Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image
Autor(a) principal: | |
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Data de Publicação: | 2023 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/48275 |
Resumo: | The film Orient-Occident, directed by Enrico Fulchignoni with music by Iannis Xenakis (not yet commercially available) is, in general, only mentioned through the homonymous concert version of Xenakis's music. This unavailability of the cinematographic work is regrettable, firstly because it is a documentary with excellent content and excellent visual quality and, secondly, because it demonstrates Xenakis' extraordinary capacity for sonic imagination. This imagination expresses itself through musical (compositional) ideas, but also through the way Xenakis illustrates and comments on the film’s images. The article studies film as such for the first time and its music through the relationship between music and image. |
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Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and imageOrient-Occident de Fulchignoni-Xenakis: Analizar la relación entre música e imagenOrient-Occident de Fulchignoni-Xenakis: Análise da relação entre música e imagemXenakis; Orient-Occident; electroacoustic music, soundtracXenakis; Orient-Occident; música elXenakisetroacústica, trilha sonoraXenakis; Oriente-Occidente; música electroacústica, banda sonora.The film Orient-Occident, directed by Enrico Fulchignoni with music by Iannis Xenakis (not yet commercially available) is, in general, only mentioned through the homonymous concert version of Xenakis's music. This unavailability of the cinematographic work is regrettable, firstly because it is a documentary with excellent content and excellent visual quality and, secondly, because it demonstrates Xenakis' extraordinary capacity for sonic imagination. This imagination expresses itself through musical (compositional) ideas, but also through the way Xenakis illustrates and comments on the film’s images. The article studies film as such for the first time and its music through the relationship between music and image.La película Oriente-Occidente, dirigida por Enrico Fulchignoni con música de Iannis Xenakis (aún no disponible comercialmente) es, en general, sólo mencionada a través de la versión de concierto homónima de la música de Xenakis. Esta indisponibilidad de la obra cinematográfica es lamentable, primero porque se trata de un documental con excelente contenido y excelente calidad visual y, segundo, porque demuestra la extraordinaria capacidad de imaginación sonora de Xenakis. Esta imaginación se expresa a través de ideas musicales (compositivas), pero también a través de la forma en que Xenakis ilustra y comenta las imágenes de la película. El artículoO filme Oriente-Ocidente, dirigido por Enrico Fulchignoni com música de Iannis Xenakis (ainda não disponível comercialmente) é, em geral, apenas mencionado através da versão concerto homônima da música de Xenakis. Esta indisponibilidade da obra cinematográfica é lamentável, primeiro porque se trata de um documentário com excelente conteúdo e excelente qualidade visual e, segundo, porque demonstra a extraordinária capacidade de imaginação sonora de Xenakis. Esta imaginação expressa-se através de ideias musicais (composicionais), mas também através da forma como Xenakis ilustra e comenta as imagens do filme. O artigo estuda pela primeira vez o filme enquanto tal e a sua música através da relação entre música e imagem.Universidade Federal de Minas Gerais (UFMG)2023-10-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoTextoinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/4827510.35699/2317-6377.2022.48275Per Musi; No. 42 (2022): General Topics; 1-19Per Musi; Núm. 42 (2022): General Topics; 1-19Per Musi; n. 42 (2022): General Topics; 1-192317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/48275/39079https://periodicos.ufmg.br/index.php/permusi/article/view/48275/39080https://periodicos.ufmg.br/index.php/permusi/article/view/48275/39077Copyright (c) 2023 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSolomos, MakisVilla, André2023-10-20T17:48:33Zoai:periodicos.ufmg.br:article/48275Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-10-20T17:48:33Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image Orient-Occident de Fulchignoni-Xenakis: Analizar la relación entre música e imagen Orient-Occident de Fulchignoni-Xenakis: Análise da relação entre música e imagem |
title |
Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image |
spellingShingle |
Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image Solomos, Makis Xenakis; Orient-Occident; electroacoustic music, soundtrac Xenakis; Orient-Occident; música elXenakisetroacústica, trilha sonora Xenakis; Oriente-Occidente; música electroacústica, banda sonora. |
title_short |
Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image |
title_full |
Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image |
title_fullStr |
Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image |
title_full_unstemmed |
Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image |
title_sort |
Orient-Occident by Fulchignoni-Xenakis: Analysing the relationship between music and image |
author |
Solomos, Makis |
author_facet |
Solomos, Makis Villa, André |
author_role |
author |
author2 |
Villa, André |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Solomos, Makis Villa, André |
dc.subject.por.fl_str_mv |
Xenakis; Orient-Occident; electroacoustic music, soundtrac Xenakis; Orient-Occident; música elXenakisetroacústica, trilha sonora Xenakis; Oriente-Occidente; música electroacústica, banda sonora. |
topic |
Xenakis; Orient-Occident; electroacoustic music, soundtrac Xenakis; Orient-Occident; música elXenakisetroacústica, trilha sonora Xenakis; Oriente-Occidente; música electroacústica, banda sonora. |
description |
The film Orient-Occident, directed by Enrico Fulchignoni with music by Iannis Xenakis (not yet commercially available) is, in general, only mentioned through the homonymous concert version of Xenakis's music. This unavailability of the cinematographic work is regrettable, firstly because it is a documentary with excellent content and excellent visual quality and, secondly, because it demonstrates Xenakis' extraordinary capacity for sonic imagination. This imagination expresses itself through musical (compositional) ideas, but also through the way Xenakis illustrates and comments on the film’s images. The article studies film as such for the first time and its music through the relationship between music and image. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-10-20 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Texto Texto info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/48275 10.35699/2317-6377.2022.48275 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/48275 |
identifier_str_mv |
10.35699/2317-6377.2022.48275 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/48275/39079 https://periodicos.ufmg.br/index.php/permusi/article/view/48275/39080 https://periodicos.ufmg.br/index.php/permusi/article/view/48275/39077 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Per Musi http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Per Musi http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
text/html text/xml application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 42 (2022): General Topics; 1-19 Per Musi; Núm. 42 (2022): General Topics; 1-19 Per Musi; n. 42 (2022): General Topics; 1-19 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711237494276096 |