The Plague, a Metal Monster, and the Wonder of Wanda: In Pursuit of the Performance Style

Detalhes bibliográficos
Autor(a) principal: Kjar, David
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/40437
Resumo: The claim of having achieved “authenticity” in performance has today almost disappeared without a trace. However, Richard Taruskin’s efforts to disprove the premise through a series of articles in the 1980s still beg important questions, such as exactly what are the origins of the early music movement’s performance style and which performers had a role in its transmission? Taruskin contends that Stravinsky transmitted the “geometrical,” or modernist, Bach to the musical world, and that Stravinsky might have learned it from Wanda Landowska. It recognizes and advocates for the contributions made by Landowska before the advent of the “authenticity” era.
id UFMG-3_75282b47602efa91a1be314ccb969c1f
oai_identifier_str oai:periodicos.ufmg.br:article/40437
network_acronym_str UFMG-3
network_name_str Per Musi
repository_id_str
spelling The Plague, a Metal Monster, and the Wonder of Wanda: In Pursuit of the Performance StyleLa peste, el monstruo de metal y la maravilla de Wanda: en busca del estilo de actuaciónA praga, o monstro de metal e a maravilha de Wanda: em busca do estilo de performanceHistorical PerformanceEarly MusicAuthenticityPerformance PracticeLandowskaKleczyńskiPerformance históricaMúsica antigaAutenticidadePrática de performanceLandowskaKleczyńskiInterpretación históricaMúsica antiguaAutenticidadPráctica interpretativaLandowskaKleczyńskiThe claim of having achieved “authenticity” in performance has today almost disappeared without a trace. However, Richard Taruskin’s efforts to disprove the premise through a series of articles in the 1980s still beg important questions, such as exactly what are the origins of the early music movement’s performance style and which performers had a role in its transmission? Taruskin contends that Stravinsky transmitted the “geometrical,” or modernist, Bach to the musical world, and that Stravinsky might have learned it from Wanda Landowska. It recognizes and advocates for the contributions made by Landowska before the advent of the “authenticity” era.La defensa de una actuación "auténtica" ha desaparecido casi sin dejar rastro. Sin embargo, los esfuerzos de Richard Taruskin por rebatir el concepto en la década de 1980 siguen provocando muchas preguntas importantes, como cuáles son las raíces del estilo de interpretación de la música antigua y qué intérpretes desempeñaron un papel en su transmisión. Taruskin sostiene que Stravinsky transmitió el Bach "geométrico" o modernista al mundo musical y que Stravinsky podría haberlo aprendido de Wanda Landowska. Este artículo reevalúa las aportaciones de Landowska antes de la llegada de la era de la "autenticidad".A defesa por uma performance “autêntica” quase desapareceu sem deixar traços. No entanto, os esforços de Richard Taruskin para contestar o conceito nos anos 80 ainda provoca muitas questões importantes, como o que são as raízes do estilo de performance de música antiga e quais intérpretes tiveram um papel em sua transmissão. Taruskin argumenta que Stravinsky transmitiu o Bach “geométrico”, ou modernista ao mundo musical e que Stravinsky poderia tê-lo aprendido de Wanda Landowska. Este artigo reavalia as contribuições feitas por Landowska antes do advento da era da “autenticidade”.Universidade Federal de Minas Gerais (UFMG)2011-07-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/40437Per Musi; No. 24 (2011): General Topics; 1-22Per Musi; Núm. 24 (2011): General Topics; 1-22Per Musi; n. 24 (2011): General Topics; 1-222317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/40437/30887http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessKjar, David2022-08-31T22:02:09Zoai:periodicos.ufmg.br:article/40437Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-08-31T22:02:09Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The Plague, a Metal Monster, and the Wonder of Wanda: In Pursuit of the Performance Style
La peste, el monstruo de metal y la maravilla de Wanda: en busca del estilo de actuación
A praga, o monstro de metal e a maravilha de Wanda: em busca do estilo de performance
title The Plague, a Metal Monster, and the Wonder of Wanda: In Pursuit of the Performance Style
spellingShingle The Plague, a Metal Monster, and the Wonder of Wanda: In Pursuit of the Performance Style
Kjar, David
Historical Performance
Early Music
Authenticity
Performance Practice
Landowska
Kleczyński
Performance histórica
Música antiga
Autenticidade
Prática de performance
Landowska
Kleczyński
Interpretación histórica
Música antigua
Autenticidad
Práctica interpretativa
Landowska
Kleczyński
title_short The Plague, a Metal Monster, and the Wonder of Wanda: In Pursuit of the Performance Style
title_full The Plague, a Metal Monster, and the Wonder of Wanda: In Pursuit of the Performance Style
title_fullStr The Plague, a Metal Monster, and the Wonder of Wanda: In Pursuit of the Performance Style
title_full_unstemmed The Plague, a Metal Monster, and the Wonder of Wanda: In Pursuit of the Performance Style
title_sort The Plague, a Metal Monster, and the Wonder of Wanda: In Pursuit of the Performance Style
author Kjar, David
author_facet Kjar, David
author_role author
dc.contributor.author.fl_str_mv Kjar, David
dc.subject.por.fl_str_mv Historical Performance
Early Music
Authenticity
Performance Practice
Landowska
Kleczyński
Performance histórica
Música antiga
Autenticidade
Prática de performance
Landowska
Kleczyński
Interpretación histórica
Música antigua
Autenticidad
Práctica interpretativa
Landowska
Kleczyński
topic Historical Performance
Early Music
Authenticity
Performance Practice
Landowska
Kleczyński
Performance histórica
Música antiga
Autenticidade
Prática de performance
Landowska
Kleczyński
Interpretación histórica
Música antigua
Autenticidad
Práctica interpretativa
Landowska
Kleczyński
description The claim of having achieved “authenticity” in performance has today almost disappeared without a trace. However, Richard Taruskin’s efforts to disprove the premise through a series of articles in the 1980s still beg important questions, such as exactly what are the origins of the early music movement’s performance style and which performers had a role in its transmission? Taruskin contends that Stravinsky transmitted the “geometrical,” or modernist, Bach to the musical world, and that Stravinsky might have learned it from Wanda Landowska. It recognizes and advocates for the contributions made by Landowska before the advent of the “authenticity” era.
publishDate 2011
dc.date.none.fl_str_mv 2011-07-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/40437
url https://periodicos.ufmg.br/index.php/permusi/article/view/40437
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/40437/30887
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 24 (2011): General Topics; 1-22
Per Musi; Núm. 24 (2011): General Topics; 1-22
Per Musi; n. 24 (2011): General Topics; 1-22
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
_version_ 1799711237180751872

Registros relacionados