Performance and meaning in the Quilombo do Rio das Rãs band's DVD
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/36936 |
Resumo: | The text object it is the relationship between performance and production of meaning in the performance of Banda Quilombo do Rio das Rãs - held in 2009 - at Bom Jesus da Lapa (state of Bahia, Brazil). The analysis was based on the rules of performance (Zumthor 2014), having as reference time and place of performance, purpose of the communicational act, musicians' actions and audience profile. The protagonist of the performative action it is the quilombola subject, who made Music as a mean to get out of his usual condition, marked by exclusion and prejudice. This work sought to reflect on the power of performance, to modify the knowledge that artists and audience have about themselves and to act on the perception of the world that mobilizes subjects in their identity processes. |
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Per Musi |
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Performance and meaning in the Quilombo do Rio das Rãs band's DVDPerformance y significado en el DVD de la Banda Quilombo do Rio das RãsPerformance e sentido no DVD da Banda Quilombo do Rio das RãsPerformance.Produção de sentidosQuilombolasIdentidadePerformanceProduction of meaningQuilombolasIdentityPerformanceProducción de los sentidosQuilombolasIdentidadThe text object it is the relationship between performance and production of meaning in the performance of Banda Quilombo do Rio das Rãs - held in 2009 - at Bom Jesus da Lapa (state of Bahia, Brazil). The analysis was based on the rules of performance (Zumthor 2014), having as reference time and place of performance, purpose of the communicational act, musicians' actions and audience profile. The protagonist of the performative action it is the quilombola subject, who made Music as a mean to get out of his usual condition, marked by exclusion and prejudice. This work sought to reflect on the power of performance, to modify the knowledge that artists and audience have about themselves and to act on the perception of the world that mobilizes subjects in their identity processes.El texto tiene por objeto la relación entre actuación y producción de significados en el espectáculo de la Banda do Quilombo del Rio das Rãs, realizado en 2009, en la ciudad de Bom Jesus da Lapa (estado de Bahia, Brasil). El análisis se basó en las reglas de ejecución (Zumthor 2014), teniendo como referencia el tiempo y lugar de la realización del espectáculo, la finalidad del acto comunicacional, las acciones de los músicos y el perfil del público. El protagonista de la acción performativa es el sujeto quilombola, que hizo de la música el medio para salir de su condición habitual, marcada por la exclusión y el prejuicio. El trabajo buscó reflejar sobre el poder de la actuación, modificar el conocimiento que artistas y público tienen de sí mismos y sobre el otro, y de actuar sobre la percepción del mundo que moviliza a los sujetos en sus procesos identitarios.O texto tem por objeto a relação entre performance e produção de sentidos no espetáculo da Banda Quilombo do Rio das Rãs, realizado em 2009, na cidade de Bom Jesus da Lapa-Ba. A análise foi calcada nas regras da performance (Zumthor 2014), tendo como referência o tempo e o lugar de realização do espetáculo, a finalidade do ato comunicacional, as ações dos músicos e das dançarinas e o perfil do público, nos diferentes tempos de recepção. O protagonista da ação performática é o sujeito quilombola, que fez da música o meio para sair da sua condição habitual, marcada pela exclusão e pelo preconceito. Por outro lado, o trabalho buscou refletir sobre o poder da performance, de modificar o conhecimento que artistas e público têm sobre si mesmo e sobre o outro e, portanto, de atuar sobre a percepção do mundo que mobiliza os sujeitos em seus processos identitários.Universidade Federal de Minas Gerais (UFMG)2022-01-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/htmlapplication/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/3693610.35699/2317-6377.2022.36936Per Musi; No. 42 (2022): General Topics; 1-19Per Musi; Núm. 42 (2022): General Topics; 1-19Per Musi; n. 42 (2022): General Topics; 1-192317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/36936/37515https://periodicos.ufmg.br/index.php/permusi/article/view/36936/37516https://periodicos.ufmg.br/index.php/permusi/article/view/36936/29456Copyright (c) 2022 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessPereira, Rita de Cássia MendesSantos, Elisabete Tâmara Galvão dos2023-10-14T00:15:35Zoai:periodicos.ufmg.br:article/36936Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-10-14T00:15:35Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Performance and meaning in the Quilombo do Rio das Rãs band's DVD Performance y significado en el DVD de la Banda Quilombo do Rio das Rãs Performance e sentido no DVD da Banda Quilombo do Rio das Rãs |
title |
Performance and meaning in the Quilombo do Rio das Rãs band's DVD |
spellingShingle |
Performance and meaning in the Quilombo do Rio das Rãs band's DVD Pereira, Rita de Cássia Mendes Performance. Produção de sentidos Quilombolas Identidade Performance Production of meaning Quilombolas Identity Performance Producción de los sentidos Quilombolas Identidad |
title_short |
Performance and meaning in the Quilombo do Rio das Rãs band's DVD |
title_full |
Performance and meaning in the Quilombo do Rio das Rãs band's DVD |
title_fullStr |
Performance and meaning in the Quilombo do Rio das Rãs band's DVD |
title_full_unstemmed |
Performance and meaning in the Quilombo do Rio das Rãs band's DVD |
title_sort |
Performance and meaning in the Quilombo do Rio das Rãs band's DVD |
author |
Pereira, Rita de Cássia Mendes |
author_facet |
Pereira, Rita de Cássia Mendes Santos, Elisabete Tâmara Galvão dos |
author_role |
author |
author2 |
Santos, Elisabete Tâmara Galvão dos |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Pereira, Rita de Cássia Mendes Santos, Elisabete Tâmara Galvão dos |
dc.subject.por.fl_str_mv |
Performance. Produção de sentidos Quilombolas Identidade Performance Production of meaning Quilombolas Identity Performance Producción de los sentidos Quilombolas Identidad |
topic |
Performance. Produção de sentidos Quilombolas Identidade Performance Production of meaning Quilombolas Identity Performance Producción de los sentidos Quilombolas Identidad |
description |
The text object it is the relationship between performance and production of meaning in the performance of Banda Quilombo do Rio das Rãs - held in 2009 - at Bom Jesus da Lapa (state of Bahia, Brazil). The analysis was based on the rules of performance (Zumthor 2014), having as reference time and place of performance, purpose of the communicational act, musicians' actions and audience profile. The protagonist of the performative action it is the quilombola subject, who made Music as a mean to get out of his usual condition, marked by exclusion and prejudice. This work sought to reflect on the power of performance, to modify the knowledge that artists and audience have about themselves and to act on the perception of the world that mobilizes subjects in their identity processes. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-01-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/36936 10.35699/2317-6377.2022.36936 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/36936 |
identifier_str_mv |
10.35699/2317-6377.2022.36936 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/36936/37515 https://periodicos.ufmg.br/index.php/permusi/article/view/36936/37516 https://periodicos.ufmg.br/index.php/permusi/article/view/36936/29456 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Per Musi http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Per Musi http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
text/html application/xml application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 42 (2022): General Topics; 1-19 Per Musi; Núm. 42 (2022): General Topics; 1-19 Per Musi; n. 42 (2022): General Topics; 1-19 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
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1799711236199284736 |