Carlos Guastavino and Lima Quintana’s contribution to the world of the Argentinean New Song

Detalhes bibliográficos
Autor(a) principal: Mansilla, Silvina Luz
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/41106
Resumo: Study about the song Hermano by Argentinean composer Carlos Guastavino written after a poem by Hamlet Lima Quintana. Dedicated to the editor Rómulo Lagos, the song was recorded by the Argentinean singer Mercedes Sosa in 1966. Applying the notion of “art worlds” by Howard BECKER (1982), we interpret the persons net connected with Lagos publishing, as a co-operative and interwoven fabric that effectively worked until the mid 1970s. A sketch of the following context, signed by the Argentinean censorship, reveals some factors that had influence on the crack of that collaborative net. Although it concerns Guastavino, our approach is concerned with connection and not to belonging.
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spelling Carlos Guastavino and Lima Quintana’s contribution to the world of the Argentinean New SongUn aporte de Carlos Guastavino y Lima Quintana al mundo de la Nueva Canción argentinaUma contribuição de Carlos Guastavino e Lima Quintana para o mundo da Nova Canção argentinaCarlos GuastavinoArgentinean New SongCensorshipMercedes SosaFolk songCarlos GuastavinoNovo CancioneiroCensuraMercedes SosaMúsica popularCarlos GuastavinoNuevo cancioneroCensuraMercedes SosaCanción popularStudy about the song Hermano by Argentinean composer Carlos Guastavino written after a poem by Hamlet Lima Quintana. Dedicated to the editor Rómulo Lagos, the song was recorded by the Argentinean singer Mercedes Sosa in 1966. Applying the notion of “art worlds” by Howard BECKER (1982), we interpret the persons net connected with Lagos publishing, as a co-operative and interwoven fabric that effectively worked until the mid 1970s. A sketch of the following context, signed by the Argentinean censorship, reveals some factors that had influence on the crack of that collaborative net. Although it concerns Guastavino, our approach is concerned with connection and not to belonging.El artículo se refiere a la canción Hermano compuesta por el músico Carlos Guastavino sobre una poesía de Hamlet Lima Quintana. Dedicada al editor Rómulo Lagos, fue grabada por Mercedes Sosa en 1966. Aplicando la noción “mundos del arte” de Howard BECKER (1982), se interpreta la red de personas ligadas a la editorial Lagos como un tejido cooperativo que funcionó con eficacia hasta mediados de la década de 1970. Un esbozo del contexto posterior, signado por la censura, permite inferir algunos factores que incidieron en el quiebre de esa red de colaboraciones. Aunque respecto de Guastavino, se habla aquí de vinculación y no de pertenencia.O artigo refere-se à canção Hermano composta pelo músico Carlos Guastavino sobre um poema de Hamlet Lima Quintana. Dedicado à editora Rómulo Lagos, foi gravado pela Mercedes Sosa em 1966. Aplicando a noção de Howard BECKER (1982) de "mundos da arte", a rede de pessoas ligadas à editora Lagos é interpretada como um tecido cooperativo que funcionou efetivamente até meados da década de 1970. Um esboço do contexto subseqüente, marcado pela censura, nos permite inferir alguns dos fatores que influenciaram o colapso da editora Lagos. alguns dos fatores que influenciaram a ruptura desta rede de colaborações. Embora em relação ao Guastavino, estamos falando aqui de de ligação e não de pertencimento.Universidade Federal de Minas Gerais (UFMG)2011-01-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/41106Per Musi; No. 23 (2011): General Topics; 1-9Per Musi; Núm. 23 (2011): General Topics; 1-9Per Musi; n. 23 (2011): General Topics; 1-92317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGspahttps://periodicos.ufmg.br/index.php/permusi/article/view/41106/31319http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMansilla, Silvina Luz2023-01-25T11:56:27Zoai:periodicos.ufmg.br:article/41106Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-01-25T11:56:27Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Carlos Guastavino and Lima Quintana’s contribution to the world of the Argentinean New Song
Un aporte de Carlos Guastavino y Lima Quintana al mundo de la Nueva Canción argentina
Uma contribuição de Carlos Guastavino e Lima Quintana para o mundo da Nova Canção argentina
title Carlos Guastavino and Lima Quintana’s contribution to the world of the Argentinean New Song
spellingShingle Carlos Guastavino and Lima Quintana’s contribution to the world of the Argentinean New Song
Mansilla, Silvina Luz
Carlos Guastavino
Argentinean New Song
Censorship
Mercedes Sosa
Folk song
Carlos Guastavino
Novo Cancioneiro
Censura
Mercedes Sosa
Música popular
Carlos Guastavino
Nuevo cancionero
Censura
Mercedes Sosa
Canción popular
title_short Carlos Guastavino and Lima Quintana’s contribution to the world of the Argentinean New Song
title_full Carlos Guastavino and Lima Quintana’s contribution to the world of the Argentinean New Song
title_fullStr Carlos Guastavino and Lima Quintana’s contribution to the world of the Argentinean New Song
title_full_unstemmed Carlos Guastavino and Lima Quintana’s contribution to the world of the Argentinean New Song
title_sort Carlos Guastavino and Lima Quintana’s contribution to the world of the Argentinean New Song
author Mansilla, Silvina Luz
author_facet Mansilla, Silvina Luz
author_role author
dc.contributor.author.fl_str_mv Mansilla, Silvina Luz
dc.subject.por.fl_str_mv Carlos Guastavino
Argentinean New Song
Censorship
Mercedes Sosa
Folk song
Carlos Guastavino
Novo Cancioneiro
Censura
Mercedes Sosa
Música popular
Carlos Guastavino
Nuevo cancionero
Censura
Mercedes Sosa
Canción popular
topic Carlos Guastavino
Argentinean New Song
Censorship
Mercedes Sosa
Folk song
Carlos Guastavino
Novo Cancioneiro
Censura
Mercedes Sosa
Música popular
Carlos Guastavino
Nuevo cancionero
Censura
Mercedes Sosa
Canción popular
description Study about the song Hermano by Argentinean composer Carlos Guastavino written after a poem by Hamlet Lima Quintana. Dedicated to the editor Rómulo Lagos, the song was recorded by the Argentinean singer Mercedes Sosa in 1966. Applying the notion of “art worlds” by Howard BECKER (1982), we interpret the persons net connected with Lagos publishing, as a co-operative and interwoven fabric that effectively worked until the mid 1970s. A sketch of the following context, signed by the Argentinean censorship, reveals some factors that had influence on the crack of that collaborative net. Although it concerns Guastavino, our approach is concerned with connection and not to belonging.
publishDate 2011
dc.date.none.fl_str_mv 2011-01-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
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dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/41106
url https://periodicos.ufmg.br/index.php/permusi/article/view/41106
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/41106/31319
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
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rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 23 (2011): General Topics; 1-9
Per Musi; Núm. 23 (2011): General Topics; 1-9
Per Musi; n. 23 (2011): General Topics; 1-9
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
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instname_str Universidade Federal de Minas Gerais (UFMG)
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