Introduction of active methods in Higher Artistic Music Education in the specialty of percussion
Autor(a) principal: | |
---|---|
Data de Publicação: | 2023 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/48540 |
Resumo: | Higher music studies present a lack in terms of the use of active methodologies that are relevant in current teaching. This article is systematized with the main objective of evaluating the incorporation of educational innovation program in teachings with artistic characteristics. To do this, a qualitative methodology has been used from carrying out an intervention on higher education students specializing in percussion, taking as reference the pieces for percussion ensemble by the composers Amadeo Roldán and Edgar Varèse. The results obtained provide data that project the suitability of application of these methodological innovations. The final considerations reflect the achievement of greater and diverse objectives by the experimental group compared to the group in which traditional teaching has been applied. This intervention has contributed to the opening of new fields of research within musical didactics. |
id |
UFMG-3_c3ede4c02ef0fa1108f3328085fc23da |
---|---|
oai_identifier_str |
oai:periodicos.ufmg.br:article/48540 |
network_acronym_str |
UFMG-3 |
network_name_str |
Per Musi |
repository_id_str |
|
spelling |
Introduction of active methods in Higher Artistic Music Education in the specialty of percussionIntroducción de métodos activos en las Enseñanzas Artísticas Superiores de Música en la especialidad de percusiónIntrodução de métodos ativos na Educação Musical Artística Superior na especialidade de percussãoInnovación educativaEducación artística superiorAmadeo RoldánEdgar VarèsePercusiónEducational innovationHigher artistic educationAmadeo RoldánEdgar VarèsePercussionInovação educacionalEnsino superior de artesAmadeo RoldánEdgar VarèsePercussãoHigher music studies present a lack in terms of the use of active methodologies that are relevant in current teaching. This article is systematized with the main objective of evaluating the incorporation of educational innovation program in teachings with artistic characteristics. To do this, a qualitative methodology has been used from carrying out an intervention on higher education students specializing in percussion, taking as reference the pieces for percussion ensemble by the composers Amadeo Roldán and Edgar Varèse. The results obtained provide data that project the suitability of application of these methodological innovations. The final considerations reflect the achievement of greater and diverse objectives by the experimental group compared to the group in which traditional teaching has been applied. This intervention has contributed to the opening of new fields of research within musical didactics.Las Enseñanzas Artísticas Superiores de Música presentan una carencia en cuanto a la implementación de programas de innovación educativa y el uso de metodologías docentes activas, que resultan imprescindibles en la didáctica actual. Este artículo se sistematiza con el objetivo principal de valorar la incorporación de programas de innovación educativa en enseñanzas de características artísticas e indagar sobre la utilización de métodos activos para la mejora de la enseñanza. Para ello, se ha hecho uso de una metodología de investigación cualitativa a partir de una intervención sobre alumnado de estudios superiores de la especialidad de percusión, dividido en grupo experimental y control, tomando como base las piezas para ensemble de los compositores Amadeo Roldán y Edgar Varèse. Los resultados obtenidos, arrojan unos datos que avalan la idoneidad de aplicación de estas innovaciones metodológicas. En las consideraciones finales se plasma que esta intervención ha contribuido a la apertura de nuevas perspectivas para la innovación e investigación dentro de la didáctica musical en las Enseñanzas Artísticas Superiores de Música.Há uma carência de programas de inovação educacional e do uso de metodologias ativas de ensino, que são essenciais nos métodos de ensino atuais, na Educação Musical Artística Superior. Este artigo é sistematizado com o objetivo principal de avaliar a incorporação de programas de inovação educacional no ensino artístico e investigar o uso de métodos ativos para melhorar o ensino. Para isso, foi utilizada uma metodologia de pesquisa qualitativa baseada em uma intervenção com alunos do ensino superior na especialidade de percussão, divididos em grupos experimentais e de controle, tomando como base as peças de conjunto dos compositores Amadeo Roldán e Edgar Varèse. Os resultados obtidos mostram dados que sustentam a adequação da aplicação dessas inovações metodológicas. Nas considerações finais, afirma-se que esta intervenção contribuiu para a abertura de novas perspectivas de inovação e pesquisa no âmbito da didática musical na Educação Musical Artística Superior.Universidade Federal de Minas Gerais (UFMG)2023-12-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextTextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/4854010.35699/2317-6377.2023.48540Per Musi; Vol. 24 (2023): General Topics; 1-15Per Musi; Vol. 24 (2023): General Topics; 1-15Per Musi; v. 24 (2023): General Topics; 1-152317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGspahttps://periodicos.ufmg.br/index.php/permusi/article/view/48540/39549https://periodicos.ufmg.br/index.php/permusi/article/view/48540/39550https://periodicos.ufmg.br/index.php/permusi/article/view/48540/39551Copyright (c) 2023 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNicolás, Ana María BotellaIsusi-Fagoaga, RosaRaga, Lluís Marzal2024-02-06T17:17:35Zoai:periodicos.ufmg.br:article/48540Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2024-02-06T17:17:35Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Introduction of active methods in Higher Artistic Music Education in the specialty of percussion Introducción de métodos activos en las Enseñanzas Artísticas Superiores de Música en la especialidad de percusión Introdução de métodos ativos na Educação Musical Artística Superior na especialidade de percussão |
title |
Introduction of active methods in Higher Artistic Music Education in the specialty of percussion |
spellingShingle |
Introduction of active methods in Higher Artistic Music Education in the specialty of percussion Nicolás, Ana María Botella Innovación educativa Educación artística superior Amadeo Roldán Edgar Varèse Percusión Educational innovation Higher artistic education Amadeo Roldán Edgar Varèse Percussion Inovação educacional Ensino superior de artes Amadeo Roldán Edgar Varèse Percussão |
title_short |
Introduction of active methods in Higher Artistic Music Education in the specialty of percussion |
title_full |
Introduction of active methods in Higher Artistic Music Education in the specialty of percussion |
title_fullStr |
Introduction of active methods in Higher Artistic Music Education in the specialty of percussion |
title_full_unstemmed |
Introduction of active methods in Higher Artistic Music Education in the specialty of percussion |
title_sort |
Introduction of active methods in Higher Artistic Music Education in the specialty of percussion |
author |
Nicolás, Ana María Botella |
author_facet |
Nicolás, Ana María Botella Isusi-Fagoaga, Rosa Raga, Lluís Marzal |
author_role |
author |
author2 |
Isusi-Fagoaga, Rosa Raga, Lluís Marzal |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Nicolás, Ana María Botella Isusi-Fagoaga, Rosa Raga, Lluís Marzal |
dc.subject.por.fl_str_mv |
Innovación educativa Educación artística superior Amadeo Roldán Edgar Varèse Percusión Educational innovation Higher artistic education Amadeo Roldán Edgar Varèse Percussion Inovação educacional Ensino superior de artes Amadeo Roldán Edgar Varèse Percussão |
topic |
Innovación educativa Educación artística superior Amadeo Roldán Edgar Varèse Percusión Educational innovation Higher artistic education Amadeo Roldán Edgar Varèse Percussion Inovação educacional Ensino superior de artes Amadeo Roldán Edgar Varèse Percussão |
description |
Higher music studies present a lack in terms of the use of active methodologies that are relevant in current teaching. This article is systematized with the main objective of evaluating the incorporation of educational innovation program in teachings with artistic characteristics. To do this, a qualitative methodology has been used from carrying out an intervention on higher education students specializing in percussion, taking as reference the pieces for percussion ensemble by the composers Amadeo Roldán and Edgar Varèse. The results obtained provide data that project the suitability of application of these methodological innovations. The final considerations reflect the achievement of greater and diverse objectives by the experimental group compared to the group in which traditional teaching has been applied. This intervention has contributed to the opening of new fields of research within musical didactics. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-20 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Text Text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/48540 10.35699/2317-6377.2023.48540 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/48540 |
identifier_str_mv |
10.35699/2317-6377.2023.48540 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/48540/39549 https://periodicos.ufmg.br/index.php/permusi/article/view/48540/39550 https://periodicos.ufmg.br/index.php/permusi/article/view/48540/39551 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Per Musi http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Per Musi http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
text/html text/xml application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; Vol. 24 (2023): General Topics; 1-15 Per Musi; Vol. 24 (2023): General Topics; 1-15 Per Musi; v. 24 (2023): General Topics; 1-15 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711237510004736 |