Schoenberg/Boulez: idea/system

Detalhes bibliográficos
Autor(a) principal: Loureiro, Eduardo Campolina Viana
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5211
Resumo: Two main texts have guided this study: New music, outmoded music, style and idea, written by Arnold SCHOENBERG (1977b) in 1946, and System and idea, written by Pierre BOULEZ (1986) in 1986. Firstly, the concept of ‘musical idea’ is dealt with in several of Schonberg’s texts. The concept is then confronted with an analysis of Schoenberg’s Prelude Op. 25 elaborated by Jack BOSS (2014). This analysis raises perception issues that lead to Boulez’s text. This last text is approached with a focus on the relation between the 'musical idea' and the 'system', in connection with the Second Viennese School, and then with his own aesthetics. This article works on how these two concepts are articulated in the reflections of these two composers, who greatly influenced the directions of the transformation of musical language in the 20th century, and who are clearly located in a line of connection and continuity.
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spelling Schoenberg/Boulez: idea/systemSchoenberg/Boulez: ideia/sistemasystem in Arnold Schoenbergsystem in Pierre Boulezmusical idea and compositionSchoenberg’s Prelude Op. 25sistema em Arnold Schoenbergsistema em Pierre Boulezideia musical e composiçãoPrelúdio do Op. 25 de SchoenbergTwo main texts have guided this study: New music, outmoded music, style and idea, written by Arnold SCHOENBERG (1977b) in 1946, and System and idea, written by Pierre BOULEZ (1986) in 1986. Firstly, the concept of ‘musical idea’ is dealt with in several of Schonberg’s texts. The concept is then confronted with an analysis of Schoenberg’s Prelude Op. 25 elaborated by Jack BOSS (2014). This analysis raises perception issues that lead to Boulez’s text. This last text is approached with a focus on the relation between the 'musical idea' and the 'system', in connection with the Second Viennese School, and then with his own aesthetics. This article works on how these two concepts are articulated in the reflections of these two composers, who greatly influenced the directions of the transformation of musical language in the 20th century, and who are clearly located in a line of connection and continuity.Dois textos principais orientam o presente estudo: A música nova, a música demodée, o estilo e a ideia, escrito por Arnold SCHOENBERG (1977b) em 1946, e O sistema e a ideia, escrito por Pierre BOULEZ (1986) em 1986. Inicialmente é trabalhado o conceito de ‘ideia musical’ em diversos textos de Schoenberg. O conceito é então confrontado com uma análise de seu Prelúdio do Op. 25, elaborada por Jack BOSS (2014). Essa análise levanta a problemática da percepção, conduzindo à discussão do texto de Boulez. Esse último é trabalhado na relação da ‘ideia musical’ com o ‘sistema’, inicialmente em conexão com a segunda Escola de Viena e em seguida com sua própria estética. Procura‐se compreender como se articulam esses dois conceitos nas reflexões dos dois compositores, que muito influenciaram a transformação da linguagem musical no século XX, e que se situam em uma linha evidente de conexão e continuidade.Universidade Federal de Minas Gerais (UFMG)2018-05-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/521110.1590/permusi20163302Per Musi; No. 33 (2016): General TopicsPer Musi; Núm. 33 (2016): General TopicsPer Musi; n. 33 (2016): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5211/3236Loureiro, Eduardo Campolina Vianainfo:eu-repo/semantics/openAccess2020-01-23T19:14:08Zoai:periodicos.ufmg.br:article/5211Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-01-23T19:14:08Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Schoenberg/Boulez: idea/system
Schoenberg/Boulez: ideia/sistema
title Schoenberg/Boulez: idea/system
spellingShingle Schoenberg/Boulez: idea/system
Loureiro, Eduardo Campolina Viana
system in Arnold Schoenberg
system in Pierre Boulez
musical idea and composition
Schoenberg’s Prelude Op. 25
sistema em Arnold Schoenberg
sistema em Pierre Boulez
ideia musical e composição
Prelúdio do Op. 25 de Schoenberg
title_short Schoenberg/Boulez: idea/system
title_full Schoenberg/Boulez: idea/system
title_fullStr Schoenberg/Boulez: idea/system
title_full_unstemmed Schoenberg/Boulez: idea/system
title_sort Schoenberg/Boulez: idea/system
author Loureiro, Eduardo Campolina Viana
author_facet Loureiro, Eduardo Campolina Viana
author_role author
dc.contributor.author.fl_str_mv Loureiro, Eduardo Campolina Viana
dc.subject.por.fl_str_mv system in Arnold Schoenberg
system in Pierre Boulez
musical idea and composition
Schoenberg’s Prelude Op. 25
sistema em Arnold Schoenberg
sistema em Pierre Boulez
ideia musical e composição
Prelúdio do Op. 25 de Schoenberg
topic system in Arnold Schoenberg
system in Pierre Boulez
musical idea and composition
Schoenberg’s Prelude Op. 25
sistema em Arnold Schoenberg
sistema em Pierre Boulez
ideia musical e composição
Prelúdio do Op. 25 de Schoenberg
description Two main texts have guided this study: New music, outmoded music, style and idea, written by Arnold SCHOENBERG (1977b) in 1946, and System and idea, written by Pierre BOULEZ (1986) in 1986. Firstly, the concept of ‘musical idea’ is dealt with in several of Schonberg’s texts. The concept is then confronted with an analysis of Schoenberg’s Prelude Op. 25 elaborated by Jack BOSS (2014). This analysis raises perception issues that lead to Boulez’s text. This last text is approached with a focus on the relation between the 'musical idea' and the 'system', in connection with the Second Viennese School, and then with his own aesthetics. This article works on how these two concepts are articulated in the reflections of these two composers, who greatly influenced the directions of the transformation of musical language in the 20th century, and who are clearly located in a line of connection and continuity.
publishDate 2018
dc.date.none.fl_str_mv 2018-05-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5211
10.1590/permusi20163302
url https://periodicos.ufmg.br/index.php/permusi/article/view/5211
identifier_str_mv 10.1590/permusi20163302
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5211/3236
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 33 (2016): General Topics
Per Musi; Núm. 33 (2016): General Topics
Per Musi; n. 33 (2016): General Topics
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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