Raphael Rabello’s arrangement and improvisation on Odeon by Ernesto Nazareth

Detalhes bibliográficos
Autor(a) principal: Nunes, Alvimar Liberato
Data de Publicação: 2014
Outros Autores: Borém, Fausto
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/38865
Resumo: Comparative study between the compositional procedures by Brazilian composer and pianist Ernesto Nazareth (1863-1934) in his landmark choro Odeon for piano from 1910 (NAZARETH and MAURÍCIO, 1968) and the performance and arrangement practices by Brazilian choro guitar player Raphael Rabello (1962-1995) in his recorded arrangement (NAZARETH and RABELLO, 1991) and his non-commercial video improvisation (RABELLO and NAZARETH, 1991). The analyses of the transcriptions of these recordings (NAZARETH and RABELLO, 2014; RABELLO and NAZARETH, 2014) reveal a free approach to the form, alterations of rhythm, melody and harmony and influence of the classical and flamenco guitar in Raphael Rabello’s performance.
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spelling Raphael Rabello’s arrangement and improvisation on Odeon by Ernesto NazarethEl arreglo y la improvisación de Raphael Rabello Rabello en el Odeón de Ernesto NazaretO Arranjo e o improviso de Raphael Rabello sobre Odeon de Ernesto NazarethRaphael Rabello’s interpretationOdeon by Ernesto NazarethMusical arrangement and improvisationChoro in Brazilian popular musicInterpretação de Raphael RabelloOdeon de Ernesto NazarethArranjo musical e improvisaçãoChoro na música popular brasileiraInterpretación de Raphael RabelloOdeón de Ernesto NazarethArreglo musical e improvisaciónChoro en la música popular brasileñaComparative study between the compositional procedures by Brazilian composer and pianist Ernesto Nazareth (1863-1934) in his landmark choro Odeon for piano from 1910 (NAZARETH and MAURÍCIO, 1968) and the performance and arrangement practices by Brazilian choro guitar player Raphael Rabello (1962-1995) in his recorded arrangement (NAZARETH and RABELLO, 1991) and his non-commercial video improvisation (RABELLO and NAZARETH, 1991). The analyses of the transcriptions of these recordings (NAZARETH and RABELLO, 2014; RABELLO and NAZARETH, 2014) reveal a free approach to the form, alterations of rhythm, melody and harmony and influence of the classical and flamenco guitar in Raphael Rabello’s performance.Un estudio comparativo entre los procedimientos compositivos de Ernesto Nazareth (1863-1934) en el original de Odeón de 1910 para piano (NAZARETH y MAURÍCIO, 1968) y las prácticas de interpretación y arreglo del guitarrista de choro Raphael Rabello (1962-1995) en su arreglo comercial grabado en audio (NAZARETH y RABELLO, 1991) y en su improvisación grabada en vídeo no comercial (RABELLO y NAZARETH, 1991). El análisis de las transcripciones de estas grabaciones (NAZARETH y RABELLO, 2014; RABELLO y NAZARETH, 2014) revelan un tratamiento libre de la forma, rítmica alteraciones melódicas y armónicas, y una influencia del lenguaje idiomático de la guitarra erudita y flamenca en la interpretación de Raphael Rabello.Estudo comparativo entre os procedimentos composicionais de Ernesto Nazareth (1863-1934) no original de Odeon para piano de 1910 (NAZARETH e MAURÍCIO, 1968) e as práticas de performance e de arranjo pelo violonista de choro Raphael Rabello (1962-1995) no seu arranjo gravado em áudio comercial (NAZARETH e RABELLO, 1991) e em seu improviso gravado em vídeo não-comercial (RABELLO e NAZARETH, 1991). As análises das transcrições dessas gravações (NAZARETH e RABELLO, 2014; RABELLO e NAZARETH, 2014) revelam um tratamento livre da forma, alterações rítmicas, melódicas e harmônicas, e uma influência da linguagem idiomática do violão erudito e flamenco na performance de Raphael Rabello.Universidade Federal de Minas Gerais (UFMG)2014-11-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/38865Per Musi; No. 30 (2014): General Topics; 1-16Per Musi; Núm. 30 (2014): General Topics; 1-16Per Musi; n. 30 (2014): General Topics; 1-162317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/38865/29989Copyright (c) 2014 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNunes, Alvimar Liberato Borém, Fausto2022-06-03T18:47:27Zoai:periodicos.ufmg.br:article/38865Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-06-03T18:47:27Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Raphael Rabello’s arrangement and improvisation on Odeon by Ernesto Nazareth
El arreglo y la improvisación de Raphael Rabello Rabello en el Odeón de Ernesto Nazaret
O Arranjo e o improviso de Raphael Rabello sobre Odeon de Ernesto Nazareth
title Raphael Rabello’s arrangement and improvisation on Odeon by Ernesto Nazareth
spellingShingle Raphael Rabello’s arrangement and improvisation on Odeon by Ernesto Nazareth
Nunes, Alvimar Liberato
Raphael Rabello’s interpretation
Odeon by Ernesto Nazareth
Musical arrangement and improvisation
Choro in Brazilian popular music
Interpretação de Raphael Rabello
Odeon de Ernesto Nazareth
Arranjo musical e improvisação
Choro na música popular brasileira
Interpretación de Raphael Rabello
Odeón de Ernesto Nazareth
Arreglo musical e improvisación
Choro en la música popular brasileña
title_short Raphael Rabello’s arrangement and improvisation on Odeon by Ernesto Nazareth
title_full Raphael Rabello’s arrangement and improvisation on Odeon by Ernesto Nazareth
title_fullStr Raphael Rabello’s arrangement and improvisation on Odeon by Ernesto Nazareth
title_full_unstemmed Raphael Rabello’s arrangement and improvisation on Odeon by Ernesto Nazareth
title_sort Raphael Rabello’s arrangement and improvisation on Odeon by Ernesto Nazareth
author Nunes, Alvimar Liberato
author_facet Nunes, Alvimar Liberato
Borém, Fausto
author_role author
author2 Borém, Fausto
author2_role author
dc.contributor.author.fl_str_mv Nunes, Alvimar Liberato
Borém, Fausto
dc.subject.por.fl_str_mv Raphael Rabello’s interpretation
Odeon by Ernesto Nazareth
Musical arrangement and improvisation
Choro in Brazilian popular music
Interpretação de Raphael Rabello
Odeon de Ernesto Nazareth
Arranjo musical e improvisação
Choro na música popular brasileira
Interpretación de Raphael Rabello
Odeón de Ernesto Nazareth
Arreglo musical e improvisación
Choro en la música popular brasileña
topic Raphael Rabello’s interpretation
Odeon by Ernesto Nazareth
Musical arrangement and improvisation
Choro in Brazilian popular music
Interpretação de Raphael Rabello
Odeon de Ernesto Nazareth
Arranjo musical e improvisação
Choro na música popular brasileira
Interpretación de Raphael Rabello
Odeón de Ernesto Nazareth
Arreglo musical e improvisación
Choro en la música popular brasileña
description Comparative study between the compositional procedures by Brazilian composer and pianist Ernesto Nazareth (1863-1934) in his landmark choro Odeon for piano from 1910 (NAZARETH and MAURÍCIO, 1968) and the performance and arrangement practices by Brazilian choro guitar player Raphael Rabello (1962-1995) in his recorded arrangement (NAZARETH and RABELLO, 1991) and his non-commercial video improvisation (RABELLO and NAZARETH, 1991). The analyses of the transcriptions of these recordings (NAZARETH and RABELLO, 2014; RABELLO and NAZARETH, 2014) reveal a free approach to the form, alterations of rhythm, melody and harmony and influence of the classical and flamenco guitar in Raphael Rabello’s performance.
publishDate 2014
dc.date.none.fl_str_mv 2014-11-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38865
url https://periodicos.ufmg.br/index.php/permusi/article/view/38865
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38865/29989
dc.rights.driver.fl_str_mv Copyright (c) 2014 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2014 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 30 (2014): General Topics; 1-16
Per Musi; Núm. 30 (2014): General Topics; 1-16
Per Musi; n. 30 (2014): General Topics; 1-16
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
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instname_str Universidade Federal de Minas Gerais (UFMG)
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reponame_str Per Musi
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repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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