Vocal interpretation and creation processes
Autor(a) principal: | |
---|---|
Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Per Musi |
Texto Completo: | https://periodicos.ufmg.br/index.php/permusi/article/view/35863 |
Resumo: | This paper addresses aspects related to the singer’s creation processes and brings also their dialogue with the composers’ creation work, which includes the issues of Umwelten (Vieira 2008, 2009), the Peircean concepts of subject and self (Colapietro 1989, 2003), the concept of miscegenation (Laplantine and Nouss 2002), supports (written or oralized), and ecological perception, as conceptualized by J. Gibson (1979). In order to contribute to the reflection on these aspects, some testimonies from singers about their interpretative creations of the Canção de Amor [Song of Love], by Villa-Lobos, were brought. The objective is to expose the details of their creative processes, otherwise inaccessible to the public. These testimonies are part of our doctoral thesis defended in the line of research of Creative Processes. We also refer to resources from the processes criticism and nets of creation by Cecilia Salles (2006, 2008, 2010, 2011). |
id |
UFMG-3_f59eda2c956fe5bb898b2cad58ef4aa8 |
---|---|
oai_identifier_str |
oai:periodicos.ufmg.br:article/35863 |
network_acronym_str |
UFMG-3 |
network_name_str |
Per Musi |
repository_id_str |
|
spelling |
Vocal interpretation and creation processesInterpretación vocal y procesos de creaciónInterpretação vocal e processos de criaçãoCreation processesSingersComposersUmweltSelfProcessos de criaçãoCantoresCompositoresUmweltSelfProcessos de creaciónCantantesCompositoresUmweltSelfThis paper addresses aspects related to the singer’s creation processes and brings also their dialogue with the composers’ creation work, which includes the issues of Umwelten (Vieira 2008, 2009), the Peircean concepts of subject and self (Colapietro 1989, 2003), the concept of miscegenation (Laplantine and Nouss 2002), supports (written or oralized), and ecological perception, as conceptualized by J. Gibson (1979). In order to contribute to the reflection on these aspects, some testimonies from singers about their interpretative creations of the Canção de Amor [Song of Love], by Villa-Lobos, were brought. The objective is to expose the details of their creative processes, otherwise inaccessible to the public. These testimonies are part of our doctoral thesis defended in the line of research of Creative Processes. We also refer to resources from the processes criticism and nets of creation by Cecilia Salles (2006, 2008, 2010, 2011).Este artículo aborda aspectos relacionados con los procesos creativos de los cantantes, aportando también su diálogo con el trabajo creativo de los compositores. Esto incluye las cuestiones de Umwelten (Vieira 2008, 2009), el sujeto y el yo peirceanos (Colapietro 1989, 2003), el concepto de mestizaje (Laplantine y Nouss 2002), los medios de comunicación (escritos o hablados) y la percepción ecológica tal y como la conceptualiza J. Gibson (1979). Para contribuir a la reflexión sobre estos aspectos, seleccionamos algunas declaraciones de cantantes sobre sus interpretaciones de la Canción de Amor de Villa-Lobos, intentando sacar a la luz conocimientos sobre sus procesos creativos, siempre inaccesibles al público. Estas afirmaciones forman parte de nuestra tesis doctoral defendida en la línea de investigación de Procesos de Creación. También recurrimos a recursos de la crítica de procesos y redes de creación de Cecilia Salles (2006, 2008, 2010, 2011).Este artigo aborda aspectos ligados aos processos de criação de cantores, trazendo também seu diálogo com o trabalho de criação dos compositores. Isso inclui as questões de Umwelten (Vieira 2008, 2009), sujeito e self Peirceano (Colapietro 1989, 2003), o conceito de mestiçagem (Laplantine e Nouss 2002), suportes (escritos ou oralizados), e a percepção ecológica, tal como conceituada por J. Gibson (1979). Para contribuir com a reflexão sobre esses aspectos, selecionamos alguns depoimentos de cantores acerca de suas criações interpretativas da Canção de Amor de Villa-Lobos, buscando trazer à luz conhecimentos sobre seus processos criativos, sempre inacessíveis ao público. Esses depoimentos constam de nossa tese de doutorado defendida na linha de pesquisa de Processos de Criação. Recorremos ainda, a recursos da crítica de processos e redes da criação de Cecilia Salles (2006, 2008, 2010, 2011).Universidade Federal de Minas Gerais (UFMG)2021-10-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/3586310.35699/2317-6377.2021.35863Per Musi; No. 41 (2021): General Topics; 1-21Per Musi; Núm. 41 (2021): General Topics; 1-21Per Musi; n. 41 (2021): General Topics; 1-212317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/35863/37581https://periodicos.ufmg.br/index.php/permusi/article/view/35863/37582https://periodicos.ufmg.br/index.php/permusi/article/view/35863/28826Copyright (c) 2021 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTragtenberg, Lucila2023-05-03T19:49:13Zoai:periodicos.ufmg.br:article/35863Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2023-05-03T19:49:13Per Musi - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Vocal interpretation and creation processes Interpretación vocal y procesos de creación Interpretação vocal e processos de criação |
title |
Vocal interpretation and creation processes |
spellingShingle |
Vocal interpretation and creation processes Tragtenberg, Lucila Creation processes Singers Composers Umwelt Self Processos de criação Cantores Compositores Umwelt Self Processos de creación Cantantes Compositores Umwelt Self |
title_short |
Vocal interpretation and creation processes |
title_full |
Vocal interpretation and creation processes |
title_fullStr |
Vocal interpretation and creation processes |
title_full_unstemmed |
Vocal interpretation and creation processes |
title_sort |
Vocal interpretation and creation processes |
author |
Tragtenberg, Lucila |
author_facet |
Tragtenberg, Lucila |
author_role |
author |
dc.contributor.author.fl_str_mv |
Tragtenberg, Lucila |
dc.subject.por.fl_str_mv |
Creation processes Singers Composers Umwelt Self Processos de criação Cantores Compositores Umwelt Self Processos de creación Cantantes Compositores Umwelt Self |
topic |
Creation processes Singers Composers Umwelt Self Processos de criação Cantores Compositores Umwelt Self Processos de creación Cantantes Compositores Umwelt Self |
description |
This paper addresses aspects related to the singer’s creation processes and brings also their dialogue with the composers’ creation work, which includes the issues of Umwelten (Vieira 2008, 2009), the Peircean concepts of subject and self (Colapietro 1989, 2003), the concept of miscegenation (Laplantine and Nouss 2002), supports (written or oralized), and ecological perception, as conceptualized by J. Gibson (1979). In order to contribute to the reflection on these aspects, some testimonies from singers about their interpretative creations of the Canção de Amor [Song of Love], by Villa-Lobos, were brought. The objective is to expose the details of their creative processes, otherwise inaccessible to the public. These testimonies are part of our doctoral thesis defended in the line of research of Creative Processes. We also refer to resources from the processes criticism and nets of creation by Cecilia Salles (2006, 2008, 2010, 2011). |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-10-17 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text text info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/35863 10.35699/2317-6377.2021.35863 |
url |
https://periodicos.ufmg.br/index.php/permusi/article/view/35863 |
identifier_str_mv |
10.35699/2317-6377.2021.35863 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/permusi/article/view/35863/37581 https://periodicos.ufmg.br/index.php/permusi/article/view/35863/37582 https://periodicos.ufmg.br/index.php/permusi/article/view/35863/28826 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Per Musi http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Per Musi http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
text/html text/xml application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais (UFMG) |
dc.source.none.fl_str_mv |
Per Musi; No. 41 (2021): General Topics; 1-21 Per Musi; Núm. 41 (2021): General Topics; 1-21 Per Musi; n. 41 (2021): General Topics; 1-21 2317-6377 1517-7599 reponame:Per Musi instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Per Musi |
collection |
Per Musi |
repository.name.fl_str_mv |
Per Musi - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
antoniom@fgvnf.br||permusi@ufmg.br |
_version_ |
1799711236176216064 |