Postmodern characteristics in the work Rimsky by Brazilian composer Gilberto Mendes

Detalhes bibliográficos
Autor(a) principal: Peres, Vera Lúcia Rocha Pedron
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/44473
Resumo: Postmodernism in music still needs criteria to facilitate its understanding, such as traits like fragmentation, discontinuity, quotation, juxtaposition of styles and pluralism. This study aims at demonstrating the postmodern characteristics in the work Rimsky by Brazilian composer Gilberto Mendes by means of analysing its existing references and having in mind the procedures that organize postmodern assumptions and musical compositions. Besides the identification of paradigmatic elements, and in order to surpass a simply inductive approach (restrictive because of its synchronic nature), it tries to connect the work to modernism (in both criticism and extended fields), emphasizing its differences in syntax, epistemology and ideology. The conceptual limits that make it closer and apart from modernism are discussed as an attempt to contribute to the reflection about the art today.
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spelling Postmodern characteristics in the work Rimsky by Brazilian composer Gilberto MendesLas características posmodernas de la obra Rimsky de Gilberto MendesAs características pós-modernas na obra Rimsky de Gilberto MendesGilberto MendesRimskyQuintetPostmodernismMusical syntaxMusical discontinuityMusical pluralismMusical fragmentationMusical quotationGilberto MendesRimskyQuintetoPós-modernismoSintaxe musicalDescontinuidade musicalPluralismo musicalFragmentação musicalCitação musicalGilberto MendesRimskyQuintetoPostmodernismoSintaxis musicalDiscontinuidad musicalPluralismo musicalFragmentación musicalCita musicalPostmodernism in music still needs criteria to facilitate its understanding, such as traits like fragmentation, discontinuity, quotation, juxtaposition of styles and pluralism. This study aims at demonstrating the postmodern characteristics in the work Rimsky by Brazilian composer Gilberto Mendes by means of analysing its existing references and having in mind the procedures that organize postmodern assumptions and musical compositions. Besides the identification of paradigmatic elements, and in order to surpass a simply inductive approach (restrictive because of its synchronic nature), it tries to connect the work to modernism (in both criticism and extended fields), emphasizing its differences in syntax, epistemology and ideology. The conceptual limits that make it closer and apart from modernism are discussed as an attempt to contribute to the reflection about the art today.El posmodernismo en la música sigue buscando criterios que permitan su comprensión, entre ellos rasgos como la fragmentación, la discontinuidad, la citación, la yuxtaposición de estilos y el pluralismo. El presente estudio tiene como objetivo demostrar las características posmodernas en la obra Rimsky de Gilberto Mendes a través del análisis de sus referencias existentes, teniendo en cuenta los procedimientos que guían las composiciones y los supuestos posmodernos. Además de la identificación de elementos paradigmáticos, y para ir más allá de un enfoque inductivo (limitante, porque sincrónico), buscamos identificar la obra en relación con la modernidad. la obra en relación con el modernismo (de crítica y extensión), destacando sus diferencias sintácticas epistemología e ideología. Se abordan los límites conceptuales cercanos y lejanos del modernismo tratando de contribuir a la reflexión sobre el arte actual.O pós-modernismo na música ainda busca critérios que permitam sua compreensão, entre eles traços como fragmentação, descontinuidade, citação, justaposição de estilos e pluralismo. O presente estudo visa demonstrar as características pós-modernas na obra Rimsky de Gilberto Mendes por meio da análise de suas referências existentes, tendo em vista os procedimentos que norteiam as composições e os pressupostos pós-modernos. Além da identificação dos elementos paradigmáticos, e para ir além de uma abordagem indutiva (limitante, porque sincrônica), busca-se a identificação da obra em relação ao modernismo (de crítica e de extensão), enfatizando suas diferenças constatadas na sintaxe, na epistemologia e na ideologia. São abordados os limites conceituais que se aproximam e se distanciam do modernismo buscando contribuir na reflexão da arte na atualidade.Universidade Federal de Minas Gerais (UFMG)2010-07-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/44473Per Musi; No. 22 (2010): General Topics; 1-20Per Musi; Núm. 22 (2010): General Topics; 1-20Per Musi; n. 22 (2010): General Topics; 1-202317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/44473/36447http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessPeres, Vera Lúcia Rocha Pedron2023-03-10T21:39:46Zoai:periodicos.ufmg.br:article/44473Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-03-10T21:39:46Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Postmodern characteristics in the work Rimsky by Brazilian composer Gilberto Mendes
Las características posmodernas de la obra Rimsky de Gilberto Mendes
As características pós-modernas na obra Rimsky de Gilberto Mendes
title Postmodern characteristics in the work Rimsky by Brazilian composer Gilberto Mendes
spellingShingle Postmodern characteristics in the work Rimsky by Brazilian composer Gilberto Mendes
Peres, Vera Lúcia Rocha Pedron
Gilberto Mendes
Rimsky
Quintet
Postmodernism
Musical syntax
Musical discontinuity
Musical pluralism
Musical fragmentation
Musical quotation
Gilberto Mendes
Rimsky
Quinteto
Pós-modernismo
Sintaxe musical
Descontinuidade musical
Pluralismo musical
Fragmentação musical
Citação musical
Gilberto Mendes
Rimsky
Quinteto
Postmodernismo
Sintaxis musical
Discontinuidad musical
Pluralismo musical
Fragmentación musical
Cita musical
title_short Postmodern characteristics in the work Rimsky by Brazilian composer Gilberto Mendes
title_full Postmodern characteristics in the work Rimsky by Brazilian composer Gilberto Mendes
title_fullStr Postmodern characteristics in the work Rimsky by Brazilian composer Gilberto Mendes
title_full_unstemmed Postmodern characteristics in the work Rimsky by Brazilian composer Gilberto Mendes
title_sort Postmodern characteristics in the work Rimsky by Brazilian composer Gilberto Mendes
author Peres, Vera Lúcia Rocha Pedron
author_facet Peres, Vera Lúcia Rocha Pedron
author_role author
dc.contributor.author.fl_str_mv Peres, Vera Lúcia Rocha Pedron
dc.subject.por.fl_str_mv Gilberto Mendes
Rimsky
Quintet
Postmodernism
Musical syntax
Musical discontinuity
Musical pluralism
Musical fragmentation
Musical quotation
Gilberto Mendes
Rimsky
Quinteto
Pós-modernismo
Sintaxe musical
Descontinuidade musical
Pluralismo musical
Fragmentação musical
Citação musical
Gilberto Mendes
Rimsky
Quinteto
Postmodernismo
Sintaxis musical
Discontinuidad musical
Pluralismo musical
Fragmentación musical
Cita musical
topic Gilberto Mendes
Rimsky
Quintet
Postmodernism
Musical syntax
Musical discontinuity
Musical pluralism
Musical fragmentation
Musical quotation
Gilberto Mendes
Rimsky
Quinteto
Pós-modernismo
Sintaxe musical
Descontinuidade musical
Pluralismo musical
Fragmentação musical
Citação musical
Gilberto Mendes
Rimsky
Quinteto
Postmodernismo
Sintaxis musical
Discontinuidad musical
Pluralismo musical
Fragmentación musical
Cita musical
description Postmodernism in music still needs criteria to facilitate its understanding, such as traits like fragmentation, discontinuity, quotation, juxtaposition of styles and pluralism. This study aims at demonstrating the postmodern characteristics in the work Rimsky by Brazilian composer Gilberto Mendes by means of analysing its existing references and having in mind the procedures that organize postmodern assumptions and musical compositions. Besides the identification of paradigmatic elements, and in order to surpass a simply inductive approach (restrictive because of its synchronic nature), it tries to connect the work to modernism (in both criticism and extended fields), emphasizing its differences in syntax, epistemology and ideology. The conceptual limits that make it closer and apart from modernism are discussed as an attempt to contribute to the reflection about the art today.
publishDate 2010
dc.date.none.fl_str_mv 2010-07-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
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dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/44473
url https://periodicos.ufmg.br/index.php/permusi/article/view/44473
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/44473/36447
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 22 (2010): General Topics; 1-20
Per Musi; Núm. 22 (2010): General Topics; 1-20
Per Musi; n. 22 (2010): General Topics; 1-20
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
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repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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