The perception of emotions in excerpts of classical Western music

Detalhes bibliográficos
Autor(a) principal: Ramos, Danilo
Data de Publicação: 2012
Outros Autores: Bueno, José Lino Oliveira
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/39910
Resumo: The aim of this study was to evaluate emotional responses to musical excerpts from Western repertoire. Musicians and nonmusicians listened to each musical excerpt and linked it to emotional categories (Joy, Sadness, Serenity or Fear / Anger). The results indicated that each musical excerpt, in majority, was not associated to more thanone emotional category, for both groups. In general, associations were similar between groups, although the responses of musicians have been more consistent. These results suggest a cognitive processing of emotional responses to music related to the cognitive structure of the event, to individual differences and to musical expertise.
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spelling The perception of emotions in excerpts of classical Western musicLa percepción de las emociones en los pasajes de música erudita occidentalA percepção de emoções em trechos de música ocidental eruditaMusical emotionsMusic perceptionMusical expertiseEmoções musicaisPercepção musicalExpertise musicalEmociones musicalesPercepción musicalExperiencia musicalThe aim of this study was to evaluate emotional responses to musical excerpts from Western repertoire. Musicians and nonmusicians listened to each musical excerpt and linked it to emotional categories (Joy, Sadness, Serenity or Fear / Anger). The results indicated that each musical excerpt, in majority, was not associated to more thanone emotional category, for both groups. In general, associations were similar between groups, although the responses of musicians have been more consistent. These results suggest a cognitive processing of emotional responses to music related to the cognitive structure of the event, to individual differences and to musical expertise.El objetivo de este estudio era verificar las respuestas emocionales a extractos musicales del repertorio clásico occidental. Músicos y no músicos escucharon cada pieza musical y la asociaron con categorías emocionales (Alegría, Tristeza, Serenidad o Miedo/Furia). Los resultados indicaron que para ambos grupos, cada pieza musical, en su mayoría, no fue se asoció con más de una categoría emocional. En general, las asociaciones fueron similares entre los grupos, aunque las respuestas de los músicos fueron más consistentes. Estos resultados sugieren un procesamiento cognitivo de las respuestas emocionales a la música occidental relacionadas con la estructura cognitiva del evento, las diferencias entre los individuos y experiencia musical.O objetivo deste estudo foi verificar respostas emocionais a trechos musicais do repertório erudito ocidental. Músicos e não músicos ouviam cada trecho musical e associavam-no a categorias emocionais (Alegria, Tristeza, Serenidade ou Medo/Raiva). Os resultados indicaram que, para ambos os grupos, cada trecho musical, na maioria, não foi associado a mais de uma categoria emocional. De um modo geral, as associações foram semelhantes entre os grupos, embora as respostas dos músicos tenham sido mais consistentes. Estes resultados sugerem um processamento cognitivo de respostas emocionais à música ocidental relacionado à estrutura cognitiva do evento, a diferenças entre indivíduos e à expertise musical.Universidade Federal de Minas Gerais (UFMG)2012-12-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/39910Per Musi; No. 26 (2012): General Topics; 1-10Per Musi; Núm. 26 (2012): General Topics; 1-10Per Musi; n. 26 (2012): General Topics; 1-102317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/39910/30623http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRamos, Danilo Bueno, José Lino Oliveira2022-07-01T19:19:58Zoai:periodicos.ufmg.br:article/39910Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-07-01T19:19:58Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The perception of emotions in excerpts of classical Western music
La percepción de las emociones en los pasajes de música erudita occidental
A percepção de emoções em trechos de música ocidental erudita
title The perception of emotions in excerpts of classical Western music
spellingShingle The perception of emotions in excerpts of classical Western music
Ramos, Danilo
Musical emotions
Music perception
Musical expertise
Emoções musicais
Percepção musical
Expertise musical
Emociones musicales
Percepción musical
Experiencia musical
title_short The perception of emotions in excerpts of classical Western music
title_full The perception of emotions in excerpts of classical Western music
title_fullStr The perception of emotions in excerpts of classical Western music
title_full_unstemmed The perception of emotions in excerpts of classical Western music
title_sort The perception of emotions in excerpts of classical Western music
author Ramos, Danilo
author_facet Ramos, Danilo
Bueno, José Lino Oliveira
author_role author
author2 Bueno, José Lino Oliveira
author2_role author
dc.contributor.author.fl_str_mv Ramos, Danilo
Bueno, José Lino Oliveira
dc.subject.por.fl_str_mv Musical emotions
Music perception
Musical expertise
Emoções musicais
Percepção musical
Expertise musical
Emociones musicales
Percepción musical
Experiencia musical
topic Musical emotions
Music perception
Musical expertise
Emoções musicais
Percepção musical
Expertise musical
Emociones musicales
Percepción musical
Experiencia musical
description The aim of this study was to evaluate emotional responses to musical excerpts from Western repertoire. Musicians and nonmusicians listened to each musical excerpt and linked it to emotional categories (Joy, Sadness, Serenity or Fear / Anger). The results indicated that each musical excerpt, in majority, was not associated to more thanone emotional category, for both groups. In general, associations were similar between groups, although the responses of musicians have been more consistent. These results suggest a cognitive processing of emotional responses to music related to the cognitive structure of the event, to individual differences and to musical expertise.
publishDate 2012
dc.date.none.fl_str_mv 2012-12-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39910
url https://periodicos.ufmg.br/index.php/permusi/article/view/39910
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39910/30623
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 26 (2012): General Topics; 1-10
Per Musi; Núm. 26 (2012): General Topics; 1-10
Per Musi; n. 26 (2012): General Topics; 1-10
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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