The Baroque Experience and Local Identity in the Holy Week of Campanha, Minas Gerais

Detalhes bibliográficos
Autor(a) principal: Reily, Suzel Ana
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/40373
Resumo: This paper analyses the formation of a baroque sensibility in the State of Minas Gerais (Brazil) that derives from the participatory and highly emotive orientation of the colonial festivals, the legacy of which is still present in many former mining towns in the region. By focusing upon the Holy Week celebrations in Campanha, a small town in south-ern Minas Gerais, the text shows how this annual event was organized by the Confraternity of the Holy Sacrament, but was then transferred to a local committee after the confraternity was made extinct. If up to the mid 19th century there were semi-professional musicians to perform for the celebrations, responsibility for the music was slowly taken over byamateur groups. In this way the festival came to be understood as a local affair, and each year the population renews its pride in itself for its capacity to stage such a ‘marvelous’ event.
id UFMG-3_8a955e404cdfb0ae89e4fac2df1f7625
oai_identifier_str oai:periodicos.ufmg.br:article/40373
network_acronym_str UFMG-3
network_name_str Per Musi
repository_id_str
spelling The Baroque Experience and Local Identity in the Holy Week of Campanha, Minas GeraisLa experiencia barroca y la identidad local en el Semana Santa en Campanha, Minas Gerais, BrasilA experiência barroca e a identidade local na Semana Santa de Campanha, Minas GeraisBaroqueMinas GeraisHoly WeekParticipationLocal identityBarrocoMinas GeraisSemana SantaParticipaçãoIdentidade localBarrocoMinas GeraisSemana SantaParticipaciónIdentidad localThis paper analyses the formation of a baroque sensibility in the State of Minas Gerais (Brazil) that derives from the participatory and highly emotive orientation of the colonial festivals, the legacy of which is still present in many former mining towns in the region. By focusing upon the Holy Week celebrations in Campanha, a small town in south-ern Minas Gerais, the text shows how this annual event was organized by the Confraternity of the Holy Sacrament, but was then transferred to a local committee after the confraternity was made extinct. If up to the mid 19th century there were semi-professional musicians to perform for the celebrations, responsibility for the music was slowly taken over byamateur groups. In this way the festival came to be understood as a local affair, and each year the population renews its pride in itself for its capacity to stage such a ‘marvelous’ event.Este trabajo analiza la formación de una sensibilidad barroca en Minas Gerais a partir de la orientación participativa y altamente emotiva de las fiestas coloniales, cuyo legado sigue presente en las celebraciones religiosas de muchas antiguas ciudades mineras del estado. Centrado en las celebraciones de Semana Santa en la ciudad minera del sur de Campanha, el texto muestra cómo este evento anual era organizado por la Irmandade do Santíssimo Sacramento, pasando luego a manos de una comisión local tras la extinción de la cofradía. Si hasta mediados del siglo XIX había músicos semiprofesionales tratados para tocar y cantar en las celebraciones, la música fue asumida progresivamente por grupos de aficionados. Así, el Así, la fiesta pasó a entenderse como una producción local, y cada año la población renueva su orgullo por Campanhã, al contemplar su para contemplar su capacidad de producir un evento tan "maravilloso".Este trabalho analisa a formação de uma sensibilidade barroca em Minas Gerais a partir da orientação participativa e altamente emotiva das festas coloniais, cujo legado se mantem presente nas festas religiosas de muitas antigas cidades mineradoras do estado. Enfocando as celebrações da Semana Santa na cidade sul-mineira de Campanha, o texto mostra como este evento anual era organizado pela Irmandade do Santíssimo Sacramento, passando então às mãos de uma comissão local após a extinção da irmandade. Se até meados do século XIX, havia músicos semi-profissionais contratados para tocar e cantar nas celebrações, a música foi assumida progressivamente por grupos de amadores. Assim, a festa passou a ser entendida como uma produção local e a cada ano a população renova o seu orgulho campanhense, ao contemplar sua capacidade de produzir um evento tão ‘maravilhoso’.Universidade Federal de Minas Gerais (UFMG)2011-07-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/40373Per Musi; No. 24 (2011): General Topics; 1-11Per Musi; Núm. 24 (2011): General Topics; 1-11Per Musi; n. 24 (2011): General Topics; 1-112317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/40373/30860http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessReily, Suzel Ana2022-08-31T22:02:09Zoai:periodicos.ufmg.br:article/40373Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-08-31T22:02:09Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The Baroque Experience and Local Identity in the Holy Week of Campanha, Minas Gerais
La experiencia barroca y la identidad local en el Semana Santa en Campanha, Minas Gerais, Brasil
A experiência barroca e a identidade local na Semana Santa de Campanha, Minas Gerais
title The Baroque Experience and Local Identity in the Holy Week of Campanha, Minas Gerais
spellingShingle The Baroque Experience and Local Identity in the Holy Week of Campanha, Minas Gerais
Reily, Suzel Ana
Baroque
Minas Gerais
Holy Week
Participation
Local identity
Barroco
Minas Gerais
Semana Santa
Participação
Identidade local
Barroco
Minas Gerais
Semana Santa
Participación
Identidad local
title_short The Baroque Experience and Local Identity in the Holy Week of Campanha, Minas Gerais
title_full The Baroque Experience and Local Identity in the Holy Week of Campanha, Minas Gerais
title_fullStr The Baroque Experience and Local Identity in the Holy Week of Campanha, Minas Gerais
title_full_unstemmed The Baroque Experience and Local Identity in the Holy Week of Campanha, Minas Gerais
title_sort The Baroque Experience and Local Identity in the Holy Week of Campanha, Minas Gerais
author Reily, Suzel Ana
author_facet Reily, Suzel Ana
author_role author
dc.contributor.author.fl_str_mv Reily, Suzel Ana
dc.subject.por.fl_str_mv Baroque
Minas Gerais
Holy Week
Participation
Local identity
Barroco
Minas Gerais
Semana Santa
Participação
Identidade local
Barroco
Minas Gerais
Semana Santa
Participación
Identidad local
topic Baroque
Minas Gerais
Holy Week
Participation
Local identity
Barroco
Minas Gerais
Semana Santa
Participação
Identidade local
Barroco
Minas Gerais
Semana Santa
Participación
Identidad local
description This paper analyses the formation of a baroque sensibility in the State of Minas Gerais (Brazil) that derives from the participatory and highly emotive orientation of the colonial festivals, the legacy of which is still present in many former mining towns in the region. By focusing upon the Holy Week celebrations in Campanha, a small town in south-ern Minas Gerais, the text shows how this annual event was organized by the Confraternity of the Holy Sacrament, but was then transferred to a local committee after the confraternity was made extinct. If up to the mid 19th century there were semi-professional musicians to perform for the celebrations, responsibility for the music was slowly taken over byamateur groups. In this way the festival came to be understood as a local affair, and each year the population renews its pride in itself for its capacity to stage such a ‘marvelous’ event.
publishDate 2011
dc.date.none.fl_str_mv 2011-07-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/40373
url https://periodicos.ufmg.br/index.php/permusi/article/view/40373
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/40373/30860
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 24 (2011): General Topics; 1-11
Per Musi; Núm. 24 (2011): General Topics; 1-11
Per Musi; n. 24 (2011): General Topics; 1-11
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
_version_ 1799711237170266112

Registros relacionados