Charly’s Angels: between the idealized ser nacional of the Argentine Proceso and the demythologized ser nacional of Argentine Rock

Detalhes bibliográficos
Autor(a) principal: Favoretto, Mara
Data de Publicação: 2014
Outros Autores: Wilson , Timothy
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/38860
Resumo: In this study, we shall analyze the monolithic and idealized discourse of the ser nacional, which the regime imposed, in contrast to themore realistic and polyphonic vision of national identity as seen in the lyrics of Charly García’s songs. Whereas the regime bombarded Argentines with rhetoric about obedient wives and daughters, in La Máquina songs, women are protagonists: heroines, goddesses, and dancers. García replaces the nineteenth-century “Angel of the home” proposed by the regime with his own angels: the independent women of the twentieth century.
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spelling Charly’s Angels: between the idealized ser nacional of the Argentine Proceso and the demythologized ser nacional of Argentine RockLos ángeles de Charly: entre elser nacional ideal del Proceso de Reorganización Nacional y el ser real del rock nacional argentinoOs anjos de Charly: entre o ser nacional ideal do Processo Reorganização Nacional de Reorganização e o ser real de rock nacional argentinoRock and dictatorshipRock in ArgentinaCharly García and La MáquinaRock e ditaduraRock na ArgentinaCharly García e A MáquinaRock y dictaduraRock en ArgentinaCharly García y La MáquinaIn this study, we shall analyze the monolithic and idealized discourse of the ser nacional, which the regime imposed, in contrast to themore realistic and polyphonic vision of national identity as seen in the lyrics of Charly García’s songs. Whereas the regime bombarded Argentines with rhetoric about obedient wives and daughters, in La Máquina songs, women are protagonists: heroines, goddesses, and dancers. García replaces the nineteenth-century “Angel of the home” proposed by the regime with his own angels: the independent women of the twentieth century.En este trabajo se analiza el discurso del ser nacional ideal, que el régimen militar intentaba imponer por la fuerza, en contraste con el ser nacional real que contraponían las letras de las canciones de Charly García. En contra del rol tradicional de esposas e hijas obedientes que se bombardeaba desde el discurso oficial, en las canciones de La Máquina de Hacer Pájaros, las mujeres eran protagonistas: heroínas, diosas, y bailarinas. En lugar del “ángel del hogar” que proponía el Proceso, los “ángeles” en las canciones de García son las mujeres independientes del siglo XX.Este trabalho analisa o discurso do ser nacional ideal, que o regime militar argentino tentou impor pela força, em contraste com o ser nacional real que eles o verdadeiro ser nacional com o qual a letra das canções de Charly García contrastava. contra o papel tradicional das esposas obedientes e e filhas bombardeadas pelo discurso oficial, nas canções de La Máquina de Hacer Pájaros, as mulheres foram protagonistas: heroínas, heroínas, deusas, heroínas, heroínas, heroínas, heroínas, heroínas, heroínas, heroínas, heroínas, heroínas. foram protagonistas: heroínas, deusas e dançarinas. Em vez do "anjo do lar" proposto pelo Processo, os "anjos" nas canções de García são as mulheres independentes do lar. As canções de García são as mulheres independentes do século 20.Universidade Federal de Minas Gerais (UFMG)2014-11-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/38860Per Musi; No. 30 (2014): General Topics; 1-11Per Musi; Núm. 30 (2014): General Topics; 1-11Per Musi; n. 30 (2014): General Topics; 1-112317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGspahttps://periodicos.ufmg.br/index.php/permusi/article/view/38860/29984Copyright (c) 2014 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFavoretto, MaraWilson , Timothy 2022-06-03T18:47:27Zoai:periodicos.ufmg.br:article/38860Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-06-03T18:47:27Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Charly’s Angels: between the idealized ser nacional of the Argentine Proceso and the demythologized ser nacional of Argentine Rock
Los ángeles de Charly: entre elser nacional ideal del Proceso de Reorganización Nacional y el ser real del rock nacional argentino
Os anjos de Charly: entre o ser nacional ideal do Processo Reorganização Nacional de Reorganização e o ser real de rock nacional argentino
title Charly’s Angels: between the idealized ser nacional of the Argentine Proceso and the demythologized ser nacional of Argentine Rock
spellingShingle Charly’s Angels: between the idealized ser nacional of the Argentine Proceso and the demythologized ser nacional of Argentine Rock
Favoretto, Mara
Rock and dictatorship
Rock in Argentina
Charly García and La Máquina
Rock e ditadura
Rock na Argentina
Charly García e A Máquina
Rock y dictadura
Rock en Argentina
Charly García y La Máquina
title_short Charly’s Angels: between the idealized ser nacional of the Argentine Proceso and the demythologized ser nacional of Argentine Rock
title_full Charly’s Angels: between the idealized ser nacional of the Argentine Proceso and the demythologized ser nacional of Argentine Rock
title_fullStr Charly’s Angels: between the idealized ser nacional of the Argentine Proceso and the demythologized ser nacional of Argentine Rock
title_full_unstemmed Charly’s Angels: between the idealized ser nacional of the Argentine Proceso and the demythologized ser nacional of Argentine Rock
title_sort Charly’s Angels: between the idealized ser nacional of the Argentine Proceso and the demythologized ser nacional of Argentine Rock
author Favoretto, Mara
author_facet Favoretto, Mara
Wilson , Timothy
author_role author
author2 Wilson , Timothy
author2_role author
dc.contributor.author.fl_str_mv Favoretto, Mara
Wilson , Timothy
dc.subject.por.fl_str_mv Rock and dictatorship
Rock in Argentina
Charly García and La Máquina
Rock e ditadura
Rock na Argentina
Charly García e A Máquina
Rock y dictadura
Rock en Argentina
Charly García y La Máquina
topic Rock and dictatorship
Rock in Argentina
Charly García and La Máquina
Rock e ditadura
Rock na Argentina
Charly García e A Máquina
Rock y dictadura
Rock en Argentina
Charly García y La Máquina
description In this study, we shall analyze the monolithic and idealized discourse of the ser nacional, which the regime imposed, in contrast to themore realistic and polyphonic vision of national identity as seen in the lyrics of Charly García’s songs. Whereas the regime bombarded Argentines with rhetoric about obedient wives and daughters, in La Máquina songs, women are protagonists: heroines, goddesses, and dancers. García replaces the nineteenth-century “Angel of the home” proposed by the regime with his own angels: the independent women of the twentieth century.
publishDate 2014
dc.date.none.fl_str_mv 2014-11-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38860
url https://periodicos.ufmg.br/index.php/permusi/article/view/38860
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/38860/29984
dc.rights.driver.fl_str_mv Copyright (c) 2014 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2014 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 30 (2014): General Topics; 1-11
Per Musi; Núm. 30 (2014): General Topics; 1-11
Per Musi; n. 30 (2014): General Topics; 1-11
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
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reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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