Ernesto Nazareth and the waltz from Radamés Gnattali’s Suíte Retratos

Detalhes bibliográficos
Autor(a) principal: Lima, Luciano Chagas
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/42548
Resumo: Written in 1956 by Brazilian composer Radamés Gnattali (1906-1988) for solo mandolin, choro ensemble and strings orchestra, Retratos (namely, Portraits in Portuguese) is a four movement suite that pays homage to some of the most significant personalities in the history of Brazilian popular music: Pixinguinha, Ernesto Nazareth, Anacleto de Medeiros and Chiquinha Gonzaga. What shapes and supports the suite’s narrative is the idea that the movements represent musical portraits of these composers. The focus of this study is the suite’s second movement, the waltz, observing how it is related to its respective model, the waltz Expansiva by Ernesto Nazareth (1863-1934). In order to illustrate this parallel, a more comparative than formal analysis will be provided, in an attempt to expand the view from the historical context to musical facts, drawing special attention to all cross-references present in the work.
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spelling Ernesto Nazareth and the waltz from Radamés Gnattali’s Suíte RetratosErnesto Nazareth y el vals de la Suite Retratos de Radamés GnattaliErnesto Nazareth e a valsa da Suíte Retratos de Radamés GnattaliRadamés GnattaliErnesto NazarethValsRetratosExpansivoRadamés GnattaliErnesto NazarethValsaRetratosExpansivaRadamés GnattaliErnesto NazarethWaltzRetratosExpansivaWritten in 1956 by Brazilian composer Radamés Gnattali (1906-1988) for solo mandolin, choro ensemble and strings orchestra, Retratos (namely, Portraits in Portuguese) is a four movement suite that pays homage to some of the most significant personalities in the history of Brazilian popular music: Pixinguinha, Ernesto Nazareth, Anacleto de Medeiros and Chiquinha Gonzaga. What shapes and supports the suite’s narrative is the idea that the movements represent musical portraits of these composers. The focus of this study is the suite’s second movement, the waltz, observing how it is related to its respective model, the waltz Expansiva by Ernesto Nazareth (1863-1934). In order to illustrate this parallel, a more comparative than formal analysis will be provided, in an attempt to expand the view from the historical context to musical facts, drawing special attention to all cross-references present in the work.Compuesta por Radamés Gnattali (1906-1988) en 1956 para mandolina solista, conjunto de choro y orquesta de cuerda, Retratos es una suite en cuatro movimientos que rinde homenaje a algunas de las personalidades más expresivas del panorama de la música popular brasileña: Pixinguinha, Ernesto Nazareth, Anacleto de Medeiros y Chiquinha. Gonzaga. Este estudio se centra en la el segundo movimiento de la suite, el vals, observando cómo se relaciona con su modelo respectivo, el vals Expan siva de Ernesto Nazaret (1863-1934). Para ilustrar el paralelismo, se presentará un análisis más comparativo que formal, tratando de Se presentará un análisis para ilustrar el paralelismo, tratando de ampliar la visión del contexto histórico con pruebas musicales, centrándose principalmente en el elementos comunes a ambas piezas.Composta por Radamés Gnattali (1906-1988) em 1956 para bandolim solista, conjunto de choro e orquestra de cordas, Retratos é uma suíte em quatro movimentos onde são homenageadas algumas das mais expressivas personalidades do cenário da música popular brasileira: Pixinguinha, Ernesto Nazareth, Anacleto de Medeiros e Chiquinha Gonzaga. O que dá forma e sustenta a narrativa da obra é a ideia de que os movimentos constituem retratos musicais destes compositores. Este estudo tem como foco o segundo movimento da suíte, a valsa, observando como está relacionado ao seu respectivo modelo, a valsa Expansiva de Ernesto Nazareth (1863-1934). Para ilustrar o paralelo será apresentada uma análise mais comparativa do que formal, procurando ampliar a visão do contexto histórico com evidências musicais, concentrando-se principalmente nos elementos comuns a ambas as peças.Universidade Federal de Minas Gerais (UFMG)2011-01-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/42548Per Musi; No. 23 (2011): General Topics; 1-11Per Musi; Núm. 23 (2011): General Topics; 1-11Per Musi; n. 23 (2011): General Topics; 1-112317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/42548/32391http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLima, Luciano Chagas2023-01-25T11:56:04Zoai:periodicos.ufmg.br:article/42548Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-01-25T11:56:04Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Ernesto Nazareth and the waltz from Radamés Gnattali’s Suíte Retratos
Ernesto Nazareth y el vals de la Suite Retratos de Radamés Gnattali
Ernesto Nazareth e a valsa da Suíte Retratos de Radamés Gnattali
title Ernesto Nazareth and the waltz from Radamés Gnattali’s Suíte Retratos
spellingShingle Ernesto Nazareth and the waltz from Radamés Gnattali’s Suíte Retratos
Lima, Luciano Chagas
Radamés Gnattali
Ernesto Nazareth
Vals
Retratos
Expansivo
Radamés Gnattali
Ernesto Nazareth
Valsa
Retratos
Expansiva
Radamés Gnattali
Ernesto Nazareth
Waltz
Retratos
Expansiva
title_short Ernesto Nazareth and the waltz from Radamés Gnattali’s Suíte Retratos
title_full Ernesto Nazareth and the waltz from Radamés Gnattali’s Suíte Retratos
title_fullStr Ernesto Nazareth and the waltz from Radamés Gnattali’s Suíte Retratos
title_full_unstemmed Ernesto Nazareth and the waltz from Radamés Gnattali’s Suíte Retratos
title_sort Ernesto Nazareth and the waltz from Radamés Gnattali’s Suíte Retratos
author Lima, Luciano Chagas
author_facet Lima, Luciano Chagas
author_role author
dc.contributor.author.fl_str_mv Lima, Luciano Chagas
dc.subject.por.fl_str_mv Radamés Gnattali
Ernesto Nazareth
Vals
Retratos
Expansivo
Radamés Gnattali
Ernesto Nazareth
Valsa
Retratos
Expansiva
Radamés Gnattali
Ernesto Nazareth
Waltz
Retratos
Expansiva
topic Radamés Gnattali
Ernesto Nazareth
Vals
Retratos
Expansivo
Radamés Gnattali
Ernesto Nazareth
Valsa
Retratos
Expansiva
Radamés Gnattali
Ernesto Nazareth
Waltz
Retratos
Expansiva
description Written in 1956 by Brazilian composer Radamés Gnattali (1906-1988) for solo mandolin, choro ensemble and strings orchestra, Retratos (namely, Portraits in Portuguese) is a four movement suite that pays homage to some of the most significant personalities in the history of Brazilian popular music: Pixinguinha, Ernesto Nazareth, Anacleto de Medeiros and Chiquinha Gonzaga. What shapes and supports the suite’s narrative is the idea that the movements represent musical portraits of these composers. The focus of this study is the suite’s second movement, the waltz, observing how it is related to its respective model, the waltz Expansiva by Ernesto Nazareth (1863-1934). In order to illustrate this parallel, a more comparative than formal analysis will be provided, in an attempt to expand the view from the historical context to musical facts, drawing special attention to all cross-references present in the work.
publishDate 2011
dc.date.none.fl_str_mv 2011-01-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/42548
url https://periodicos.ufmg.br/index.php/permusi/article/view/42548
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/42548/32391
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 23 (2011): General Topics; 1-11
Per Musi; Núm. 23 (2011): General Topics; 1-11
Per Musi; n. 23 (2011): General Topics; 1-11
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
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instname_str Universidade Federal de Minas Gerais (UFMG)
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reponame_str Per Musi
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repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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