Tecnología ubimus
title_short Can Ubimus Technologies affect our Musicality?
title_full Can Ubimus Technologies affect our Musicality?
title_fullStr Can Ubimus Technologies affect our Musicality?
title_full_unstemmed Can Ubimus Technologies affect our Musicality?
title_sort Can Ubimus Technologies affect our Musicality?
author Costalonga, Leandro
author_facet Costalonga, Leandro
Pimenta, Marcelo
Wanderley, Marcelo
author_role author
author2 Pimenta, Marcelo
Wanderley, Marcelo
author2_role author
author
dc.contributor.author.fl_str_mv Costalonga, Leandro
Pimenta, Marcelo
Wanderley, Marcelo
dc.subject.por.fl_str_mv Cognitive Offloading
Musicality
Ubimus technology
Cognitive offloading
Musicalidade
Tecnologia Ubimus
Descarga cognitiva
Musicalidad
Tecnología ubimus
topic Cognitive Offloading
Musicality
Ubimus technology
Cognitive offloading
Musicalidade
Tecnologia Ubimus
Descarga cognitiva
Musicalidad
Tecnología ubimus
description Recent works recognize musicality is based on and constrained by our cognitive and biological system. Taking in account a concept from cognitive science - cognitive offloading - as a principle for technology-supported musical activities, in this paper we discuss some principles (guidelines) to be taken into account when designing, developing and evaluating computer music technologies, especially those related to ubimus. We think that Ubimus technology can shape the way we think about music and have a positive (or negative) influence on our musicality.
publishDate 2021
dc.date.none.fl_str_mv 2021-06-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/25941
10.35699/2317-6377.2020.25941
url https://periodicos.ufmg.br/index.php/permusi/article/view/25941
identifier_str_mv 10.35699/2317-6377.2020.25941
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/25941/37653
https://periodicos.ufmg.br/index.php/permusi/article/view/25941/27508
dc.rights.driver.fl_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/xml
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 40 (2020): Thematic Session: Computing Performed Music; 1-16
Per Musi; Núm. 40 (2020): Thematic Session: Computing Performed Music; 1-16
Per Musi; n. 40 (2020): Thematic Session: Computing Performed Music; 1-16
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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