Body postural evaluation of violinists and violists

Detalhes bibliográficos
Autor(a) principal: Teixeira, Clarissa Stefani
Data de Publicação: 2012
Outros Autores: Kothe, Fausto, Pereira, Érico Felden, Merino, Eugenio Andrés Díaz
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/39989
Resumo: For the instrumental practice there are accessories needs, as the musical score and shelf. The objective this study was to evaluate the visual distance, the visual angle, the height of the musical scores and cervical angle in 11 string musicians (violin and viola). The results went of 100.23±5.46 cm to the height of the musical score, 89.36±8.22 cm for the visual distance, 9.23±0.79° for the visual angle and 49.86±5.71° for the cervical angle. Only the cervical angle was out of the recommended patterns (maximum indication 30°) and should be analyzed in greater depth in future studies. 
id UFMG-3_7a349052b664bf94fd9f385a918b36a4
oai_identifier_str oai:periodicos.ufmg.br:article/39989
network_acronym_str UFMG-3
network_name_str Per Musi
repository_id_str
spelling Body postural evaluation of violinists and violistsEvaluación de la postura corporal de violinistas y violistasAvaliação da postura corporal de violinistas e violistasErgonomicWork situationMusiciansErgonomiaSituação de trabalhoMúsicosErgonomíaSituación laboralMúsicosFor the instrumental practice there are accessories needs, as the musical score and shelf. The objective this study was to evaluate the visual distance, the visual angle, the height of the musical scores and cervical angle in 11 string musicians (violin and viola). The results went of 100.23±5.46 cm to the height of the musical score, 89.36±8.22 cm for the visual distance, 9.23±0.79° for the visual angle and 49.86±5.71° for the cervical angle. Only the cervical angle was out of the recommended patterns (maximum indication 30°) and should be analyzed in greater depth in future studies. Para la práctica instrumental se necesitan accesorios, como partituras y un atril. El objetivo de este estudio fue evaluar la distancia visual, el ángulo visual, la altura de la partitura y el ángulo cervical de 11 músicos de cuerda (violín y viola). Los resultados fueron 100,23±5,46 cm para la altura de la partitura, 89,36±8,22 cm para la distancia visual, 9,23±0,79° para el ángulo visual y 49,86±5,71° para el ángulo cervical. Sólo el ángulo cervical estaba fuera de las normas recomendadas (indicación máxima de 30°) y debería analizarse más a fondo en futuros estudios.Para a prática instrumental há necessidade de acessórios, como a partitura e estante. O objetivo deste estudo foi avaliar a distância visual, o ângulo visual, a altura da partitura musical e o ângulo cervical de 11 músicos de cordas (violino e viola). Os resultados foram de 100,23±5,46 cm para a altura da partitura, 89,36±8,22 cm para a distância visual, 9,23±0,79° para o ângulo visual e 49,86±5,71° para o ângulo da cervical. Apenas o ângulo da cervical estava fora dos padrões recomendados (indicação máxima de 30º) e deve ser analisado com maior profundidade em estudos futuros.Universidade Federal de Minas Gerais (UFMG)2012-12-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/39989Per Musi; No. 26 (2012): General Topics; 1-11Per Musi; Núm. 26 (2012): General Topics; 1-11Per Musi; n. 26 (2012): General Topics; 1-112317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/39989/30687http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTeixeira, Clarissa Stefani Kothe, FaustoPereira, Érico Felden Merino, Eugenio Andrés Díaz 2022-07-01T19:19:58Zoai:periodicos.ufmg.br:article/39989Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-07-01T19:19:58Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Body postural evaluation of violinists and violists
Evaluación de la postura corporal de violinistas y violistas
Avaliação da postura corporal de violinistas e violistas
title Body postural evaluation of violinists and violists
spellingShingle Body postural evaluation of violinists and violists
Teixeira, Clarissa Stefani
Ergonomic
Work situation
Musicians
Ergonomia
Situação de trabalho
Músicos
Ergonomía
Situación laboral
Músicos
title_short Body postural evaluation of violinists and violists
title_full Body postural evaluation of violinists and violists
title_fullStr Body postural evaluation of violinists and violists
title_full_unstemmed Body postural evaluation of violinists and violists
title_sort Body postural evaluation of violinists and violists
author Teixeira, Clarissa Stefani
author_facet Teixeira, Clarissa Stefani
Kothe, Fausto
Pereira, Érico Felden
Merino, Eugenio Andrés Díaz
author_role author
author2 Kothe, Fausto
Pereira, Érico Felden
Merino, Eugenio Andrés Díaz
author2_role author
author
author
dc.contributor.author.fl_str_mv Teixeira, Clarissa Stefani
Kothe, Fausto
Pereira, Érico Felden
Merino, Eugenio Andrés Díaz
dc.subject.por.fl_str_mv Ergonomic
Work situation
Musicians
Ergonomia
Situação de trabalho
Músicos
Ergonomía
Situación laboral
Músicos
topic Ergonomic
Work situation
Musicians
Ergonomia
Situação de trabalho
Músicos
Ergonomía
Situación laboral
Músicos
description For the instrumental practice there are accessories needs, as the musical score and shelf. The objective this study was to evaluate the visual distance, the visual angle, the height of the musical scores and cervical angle in 11 string musicians (violin and viola). The results went of 100.23±5.46 cm to the height of the musical score, 89.36±8.22 cm for the visual distance, 9.23±0.79° for the visual angle and 49.86±5.71° for the cervical angle. Only the cervical angle was out of the recommended patterns (maximum indication 30°) and should be analyzed in greater depth in future studies. 
publishDate 2012
dc.date.none.fl_str_mv 2012-12-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39989
url https://periodicos.ufmg.br/index.php/permusi/article/view/39989
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39989/30687
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 26 (2012): General Topics; 1-11
Per Musi; Núm. 26 (2012): General Topics; 1-11
Per Musi; n. 26 (2012): General Topics; 1-11
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
_version_ 1799711237119934464

Registros relacionados