Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image

Detalhes bibliográficos
Autor(a) principal: Solomos, Makis
Data de Publicação: 2023
Outros Autores: Villa, André
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/48275
Resumo: The film Orient-Occident, directed by Enrico Fulchignoni with music by Iannis Xenakis (not yet commercially available) is, in general, only mentioned through the homonymous concert version of Xenakis's music. This unavailability of the cinematographic work is regrettable, firstly because it is a documentary with excellent content and excellent visual quality and, secondly, because it demonstrates Xenakis' extraordinary capacity for sonic imagination. This imagination expresses itself through musical (compositional) ideas, but also through the way Xenakis illustrates and comments on the film’s images. The article studies film as such for the first time and its music through the relationship between music and image.
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spelling Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and imageOrient-Occident de Fulchignoni-Xenakis: Analizar la relación entre música e imagenOrient-Occident de Fulchignoni-Xenakis: Análise da relação entre música e imagemXenakis; Orient-Occident; electroacoustic music, soundtracXenakis; Orient-Occident; música elXenakisetroacústica, trilha sonoraXenakis; Oriente-Occidente; música electroacústica, banda sonora.The film Orient-Occident, directed by Enrico Fulchignoni with music by Iannis Xenakis (not yet commercially available) is, in general, only mentioned through the homonymous concert version of Xenakis's music. This unavailability of the cinematographic work is regrettable, firstly because it is a documentary with excellent content and excellent visual quality and, secondly, because it demonstrates Xenakis' extraordinary capacity for sonic imagination. This imagination expresses itself through musical (compositional) ideas, but also through the way Xenakis illustrates and comments on the film’s images. The article studies film as such for the first time and its music through the relationship between music and image.La película Oriente-Occidente, dirigida por Enrico Fulchignoni con música de Iannis Xenakis (aún no disponible comercialmente) es, en general, sólo mencionada a través de la versión de concierto homónima de la música de Xenakis. Esta indisponibilidad de la obra cinematográfica es lamentable, primero porque se trata de un documental con excelente contenido y excelente calidad visual y, segundo, porque demuestra la extraordinaria capacidad de imaginación sonora de Xenakis. Esta imaginación se expresa a través de ideas musicales (compositivas), pero también a través de la forma en que Xenakis ilustra y comenta las imágenes de la película. El artículoO filme Oriente-Ocidente, dirigido por Enrico Fulchignoni com música de Iannis Xenakis (ainda não disponível comercialmente) é, em geral, apenas mencionado através da versão concerto homônima da música de Xenakis. Esta indisponibilidade da obra cinematográfica é lamentável, primeiro porque se trata de um documentário com excelente conteúdo e excelente qualidade visual e, segundo, porque demonstra a extraordinária capacidade de imaginação sonora de Xenakis. Esta imaginação expressa-se através de ideias musicais (composicionais), mas também através da forma como Xenakis ilustra e comenta as imagens do filme. O artigo estuda pela primeira vez o filme enquanto tal e a sua música através da relação entre música e imagem.Universidade Federal de Minas Gerais (UFMG)2023-10-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoTextoinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/4827510.35699/2317-6377.2022.48275Per Musi; No. 42 (2022): General Topics; 1-19Per Musi; Núm. 42 (2022): General Topics; 1-19Per Musi; n. 42 (2022): General Topics; 1-192317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/48275/39079https://periodicos.ufmg.br/index.php/permusi/article/view/48275/39080https://periodicos.ufmg.br/index.php/permusi/article/view/48275/39077Copyright (c) 2023 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSolomos, MakisVilla, André2023-10-20T17:48:33Zoai:periodicos.ufmg.br:article/48275Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-10-20T17:48:33Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image
Orient-Occident de Fulchignoni-Xenakis: Analizar la relación entre música e imagen
Orient-Occident de Fulchignoni-Xenakis: Análise da relação entre música e imagem
title Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image
spellingShingle Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image
Solomos, Makis
Xenakis; Orient-Occident; electroacoustic music, soundtrac
Xenakis; Orient-Occident; música elXenakisetroacústica, trilha sonora
Xenakis; Oriente-Occidente; música electroacústica, banda sonora.
title_short Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image
title_full Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image
title_fullStr Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image
title_full_unstemmed Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image
title_sort Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image
author Solomos, Makis
author_facet Solomos, Makis
Villa, André
author_role author
author2 Villa, André
author2_role author
dc.contributor.author.fl_str_mv Solomos, Makis
Villa, André
dc.subject.por.fl_str_mv Xenakis; Orient-Occident; electroacoustic music, soundtrac
Xenakis; Orient-Occident; música elXenakisetroacústica, trilha sonora
Xenakis; Oriente-Occidente; música electroacústica, banda sonora.
topic Xenakis; Orient-Occident; electroacoustic music, soundtrac
Xenakis; Orient-Occident; música elXenakisetroacústica, trilha sonora
Xenakis; Oriente-Occidente; música electroacústica, banda sonora.
description The film Orient-Occident, directed by Enrico Fulchignoni with music by Iannis Xenakis (not yet commercially available) is, in general, only mentioned through the homonymous concert version of Xenakis's music. This unavailability of the cinematographic work is regrettable, firstly because it is a documentary with excellent content and excellent visual quality and, secondly, because it demonstrates Xenakis' extraordinary capacity for sonic imagination. This imagination expresses itself through musical (compositional) ideas, but also through the way Xenakis illustrates and comments on the film’s images. The article studies film as such for the first time and its music through the relationship between music and image.
publishDate 2023
dc.date.none.fl_str_mv 2023-10-20
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url https://periodicos.ufmg.br/index.php/permusi/article/view/48275
identifier_str_mv 10.35699/2317-6377.2022.48275
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dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/48275/39079
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https://periodicos.ufmg.br/index.php/permusi/article/view/48275/39077
dc.rights.driver.fl_str_mv Copyright (c) 2023 Per Musi
http://creativecommons.org/licenses/by/4.0
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dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 42 (2022): General Topics; 1-19
Per Musi; Núm. 42 (2022): General Topics; 1-19
Per Musi; n. 42 (2022): General Topics; 1-19
2317-6377
1517-7599
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