From Radio Gazeta to Label Chantecler: the recording of opera Il Guarany by Carlos Gomes

Detalhes bibliográficos
Autor(a) principal: Dias, Saulo Alves
Data de Publicação: 2018
Outros Autores: Coli, Juliana Marilia
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5177
Resumo: In 1959, under the direction of conductor Armando Belardi, artistic director of São Paulo’s Gazeta Radio Station, an important milestone was set for the Brazilian music industry: the production works for the recording of the opera Il Guarany by Carlos Gomes at the Municipal Theater of São Paulo, in full and with a Brazilian cast. In this work, we present some historical / social aspects of the production and performance of this opera, starting from documentary sources of the written press and the memory of some protagonists of this process, which brings on the surface the ingenious marketing strategy involving the Radio / Gazeta newspaper, the Municipal Theater of São Paulo and the music industry through the newly created Chantecler label. Until that time, known for the production of Brazilian popular music and, in particular, the country music, Chantecler, by undertaking a project of such size, would open space for its affirmation in the campus of the erudite musical market, thus contributing to the redefinition of a symbolic hierarchization of the musical styles in the field of the Brazilian music industry.
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spelling From Radio Gazeta to Label Chantecler: the recording of opera Il Guarany by Carlos GomesDa Rádio Gazeta para o Selo Chantecler: a gravação da ópera Il Guarany de Carlos GomesPhonographic IndustryLyric OperaRadio GazetaRecord ChanteclerCulture IndustryIndústria FonográficaÓpera LíricaRádio GazetaGravadora ChanteclerIndústria CulturalIn 1959, under the direction of conductor Armando Belardi, artistic director of São Paulo’s Gazeta Radio Station, an important milestone was set for the Brazilian music industry: the production works for the recording of the opera Il Guarany by Carlos Gomes at the Municipal Theater of São Paulo, in full and with a Brazilian cast. In this work, we present some historical / social aspects of the production and performance of this opera, starting from documentary sources of the written press and the memory of some protagonists of this process, which brings on the surface the ingenious marketing strategy involving the Radio / Gazeta newspaper, the Municipal Theater of São Paulo and the music industry through the newly created Chantecler label. Until that time, known for the production of Brazilian popular music and, in particular, the country music, Chantecler, by undertaking a project of such size, would open space for its affirmation in the campus of the erudite musical market, thus contributing to the redefinition of a symbolic hierarchization of the musical styles in the field of the Brazilian music industry.No ano de 1959, sob a direção do maestro Armando Belardi, diretor artístico da Rádio Gazeta de São Paulo, realizou-se um marco importante para a indústria fonográfica brasileira: a produção para a gravação da ópera Il Guarany de Carlos Gomes, no Teatro Municipal de São Paulo, na íntegra e com elenco brasileiro. Neste trabalho, apresentamos alguns aspectos históricos/sociais da produção e realização desta ópera, partindo de fontes documentais da imprensa escrita e da memória de alguns protagonistas deste processo, que nos traz à tona a engenhosa estratégia mercadológica envolvendo a Rádio/Jornal A Gazeta, o Teatro Municipal de São Paulo e a Indústria fonográfica por meio da recém criada gravadora Chantecler. Até então conhecida pela produção de música popular brasileira e, em especial, da música sertaneja, a Chantecler, ao empreender um projeto de tamanho porte, abriria espaço para a sua afirmação no campus do mercado musical erudito, contribuindo assim para a remarcação de uma hierarquização simbólica entre os estilos musicais no campo da indústria fonográfica brasileira.Universidade Federal de Minas Gerais (UFMG)2018-03-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/517710.35699/2317-6377.2017.5177Per Musi; No. 37 (2017): General TopicsPer Musi; Núm. 37 (2017): General TopicsPer Musi; n. 37 (2017): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5177/3216Dias, Saulo AlvesColi, Juliana Mariliainfo:eu-repo/semantics/openAccess2020-02-27T19:17:39Zoai:periodicos.ufmg.br:article/5177Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-02-27T19:17:39Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv From Radio Gazeta to Label Chantecler: the recording of opera Il Guarany by Carlos Gomes
Da Rádio Gazeta para o Selo Chantecler: a gravação da ópera Il Guarany de Carlos Gomes
title From Radio Gazeta to Label Chantecler: the recording of opera Il Guarany by Carlos Gomes
spellingShingle From Radio Gazeta to Label Chantecler: the recording of opera Il Guarany by Carlos Gomes
Dias, Saulo Alves
Phonographic Industry
Lyric Opera
Radio Gazeta
Record Chantecler
Culture Industry
Indústria Fonográfica
Ópera Lírica
Rádio Gazeta
Gravadora Chantecler
Indústria Cultural
title_short From Radio Gazeta to Label Chantecler: the recording of opera Il Guarany by Carlos Gomes
title_full From Radio Gazeta to Label Chantecler: the recording of opera Il Guarany by Carlos Gomes
title_fullStr From Radio Gazeta to Label Chantecler: the recording of opera Il Guarany by Carlos Gomes
title_full_unstemmed From Radio Gazeta to Label Chantecler: the recording of opera Il Guarany by Carlos Gomes
title_sort From Radio Gazeta to Label Chantecler: the recording of opera Il Guarany by Carlos Gomes
author Dias, Saulo Alves
author_facet Dias, Saulo Alves
Coli, Juliana Marilia
author_role author
author2 Coli, Juliana Marilia
author2_role author
dc.contributor.author.fl_str_mv Dias, Saulo Alves
Coli, Juliana Marilia
dc.subject.por.fl_str_mv Phonographic Industry
Lyric Opera
Radio Gazeta
Record Chantecler
Culture Industry
Indústria Fonográfica
Ópera Lírica
Rádio Gazeta
Gravadora Chantecler
Indústria Cultural
topic Phonographic Industry
Lyric Opera
Radio Gazeta
Record Chantecler
Culture Industry
Indústria Fonográfica
Ópera Lírica
Rádio Gazeta
Gravadora Chantecler
Indústria Cultural
description In 1959, under the direction of conductor Armando Belardi, artistic director of São Paulo’s Gazeta Radio Station, an important milestone was set for the Brazilian music industry: the production works for the recording of the opera Il Guarany by Carlos Gomes at the Municipal Theater of São Paulo, in full and with a Brazilian cast. In this work, we present some historical / social aspects of the production and performance of this opera, starting from documentary sources of the written press and the memory of some protagonists of this process, which brings on the surface the ingenious marketing strategy involving the Radio / Gazeta newspaper, the Municipal Theater of São Paulo and the music industry through the newly created Chantecler label. Until that time, known for the production of Brazilian popular music and, in particular, the country music, Chantecler, by undertaking a project of such size, would open space for its affirmation in the campus of the erudite musical market, thus contributing to the redefinition of a symbolic hierarchization of the musical styles in the field of the Brazilian music industry.
publishDate 2018
dc.date.none.fl_str_mv 2018-03-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5177
10.35699/2317-6377.2017.5177
url https://periodicos.ufmg.br/index.php/permusi/article/view/5177
identifier_str_mv 10.35699/2317-6377.2017.5177
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5177/3216
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 37 (2017): General Topics
Per Musi; Núm. 37 (2017): General Topics
Per Musi; n. 37 (2017): General Topics
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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