Extending right-hand guitar technique: a study on repetition by sliding
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
DOI: | 10.35699/2317-6377.2021.26949 |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/26949 |
Resumo: | Considering the instrumental technique an organism in constant transformation, gradually encompassing extended techniques and converting them into traditional ones, this article investigates repetition by sliding, a resource of the guitar technique in which a right-hand finger attacks a string and in the same movement, subsequently, attacks the adjacent string. The analyses and discussions are based on the few texts that mention the resource and on examples from the didactic and concert guitar repertoire. Four situations are exposed in which repetition by sliding is found in the references: arpeggios of various strings, melodic arpeggios, scales and ornaments; finally, two situations of application of the resource that are absent in the bibliography are presented: contrast between voices and rapid movements on adjacent strings. |
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Extending right-hand guitar technique: a study on repetition by slidingAmpliación de la técnica de la mano derecha de la guitarra: un estudio sobre la repetición por deslizamientoAmpliação da técnica violonística de mão direita: um estudo sobre a repetição por deslizamentoMusical performanceExtended techniquesGuitar techniqueRepetition by slidingGuitarPerformance musicalTécnicas estendidasTécnica violonísticaRepetição por deslizamentoViolãoPerformance musicalTecnicas estendidasTecnica de guitarraRepetición del deslizamientoGuitarraConsidering the instrumental technique an organism in constant transformation, gradually encompassing extended techniques and converting them into traditional ones, this article investigates repetition by sliding, a resource of the guitar technique in which a right-hand finger attacks a string and in the same movement, subsequently, attacks the adjacent string. The analyses and discussions are based on the few texts that mention the resource and on examples from the didactic and concert guitar repertoire. Four situations are exposed in which repetition by sliding is found in the references: arpeggios of various strings, melodic arpeggios, scales and ornaments; finally, two situations of application of the resource that are absent in the bibliography are presented: contrast between voices and rapid movements on adjacent strings.Considerando la técnica instrumental un organismo en constante transformación, que abarca gradualmente técnicas extendidas y las convierte en tradicionales, este artículo investiga la repetición por deslizamiento, un recurso de la técnica guitarrística en el que un dedo de la mano derecha ataca una cuerda y en el mismo movimiento, posteriormente, ataca la cuerda adyacente. Los análisis y discusiones se basan en los pocos textos que mencionan el recurso y en ejemplos del repertorio didáctico y de concierto de la guitarra. Se exponen cuatro situaciones en las que se encuentra la repetición por deslizamiento en las referencias: arpegios de varias cuerdas, arpegios melódicos, escalas y ornamentos; finalmente, se presentan dos situaciones de aplicación del recurso que están ausentes en la bibliografía: el contraste entre voces y los movimientos rápidos sobre cuerdas adyacentes.Considerando a técnica instrumental um organismo em constantes transformações, abrangendo pouco a pouco técnicas estendidas e convertendo-as em tradicionais, o presente artigo investiga a repetição por deslizamento, recurso da técnica violonística na qual um dedo da mão direita ataca uma corda e no mesmo movimento, subsequentemente, ataca a corda adjacente. As análises e discussões são embasadas nos poucos textos que mencionam o recurso e em exemplos do repertório violonístico didático e de concerto. São expostas quatro situações na qual a repetição por deslizamento é encontrada nas referências: arpejos de várias cordas, arpejos melódicos, escalas e ornamentos; por fim, são apresentadas duas situações de aplicação do recurso ausentes na bibliografia: contraste entre vozes e movimentos rápidos em cordas adjacentes.Universidade Federal de Minas Gerais (UFMG)2021-07-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextTextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/2694910.35699/2317-6377.2021.26949Per Musi; No. 41 (2021): General Topics; 1-17Per Musi; Núm. 41 (2021): General Topics; 1-17Per Musi; n. 41 (2021): General Topics; 1-172317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/26949/37570https://periodicos.ufmg.br/index.php/permusi/article/view/26949/37571https://periodicos.ufmg.br/index.php/permusi/article/view/26949/27630Copyright (c) 2021 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMadeira, Bruno2023-05-03T19:32:23Zoai:periodicos.ufmg.br:article/26949Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-05-03T19:32:23Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Extending right-hand guitar technique: a study on repetition by sliding Ampliación de la técnica de la mano derecha de la guitarra: un estudio sobre la repetición por deslizamiento Ampliação da técnica violonística de mão direita: um estudo sobre a repetição por deslizamento |
title |
Extending right-hand guitar technique: a study on repetition by sliding |
spellingShingle |
Extending right-hand guitar technique: a study on repetition by sliding Extending right-hand guitar technique: a study on repetition by sliding Madeira, Bruno Musical performance Extended techniques Guitar technique Repetition by sliding Guitar Performance musical Técnicas estendidas Técnica violonística Repetição por deslizamento Violão Performance musical Tecnicas estendidas Tecnica de guitarra Repetición del deslizamiento Guitarra Madeira, Bruno Musical performance Extended techniques Guitar technique Repetition by sliding Guitar Performance musical Técnicas estendidas Técnica violonística Repetição por deslizamento Violão Performance musical Tecnicas estendidas Tecnica de guitarra Repetición del deslizamiento Guitarra |
title_short |
Extending right-hand guitar technique: a study on repetition by sliding |
title_full |
Extending right-hand guitar technique: a study on repetition by sliding |
title_fullStr |
Extending right-hand guitar technique: a study on repetition by sliding Extending right-hand guitar technique: a study on repetition by sliding |
title_full_unstemmed |
Extending right-hand guitar technique: a study on repetition by sliding Extending right-hand guitar technique: a study on repetition by sliding |
title_sort |
Extending right-hand guitar technique: a study on repetition by sliding |
author |
Madeira, Bruno |
author_facet |
Madeira, Bruno Madeira, Bruno |
author_role |
author |
dc.contributor.author.fl_str_mv |
Madeira, Bruno |
dc.subject.por.fl_str_mv |
Musical performance Extended techniques Guitar technique Repetition by sliding Guitar Performance musical Técnicas estendidas Técnica violonística Repetição por deslizamento Violão Performance musical Tecnicas estendidas Tecnica de guitarra Repetición del deslizamiento Guitarra |
topic |
Musical performance Extended techniques Guitar technique Repetition by sliding Guitar Performance musical Técnicas estendidas Técnica violonística Repetição por deslizamento Violão Performance musical Tecnicas estendidas Tecnica de guitarra Repetición del deslizamiento Guitarra |
description |
Considering the instrumental technique an organism in constant transformation, gradually encompassing extended techniques and converting them into traditional ones, this article investigates repetition by sliding, a resource of the guitar technique in which a right-hand finger attacks a string and in the same movement, subsequently, attacks the adjacent string. The analyses and discussions are based on the few texts that mention the resource and on examples from the didactic and concert guitar repertoire. Four situations are exposed in which repetition by sliding is found in the references: arpeggios of various strings, melodic arpeggios, scales and ornaments; finally, two situations of application of the resource that are absent in the bibliography are presented: contrast between voices and rapid movements on adjacent strings. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-07-04 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text Text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/26949 10.35699/2317-6377.2021.26949 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/26949 |
identifier_str_mv |
10.35699/2317-6377.2021.26949 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/26949/37570 https://periodicos.ufmg.br/index.php/permusi/article/view/26949/37571 https://periodicos.ufmg.br/index.php/permusi/article/view/26949/27630 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Per Musi http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Per Musi http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
text/html text/xml application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 41 (2021): General Topics; 1-17 Per Musi; Núm. 41 (2021): General Topics; 1-17 Per Musi; n. 41 (2021): General Topics; 1-17 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1822183033639272448 |
dc.identifier.doi.none.fl_str_mv |
10.35699/2317-6377.2021.26949 |