“Billy’s touch”: background, influences, works and compositional style of Billy Strayhorn

Detalhes bibliográficos
Autor(a) principal: Murray, J. William
Data de Publicação: 2014
Outros Autores: Borém, Fausto
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/39151
Resumo: Style study on the music of American composer and pianist Billy Strayhorn who became Duke Ellington’s right arm and alter ego. It discusses the unique compositional collaboration between the two giants of jazz and the question of authorship in the Duke Ellington Orchestra repertory. It includes a historical context of Strayhorn’s musical background and his works. The analysis of 19 selected works of Billy Strayhorn reveals traits related to style/tempo, time signature, tonality, form, length, harmonic chord pace and harmonic language and some other relevant details.
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spelling “Billy’s touch”: background, influences, works and compositional style of Billy Strayhorn"El toque de Billy": formación, influencias, obras y estilo compositivo de Billy Strayhorn“O Toque de Billy”: formação, influências, obras e estilo composicional de Billy StrayhornBilly Strayhorn and Duke EllingtonAuthorship and compositional collaborationMusical analysis of jazzInfluence between classical and popular musicChromaticism in jazzBilly Strayhorn e Duke EllingtonAutoria e colaboração composicionalAnálise musical do jazzInfluência entre música erudita e popularCromatismo no jazzBilly Strayhorn y Duke EllingtonAutoría y colaboración compositivaAnálisis musical del jazzInfluencia entre la música clásica y la popularEl cromatismo en el jazzStyle study on the music of American composer and pianist Billy Strayhorn who became Duke Ellington’s right arm and alter ego. It discusses the unique compositional collaboration between the two giants of jazz and the question of authorship in the Duke Ellington Orchestra repertory. It includes a historical context of Strayhorn’s musical background and his works. The analysis of 19 selected works of Billy Strayhorn reveals traits related to style/tempo, time signature, tonality, form, length, harmonic chord pace and harmonic language and some other relevant details.Un estudio estilístico de la música del compositor y pianista estadounidense Billy Strayhorn, que se convirtió en la mano derecha y el alter ego de Duke Ellington. Analiza el singular proceso de colaboración compositiva entre estos dos gigantes del jazz y la cuestión de la autoría en el repertorio de la Orquesta de Duke Ellington. Incluye el contexto de los antecedentes musicales de Strayhorn y sus obras. El análisis de 19 obras seleccionadas de Billy Strayhorn revela características estilísticas relacionadas con el estilo y la métrica, la tonalidad, la forma, la duración, el ritmo armónico, el lenguaje armónico y otros detalles relevantes.Estudo estilístico sobre a música do compositor e pianista norte-americano Billy Strayhorn, que se tornou o braço-direito e alter ego de Duke Ellington. Discute o processo único de colaboração composicional entre estes dois gigantes do jazz e a questão da autoria no repertório da Duke Ellington Orchestra. Inclui o contexto da formação musical de Strayhorn e de suas obras. A análise de 19 obras selecionadas de Billy Strayhorn revela características estilísticas relacionadas ao estilo-andamento, métrica, tonalidade, forma, duração, ritmo harmônico, linguagem harmônica e outros detalhes relevantes.Universidade Federal de Minas Gerais (UFMG)2014-06-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/39151Per Musi; No. 29 (2014): General Topics; 1-14Per Musi; Núm. 29 (2014): General Topics; 1-14Per Musi; n. 29 (2014): General Topics; 1-142317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/39151/30215Copyright (c) 2014 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMurray, J. WilliamBorém, Fausto2022-06-03T19:05:43Zoai:periodicos.ufmg.br:article/39151Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-06-03T19:05:43Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv “Billy’s touch”: background, influences, works and compositional style of Billy Strayhorn
"El toque de Billy": formación, influencias, obras y estilo compositivo de Billy Strayhorn
“O Toque de Billy”: formação, influências, obras e estilo composicional de Billy Strayhorn
title “Billy’s touch”: background, influences, works and compositional style of Billy Strayhorn
spellingShingle “Billy’s touch”: background, influences, works and compositional style of Billy Strayhorn
Murray, J. William
Billy Strayhorn and Duke Ellington
Authorship and compositional collaboration
Musical analysis of jazz
Influence between classical and popular music
Chromaticism in jazz
Billy Strayhorn e Duke Ellington
Autoria e colaboração composicional
Análise musical do jazz
Influência entre música erudita e popular
Cromatismo no jazz
Billy Strayhorn y Duke Ellington
Autoría y colaboración compositiva
Análisis musical del jazz
Influencia entre la música clásica y la popular
El cromatismo en el jazz
title_short “Billy’s touch”: background, influences, works and compositional style of Billy Strayhorn
title_full “Billy’s touch”: background, influences, works and compositional style of Billy Strayhorn
title_fullStr “Billy’s touch”: background, influences, works and compositional style of Billy Strayhorn
title_full_unstemmed “Billy’s touch”: background, influences, works and compositional style of Billy Strayhorn
title_sort “Billy’s touch”: background, influences, works and compositional style of Billy Strayhorn
author Murray, J. William
author_facet Murray, J. William
Borém, Fausto
author_role author
author2 Borém, Fausto
author2_role author
dc.contributor.author.fl_str_mv Murray, J. William
Borém, Fausto
dc.subject.por.fl_str_mv Billy Strayhorn and Duke Ellington
Authorship and compositional collaboration
Musical analysis of jazz
Influence between classical and popular music
Chromaticism in jazz
Billy Strayhorn e Duke Ellington
Autoria e colaboração composicional
Análise musical do jazz
Influência entre música erudita e popular
Cromatismo no jazz
Billy Strayhorn y Duke Ellington
Autoría y colaboración compositiva
Análisis musical del jazz
Influencia entre la música clásica y la popular
El cromatismo en el jazz
topic Billy Strayhorn and Duke Ellington
Authorship and compositional collaboration
Musical analysis of jazz
Influence between classical and popular music
Chromaticism in jazz
Billy Strayhorn e Duke Ellington
Autoria e colaboração composicional
Análise musical do jazz
Influência entre música erudita e popular
Cromatismo no jazz
Billy Strayhorn y Duke Ellington
Autoría y colaboración compositiva
Análisis musical del jazz
Influencia entre la música clásica y la popular
El cromatismo en el jazz
description Style study on the music of American composer and pianist Billy Strayhorn who became Duke Ellington’s right arm and alter ego. It discusses the unique compositional collaboration between the two giants of jazz and the question of authorship in the Duke Ellington Orchestra repertory. It includes a historical context of Strayhorn’s musical background and his works. The analysis of 19 selected works of Billy Strayhorn reveals traits related to style/tempo, time signature, tonality, form, length, harmonic chord pace and harmonic language and some other relevant details.
publishDate 2014
dc.date.none.fl_str_mv 2014-06-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39151
url https://periodicos.ufmg.br/index.php/permusi/article/view/39151
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39151/30215
dc.rights.driver.fl_str_mv Copyright (c) 2014 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2014 Per Musi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 29 (2014): General Topics; 1-14
Per Musi; Núm. 29 (2014): General Topics; 1-14
Per Musi; n. 29 (2014): General Topics; 1-14
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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