Performance and meaning in the Quilombo do Rio das Rãs band's DVD

Detalhes bibliográficos
Autor(a) principal: Pereira, Rita de Cássia Mendes
Data de Publicação: 2022
Outros Autores: Santos, Elisabete Tâmara Galvão dos
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/36936
Resumo: The text object it is the relationship between performance and production of meaning in the performance of Banda Quilombo do Rio das Rãs - held in 2009 - at Bom Jesus da Lapa (state of Bahia, Brazil). The analysis was based on the rules of performance (Zumthor 2014), having as reference time and place of performance, purpose of the communicational act, musicians' actions and audience profile. The protagonist of the performative action it is the quilombola subject, who made Music as a mean to get out of his usual condition, marked by exclusion and prejudice. This work sought to reflect on the power of performance, to modify the knowledge that artists and audience have about themselves and to act on the perception of the world that mobilizes subjects in their identity processes.
id UFMG-3_aff8f739481785024005f54dfd289704
oai_identifier_str oai:periodicos.ufmg.br:article/36936
network_acronym_str UFMG-3
network_name_str Per Musi
repository_id_str
spelling Performance and meaning in the Quilombo do Rio das Rãs band's DVDPerformance y significado en el DVD de la Banda Quilombo do Rio das RãsPerformance e sentido no DVD da Banda Quilombo do Rio das RãsPerformance.Produção de sentidosQuilombolasIdentidadePerformanceProduction of meaningQuilombolasIdentityPerformanceProducción de los sentidosQuilombolasIdentidadThe text object it is the relationship between performance and production of meaning in the performance of Banda Quilombo do Rio das Rãs - held in 2009 - at Bom Jesus da Lapa (state of Bahia, Brazil). The analysis was based on the rules of performance (Zumthor 2014), having as reference time and place of performance, purpose of the communicational act, musicians' actions and audience profile. The protagonist of the performative action it is the quilombola subject, who made Music as a mean to get out of his usual condition, marked by exclusion and prejudice. This work sought to reflect on the power of performance, to modify the knowledge that artists and audience have about themselves and to act on the perception of the world that mobilizes subjects in their identity processes.El texto tiene por objeto la relación entre actuación y producción de significados en el espectáculo de  la Banda do Quilombo del Rio das Rãs, realizado en 2009, en la ciudad de Bom Jesus da Lapa (estado de Bahia, Brasil). El análisis se basó en las reglas de ejecución (Zumthor 2014), teniendo como referencia el tiempo y lugar de la realización del espectáculo, la finalidad del acto comunicacional, las acciones de los músicos y el perfil del público. El protagonista de la acción performativa es el sujeto quilombola, que hizo de la música el medio para salir de su condición habitual, marcada por la exclusión y el prejuicio. El trabajo buscó reflejar sobre el poder de la actuación, modificar el conocimiento que artistas y  público tienen de sí mismos y sobre el otro, y de actuar sobre la percepción del mundo que moviliza a los sujetos en sus procesos identitarios.O texto tem por objeto a relação entre performance e produção de sentidos no espetáculo da Banda Quilombo do Rio das Rãs, realizado em 2009, na cidade de Bom Jesus da Lapa-Ba. A análise foi calcada nas regras da performance (Zumthor 2014), tendo como referência o tempo e o lugar de realização do espetáculo, a finalidade do ato comunicacional, as ações dos músicos e das dançarinas e o perfil do público, nos diferentes tempos de recepção. O protagonista da ação performática é o sujeito quilombola, que fez da música o meio para sair da sua condição habitual, marcada pela exclusão e pelo preconceito. Por outro lado, o trabalho buscou refletir sobre o poder da performance, de modificar o conhecimento que artistas e público têm sobre si mesmo e sobre o outro e, portanto, de atuar sobre a percepção do mundo que mobiliza os sujeitos em seus processos identitários.Universidade Federal de Minas Gerais (UFMG)2022-01-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/htmlapplication/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/3693610.35699/2317-6377.2022.36936Per Musi; No. 42 (2022): General Topics; 1-19Per Musi; Núm. 42 (2022): General Topics; 1-19Per Musi; n. 42 (2022): General Topics; 1-192317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/36936/37515https://periodicos.ufmg.br/index.php/permusi/article/view/36936/37516https://periodicos.ufmg.br/index.php/permusi/article/view/36936/29456Copyright (c) 2022 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessPereira, Rita de Cássia MendesSantos, Elisabete Tâmara Galvão dos2023-10-14T00:15:35Zoai:periodicos.ufmg.br:article/36936Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-10-14T00:15:35Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Performance and meaning in the Quilombo do Rio das Rãs band's DVD
Performance y significado en el DVD de la Banda Quilombo do Rio das Rãs
Performance e sentido no DVD da Banda Quilombo do Rio das Rãs
title Performance and meaning in the Quilombo do Rio das Rãs band's DVD
spellingShingle Performance and meaning in the Quilombo do Rio das Rãs band's DVD
Pereira, Rita de Cássia Mendes
Performance.
Produção de sentidos
Quilombolas
Identidade
Performance
Production of meaning
Quilombolas
Identity
Performance
Producción de los sentidos
Quilombolas
Identidad
title_short Performance and meaning in the Quilombo do Rio das Rãs band's DVD
title_full Performance and meaning in the Quilombo do Rio das Rãs band's DVD
title_fullStr Performance and meaning in the Quilombo do Rio das Rãs band's DVD
title_full_unstemmed Performance and meaning in the Quilombo do Rio das Rãs band's DVD
title_sort Performance and meaning in the Quilombo do Rio das Rãs band's DVD
author Pereira, Rita de Cássia Mendes
author_facet Pereira, Rita de Cássia Mendes
Santos, Elisabete Tâmara Galvão dos
author_role author
author2 Santos, Elisabete Tâmara Galvão dos
author2_role author
dc.contributor.author.fl_str_mv Pereira, Rita de Cássia Mendes
Santos, Elisabete Tâmara Galvão dos
dc.subject.por.fl_str_mv Performance.
Produção de sentidos
Quilombolas
Identidade
Performance
Production of meaning
Quilombolas
Identity
Performance
Producción de los sentidos
Quilombolas
Identidad
topic Performance.
Produção de sentidos
Quilombolas
Identidade
Performance
Production of meaning
Quilombolas
Identity
Performance
Producción de los sentidos
Quilombolas
Identidad
description The text object it is the relationship between performance and production of meaning in the performance of Banda Quilombo do Rio das Rãs - held in 2009 - at Bom Jesus da Lapa (state of Bahia, Brazil). The analysis was based on the rules of performance (Zumthor 2014), having as reference time and place of performance, purpose of the communicational act, musicians' actions and audience profile. The protagonist of the performative action it is the quilombola subject, who made Music as a mean to get out of his usual condition, marked by exclusion and prejudice. This work sought to reflect on the power of performance, to modify the knowledge that artists and audience have about themselves and to act on the perception of the world that mobilizes subjects in their identity processes.
publishDate 2022
dc.date.none.fl_str_mv 2022-01-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/36936
10.35699/2317-6377.2022.36936
url https://periodicos.ufmg.br/index.php/permusi/article/view/36936
identifier_str_mv 10.35699/2317-6377.2022.36936
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/36936/37515
https://periodicos.ufmg.br/index.php/permusi/article/view/36936/37516
https://periodicos.ufmg.br/index.php/permusi/article/view/36936/29456
dc.rights.driver.fl_str_mv Copyright (c) 2022 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/html
application/xml
application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 42 (2022): General Topics; 1-19
Per Musi; Núm. 42 (2022): General Topics; 1-19
Per Musi; n. 42 (2022): General Topics; 1-19
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
_version_ 1799711236199284736