Chovendo na roseira by Tom Jobim: a Schenkerian approach

Detalhes bibliográficos
Autor(a) principal: Almada, Carlos de Lemos
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/44471
Resumo: The present article examines the song Chovendo na roseira by Brazilian composer Antônio Carlos Jobim with focus on the deep structural relationships that exist among melody, harmony, and form. This was accomplished by using procedures of the Schenkerian analysis, here adapted for better adjustment to the characteristics of this specific piece. From the analytical process, it is possible to observe a consistent and hierarchical integration among the several melodic-harmonic phenomena present on the musical surface and some of the internal layers, which reveal relationships that are unusual in a popular music piece. It is especially remarkable the ubiquity of the interval of the perfect fourth, which is embedded in several of the aspects of musical construction, in all structural levels considered.
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spelling Chovendo na roseira by Tom Jobim: a Schenkerian approachLloviendo en las Rosas de Tom Jobim: un enfoque schenkerianoChovendo na roseira de Tom Jobim: uma abordagem schenkerianaChovendo na roseiraTom JobimSchenkerian analysisChovendo na roseiraTom JobimAnálise schenkerianaLloviendo en las RosasTom JobimAnálisis schenkerianoThe present article examines the song Chovendo na roseira by Brazilian composer Antônio Carlos Jobim with focus on the deep structural relationships that exist among melody, harmony, and form. This was accomplished by using procedures of the Schenkerian analysis, here adapted for better adjustment to the characteristics of this specific piece. From the analytical process, it is possible to observe a consistent and hierarchical integration among the several melodic-harmonic phenomena present on the musical surface and some of the internal layers, which reveal relationships that are unusual in a popular music piece. It is especially remarkable the ubiquity of the interval of the perfect fourth, which is embedded in several of the aspects of musical construction, in all structural levels considered.El presente artículo examina la canción Chovendo na roseira de Antônio Carlos Jobim, centrándose en las profundas relaciones estructurales existentes entre melodía, armonía y forma. Esto se consigue mediante el método de Schenke riana de análisis, que aquí recibe algunas adaptaciones, para ajustarse adecuadamente a las características de esta pieza específica. pieza específica. Como resultado del proceso analítico, se observa una integración coherente y jerárquica entre varias fenómenos melódico-armónicos presentes en la superficie musical y en capas estructurales internas, que revelan relaciones inusuales para una pieza musical. En este contexto, cabe destacar la Llama especialmente la atención la omnipresencia del intervalo de cuarta justa, infiltrado en los más diversos aspectos de la construcción musical, en todos los niveles estructurales observados.O presente artigo examina a canção Chovendo na roseira, de Antônio Carlos Jobim, focando as relações estruturais aprofundadas existentes entre melodia, harmonia e forma. Isso é realizado através do método da análise schenkeriana, que recebe aqui algumas adaptações, de maneira a se ajustar apropriadamente às características dessa peça específica. Como resultado do processo analítico observa-se uma integração consistente e hierarquizada entre diversosfenômenos melódico-harmônicos presentes na superfície musical e em camadas estruturais internas, revelando relações inusitadas para uma peça de música popular. É especificamente marcante a onipresença do intervalo de quarta justa, infiltrado nos mais diversos aspectos da construção musical, em todos os níveis estruturais observados.Universidade Federal de Minas Gerais (UFMG)2010-07-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/44471Per Musi; No. 22 (2010): General Topics; 1-8Per Musi; Núm. 22 (2010): General Topics; 1-8Per Musi; n. 22 (2010): General Topics; 1-82317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/44471/36446http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAlmada, Carlos de Lemos2023-03-10T21:39:46Zoai:periodicos.ufmg.br:article/44471Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-03-10T21:39:46Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Chovendo na roseira by Tom Jobim: a Schenkerian approach
Lloviendo en las Rosas de Tom Jobim: un enfoque schenkeriano
Chovendo na roseira de Tom Jobim: uma abordagem schenkeriana
title Chovendo na roseira by Tom Jobim: a Schenkerian approach
spellingShingle Chovendo na roseira by Tom Jobim: a Schenkerian approach
Almada, Carlos de Lemos
Chovendo na roseira
Tom Jobim
Schenkerian analysis
Chovendo na roseira
Tom Jobim
Análise schenkeriana
Lloviendo en las Rosas
Tom Jobim
Análisis schenkeriano
title_short Chovendo na roseira by Tom Jobim: a Schenkerian approach
title_full Chovendo na roseira by Tom Jobim: a Schenkerian approach
title_fullStr Chovendo na roseira by Tom Jobim: a Schenkerian approach
title_full_unstemmed Chovendo na roseira by Tom Jobim: a Schenkerian approach
title_sort Chovendo na roseira by Tom Jobim: a Schenkerian approach
author Almada, Carlos de Lemos
author_facet Almada, Carlos de Lemos
author_role author
dc.contributor.author.fl_str_mv Almada, Carlos de Lemos
dc.subject.por.fl_str_mv Chovendo na roseira
Tom Jobim
Schenkerian analysis
Chovendo na roseira
Tom Jobim
Análise schenkeriana
Lloviendo en las Rosas
Tom Jobim
Análisis schenkeriano
topic Chovendo na roseira
Tom Jobim
Schenkerian analysis
Chovendo na roseira
Tom Jobim
Análise schenkeriana
Lloviendo en las Rosas
Tom Jobim
Análisis schenkeriano
description The present article examines the song Chovendo na roseira by Brazilian composer Antônio Carlos Jobim with focus on the deep structural relationships that exist among melody, harmony, and form. This was accomplished by using procedures of the Schenkerian analysis, here adapted for better adjustment to the characteristics of this specific piece. From the analytical process, it is possible to observe a consistent and hierarchical integration among the several melodic-harmonic phenomena present on the musical surface and some of the internal layers, which reveal relationships that are unusual in a popular music piece. It is especially remarkable the ubiquity of the interval of the perfect fourth, which is embedded in several of the aspects of musical construction, in all structural levels considered.
publishDate 2010
dc.date.none.fl_str_mv 2010-07-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/44471
url https://periodicos.ufmg.br/index.php/permusi/article/view/44471
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/44471/36446
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 22 (2010): General Topics; 1-8
Per Musi; Núm. 22 (2010): General Topics; 1-8
Per Musi; n. 22 (2010): General Topics; 1-8
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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